#16
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Go check out a new 514ce.
Mine has wood binding, I am not sure exactly what type of wood it is off the top of my head, but it is nice looking!
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Taylor 514ce Martin SWOMGT Yamaha Nylon string Keyboard(don't know how to play) Couple of pieces of wood we bang together while recording...percussion you know! |
#17
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I would vote for maple binding on the ovangkol. It gives the dark vs light contrast that really frames out the guitar, but also has the natural wood look.... and the awesome flame.
Nathan |
#18
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I think it's cool that this thread has morphed from "What's it for?" to "What kind do you want?"!!
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#19
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I'll take platinum!
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#20
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maple binding and koa binding both look incredible IMO
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-Adam __________________ '02 314ce-LTD Quote:
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#21
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For me the binding is mainly there to look pretty, if it is made from Koa or even Rosewood. Makes a nice touch of class to any guitar.
Russ |
#22
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I have a 2002 814ceLTD with flamed maple wood binding. It looks very nice -- truly makes for a custom touch!
Just my 2 cents worth
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Will |
#23
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Maybe its weird but I like the white plastic binding on the 814 I have. I really like the way it sets off the dark rosewood back and sides. I had a 514ce and it had koa binding, I think, and I did not like the look of that as much.
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Steve 2003 Taylor 814cES 2000 Taylor K14c 2011 James Tyler Variax JTV-69, Lake Placid Blue JR Beck SHC-908 (ES 135 copy) Crate Powerblock and JDesign custom cabinet http://www.cdbaby.com/cd/stevefeinstein, The Tim and Bob Show buy our CD at http://www.cdbaby.com/cd/timandbob http://www.feintuned.com |
#24
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Quote:
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"Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything." - Plato | '02 814c Custom (Coco/Sitka) | '03 912ce Custom (Coco/Engelmann)| '06 K65ce | '17 J45 Std. | '10 Breedlove Revival OM DLX (EIR/Adi) | Lots of electrics... |
#25
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Quote:
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#26
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As for my vote on the binding, i'd go Ebony with Maple or Pearwood purfling lines to create the contrast. Very elegant and understated.
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#27
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The main purpose for binding is to protect the edges from being damaged by bumps. If you bump a piece of wood on its edge, you are more likely to start a crack than if you bump it in its middle. The secondary purpose of binding is to make it look more finished. It costs extra to put on binding and so you won't find it on very low cost guitars.
Wood binding is not a very choice for a binding on a guitar that you plan on playing much since when you bump it, it will protect the corners but it does not rebound to its original shape like celluloid binding does. Unlike celluloid bindings, bumps on wood bindings are permanent. Celluloid bindings are actually a bit more costly for the binding material than wood bindings. The abalone you see on some guitars is not binding. That is purfling. Purfling is purely decorative and you can purfle with most anything to make your guitar look nicer. Abalone purfling will add a great deal of cost to a guitar.
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Member #12 Acoustics: 1995 Taylor 510 1997 Taylor Custom Shop 14 size 1998 Taylor K-65 12 string 1998 Larrivee C-10E with Mucha Lady IR/Sitka Electrics: 1999 PRS Custom 22 Artist Package - Whale Blue/Ebony 1995 Fender Custom Shop 1960 Strat - Dakota/Maple 1997 Fender California Series Fat Strat - CAR/Maple 1968 Teisco e-110 Sunburst/Maple |
#28
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I just love Ivoroid binding!
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[COLOR="DarkOrchid"]2007 R Taylor style1 Indian Rosewood, Swiss Alpine Spruce 2014 Taylor 456ce SLTD 12 string Ovangkol , sitka spruce 2019 214CE SB DLX Rosewood/Sitka 2021 224CE K DLX Koa /COLOR] Guitars, you only get out of it what you put into it Member #885 |