#1
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New approach to sound treatment
Interesting article, mostly talking about noise suppression, but it seems like this technology might also help with room acoustics - someday... "Acoustic Silk"!
https://news.mit.edu/2024/sound-supp...et-spaces-0507
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#2
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I wonder how the fabric could distinguish between unwanted sound and the sound you're trying to record.
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1952 Martin 0-18 1977 Gurian S3R3H with Nashville strings 2018 Martin HD-28E, Fishman Aura VT Enhance 2019 Martin D-18, LR Baggs Element VTC 2021 Gibson 50s J-45 Original, LR Baggs Element VTC ___________ 1981 Ovation Magnum III bass 2012 Höfner Ignition violin ("Beatle") bass |
#3
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The major thrust in this study seems to have turned to transmission suppression, ie. keeping sounds from moving from one environment to another. If they are able to do so, it could be revolutionary.
I work in a state-of-the-art listening and recording environment. To keep outside noise out and inside noise in, the engineers had to build a shell of three walls, each comprised of three sheets of 3/4" sheet rock glued and screwed together. Each wall has its own studs and there is now connection between the walls. Each wall rests on a rubber gasket that absorbs rather than transmits sound. There are ten-inch spaces between the walls and the walls are treated with insulation within the spaces. Each of the rooms is built in this way and each room is built upon a floor floated on a carpet of rubber blocks lying in Owens Corning insulation. Now think about that: there are six walls between the control room and the studio. All of that is built in order to keep the sound from the outside of the complex out and keep the sound from inside each room in the complex in. The principles involved are that wall rigidity, dead space, and absorption work together to attenuate sound transmission. Imagine if we could erect two or three thin walls of this active silk between two exterior layers of sheet rock to create a wall that divides the rooms and attenuates the transmission of sound between. It could reduce bulk and possibly a bunch of cost. Bob
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#4
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I like the illustration of the guy sleeping in the same room as a live drum kit performance, separated only by an acoustic curtain. The transmission of lower frequencies will 100% need bulk and density to be reduced. Totally eliminating said frequencies will 100% require a decoupling of these into two rooms. The arrogance of thinking otherwise is appalling but MIT can change the laws of physics apparently.
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#5
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Doesn't sound like it has to. It's changing what transmits from one side of the fabric to the other. If you're in a room recording, I'd think you'd be fine so long as you don't put that electrified fabric between the mic and the sound source.
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#6
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I would tend characterize MIT as engaging in "progress minded research " as opposed to "arrogant thinking" - But that's just me.
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#7
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In a way, this reminds me of windows that can go dark (opaque) with the press of a button. Completely different principle, I guess, but analogous.
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1952 Martin 0-18 1977 Gurian S3R3H with Nashville strings 2018 Martin HD-28E, Fishman Aura VT Enhance 2019 Martin D-18, LR Baggs Element VTC 2021 Gibson 50s J-45 Original, LR Baggs Element VTC ___________ 1981 Ovation Magnum III bass 2012 Höfner Ignition violin ("Beatle") bass |
#8
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look at the funding...know what they're really up to.
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#9
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If we tried to list all the inventions created at MIT that have influence in our lives, we'd be here all week. Yet, for some, controlling sound is a bridge too far, and I don't understand why we'd saddle ourselves with arbitrary limitations like that when our history is replete with examples of us smashing through previous arbitrary limitations.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube Last edited by srick; 05-13-2024 at 08:26 AM. Reason: No hinting at politics please. |
#10
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Huh ? The article itself already gives a brief overview of what "they are really up to".
i.e. Developing an ultra thin noise cancellation sound proofing layer apparently using electronics The sources of funding suggest nothing more or otherwise Kinda blatantly obvious why some of the sources of funding like the DOD the NIH and Private industry (especially construction) would have an interest is such research. There is no funding related mystery to "know what they're really up to"
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#11
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No politics please.
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#12
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I wonder about the “sound mirror” effect. Blocking sound that efficiently would make life pretty difficult for the drummer on their side of the curtain.
I guess that helps reduce the noise on the sleeper side. No one wants to make any noise with a fully reflective wall. It is bad enough playing guitar near a large window. Last edited by srick; 05-13-2024 at 08:25 AM. Reason: Don’t even go there…please. |
#13
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From the Silky Silence paragraph in the article "They control the vibrations of the piezoelectric fiber so that sound waves emitted by the fabric are opposite of unwanted sound waves that strike the fabric, which can cancel out the noise.". Reminds me of sort of like the Null effect when playing back to audio files with switched polarity
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#14
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Quote:
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#15
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I would not hold my breath, I'm guessing practical application is a few years out at best
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2024.3 Sonoma 14.4 Last edited by KevWind; 05-13-2024 at 12:45 PM. |