#76
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Closer to one per month
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#77
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I thought $1800 was a lot for a Waterloo when they were introduced and had opportunities to buy them daily for even less. So much for the don't invest in guitars crowd.
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Bourgeois, Collings, R Taylor, Santa Cruz |
#78
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Guitars aren't overprices, people are just underpaid.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#79
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A luthier friend told me he was talking to someone at Collings who said the same amount of labor goes into a Waterloo as does in a Collings. They don't make too many because there's not enough pay-back.
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You're talking to me. I hear music. And the whole world is singing along https://marshallsongs.com/ https://www.reverbnation.com/marshal...ther-tragedies http://www.youtube.com/watch?v=x-UGW...neHaUXn5vHKQGA http://www.youtube.com/watch?v=dGxDwt26FZc http://www.cdbaby.com/cd/marshallsongs http://www.myspace.com/marshallhjertstedt |
#80
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That is interesting. I was always under the impression that the time spent on the Waterloo line was much less (not cleaning up glue run-out and the time consuming finishing process) than the Collings line. From what I've seen the fitment of the plates are just as good with Waterloo as Collings.
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#81
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I bought one of the early ones for $1730. The original sales pitch was Waterloo's were meant to be guitars built with quality materials but cut production cost by not taking time tidying up things which don't effect the integrity or sound.
I was expecting the inside of mine to have glue drips, a few paint splats, maybe a coffee stain, and a few wood shavings. First thing I did when I got mine was to peer down the sound hole - it was clean and neat as a whistle. I decided to keep it in spite of it missing some beauty marks.
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It never moves any faster than it's supposed to go - Taj Mahal |
#82
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Quote:
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#83
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Quote:
Last edited by phavriluk; 05-07-2024 at 07:46 PM. Reason: added text |
#84
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Yeah - fraud is a word bandied about far too much on this forum, and I think a little reckless on this thread. Nothing fraudulent here.
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Taylor LKSM-12 - Larrivee B-19 - Brook Tavy Baritone, Torridge - Morgan OM Ghost - Goodall CCJC - Lowden BAR-50 FF - Yamaha LJ-56 |
#85
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Quote:
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stai scherzando? |
#86
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Waterloo Price? Opportunism? Fraud? Just high prices?
They sent 3 out in April according to their Facebook page.
Last edited by jontewright; 05-16-2024 at 12:15 AM. |
#87
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I had Retros on for awhile, I like them when I first put them on, but miss the the brightness of PB after awhile. I have a set of Martin T Emmanual Soft Core now. Liked them the first couple days, ready to pull them in less than 2 weeks. I got a pack of Stringjoy PB's I'm about to try, looking for more volume and brightness. If I played with a pick or fingerpicks, some of these other choices would be fine, but kind of dull with flesh/nail. I don't have this compulsion on my other guitars, my LG2 is great with Retros, Collings great with John Pearse PB's. Looking for a magic bullet for the Waterloo.
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'19 Waterloo WL-14X '46 Gibson LG2 '59 Gibson ES125T '95 Collings 0002H '80s Martin M36 |
#88
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Quote:
FWIW, my other two acoustics have D'Addario XS's on them.
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Waterloo WL-14X Scissortail Collings OM2H Gibson 50's J45 Fender EJ Strat |
#89
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I like thomastiks on my MH WL-12.
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#90
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I use them on my Collings some of the time. Are you using Spectrums 54-12?
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'19 Waterloo WL-14X '46 Gibson LG2 '59 Gibson ES125T '95 Collings 0002H '80s Martin M36 |