#1
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Whatever happened to PRS acoustics?
Haven't heard a peep about these after the initial "unveiling" a few years back.
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"Use what talents you possess; the woods would be very silent if no birds sang except those that sang best." Henry Van Dyke "It is in the world of slow time that truth and art are found as one" Norman Maclean, |
#2
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I haven't heard much either.
I know they're suppose to be high end makers and all but the price point seemed a little silly for a non mainly acoustic guitar maker. Reputation goes a long way but I don't know if their place is the acoustic world. I guess that could also be said for Taylor electrics though. |
#3
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I have two PRS electrics and follow their line to some degree. Paul Reed Smith was interviewed by Fox Business at his factory last month. He stated plainly that for the first time in his history that they had to lay people off. I think they are running with about half the factory in the dark.
Part of the interview alluded to the fact that his timing for releasing a high-end and pricely acoustic line-up could not have been worse; he sheepishly agreed. I have not seen one, but no matter how good your name is, you have your work cut out for you when your price point is north of $5,000.00. There are a lot of known quality guitars that can be bought at those prices.
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Bob Collings CJ-Rosewood/Sitka Sunburst Martin 000-18 12-Fret Custom Shop Martin OM-John Mayer Larrievee LV10 Koa Custom Martin D-18V Martin D28-12 Gibson ES-369 Gretsch--6120 Tiger Maple Eastman 805CE Archtop |
#4
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I saw one in my local shop....never had enough interest to pick it up and give it a strum though. No idea on the price point either....
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Kopp Trail Boss - Kopp L—02 - Collings C10 Custom - Gibson J-200 Jr - Halcyon 000 - Larrivee 00-70 |
#5
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There is a lot of competition in the "higher" end production market. To come out at a price point that competes with customs and other well known small shops, they have some challenges.
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Taylor 12fret Cedar/Mahogany, Taylor GC8, Carvin AC275, Carvin CL450, Takamine TC135SC, Yamaha APX5na |
#6
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It surprises me that on a forum like this, with so many people owning so many guitars...from inexpensive imports to very expensive one of a kind custom built guitars by builders turning out only a few a year, that I can't recall anybody noting that they own a PRS acoustic.
Has PRS sold one yet??
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"Use what talents you possess; the woods would be very silent if no birds sang except those that sang best." Henry Van Dyke "It is in the world of slow time that truth and art are found as one" Norman Maclean, Last edited by Jeff M; 11-20-2009 at 11:11 AM. |
#7
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A lot of it is hype
Quote:
The publications cooperate with this buzz-building exercise because they need copy and cover photos to entice newstand readers to pick up and purchase the magazines. The guitar (and gun) manufacturers instigate as much of this as they can because they hope new models will result in new orders which will mean more business for them. But just because Guitar World (or Guns & Ammo) devotes a lavish spread to Paul Read Smith's Amazing New Acoustics!! (or Ruger's New Double-Barreled Autoloader .45 ACP/.22 Rimfire!!), that doesn't mean that there's actually a factory making them yet. A lot of the guitar (and gun) business operates on the principle of "Let's run this up the flagpole and see whether anybody salutes..." All too often, the public says: "Hmmmm.....wonder what you'd use THAT for?" And it goes no further. Hope that makes sense. Wade Hampton "I'm Waiting For A Paul Reed Smith .45 ACP With Fiddleback Maple Grips" Miller |
#8
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Last year at the Martin owners gathering Chris Martin spoke and said that nobody was selling acoustic guitars at the $3000+ level in this current economic environment, and his competitors who had concentrated there were in big trouble.
They had moved production of lower end guitars from Mexico to keep the Nazareth plant from laying off workers since they did not want to lose the experienced luthiers when the turnaround comes...whenever that may be. But all in all, 2009 was not a good year to be in the high-end acoustic guitar business, although there are probably a few very high end makers who are riding this out OK.
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----------------------------- Jim Adams Collings OM Guild 12 String Mark V Classical Martin Dreadnaught Weber Mandolin |
#9
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Ricky Scaggs signed on...pretty sure I saw an add in my Acoustic Guitar Magazine that arrived today!!!!
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Collings, Martins, Gibsons, Taylor, Fenders, PRS's, Powers, a Takamine and MORGAN,TONEKING, FRIEDMAN AND FENDER amps..love them all!!! |
#10
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I've played two of them, one at NAMM at the unvailing in January, and Tony McManus' in Portland this summer. They were excellent. Big sound, very responsive.
Jenn |
#11
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PRS failed on the acoustic scene because they were too ambitious.
Their acoustics (for which they have no reputation yet) are positioned higher than their electrics. Makes no sense to me as there's a limit to brand value. PRS is a nice brand, they make fine guitars -- but they're still accessible instruments. If PRS sold acoustics in the same segment as their electrics (more expensive than average but still reasonably priced), I'd buy one. But not at the current asking price, no way. |
#12
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Problem seems to be the same can be said about many guitars that cost less, built by more established builders like Martin, Taylor, SCGC, Collings, Goodall, Bourgeouis, etc, custom builders.
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"Use what talents you possess; the woods would be very silent if no birds sang except those that sang best." Henry Van Dyke "It is in the world of slow time that truth and art are found as one" Norman Maclean, |
#13
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In the last several years, several companies known for making acoustics have delved into the electric guitar market, including Taylor and Collings. PRS did the same in reverse. I don't think any of these guitars are flying off the shelves.
There is a bumper crop of guitars in all price ranges right now from the inexpensive offerings from Asia, to the age-old brands like Martin, Canadians, Europeans, to the highest of the high-end. The market can't sustain all of the choices that are out there right now and there will a market correction soon. PRS acoustics will most likely be one of the casualties of that correction. They never captured any market share or foothold.
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"Vintage taste, reissue budget" |
#14
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I think you're right. It's the price point that is the problem for PRS. They've put themselves into a realm where beautiful woods, excellent construction, and killer sound are a given.
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Martin J40 Alvarez Yairi FY-40 Yamaha FG180 Yamaha FG730S 1950 Epiphone Triumph |
#15
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Quote:
Jim |