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View Poll Results: What is tonal quality MOSTLY derived from ? | |||
Wood | 14 | 14.14% | |
Finish | 0 | 0% | |
Construction | 64 | 64.65% | |
All equally | 22 | 22.22% | |
Jury is still out | 4 | 4.04% | |
Multiple Choice Poll. Voters: 99. You may not vote on this poll |
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Thread Tools |
#1
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Old wood, New wood, plus a poll
I was reading the poll on Vintage vs. New guitar preference, when I started wondering, The Stradivari violins are known for their superior woods, and secret finish.
My question, is the tonal quality of older instruments attributed more to the woods, or the finish, or equally, or we really aren't sure ? Dan |
#2
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Nobody knows. ....Mike
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#3
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It's mojo.
Cause some new instruments absolutely stun with their sound. And then add more stun to the equation, when you realize how good the same instrument is going to sound as it "opens up"... Mojo...that's my story, and I'm sticking to it!
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A bunch of guitars I really enjoy. A head full of lyrics, A house full of people that “get” me. Alvarez 5013 Alvarez MD70CE Alvarez PD85S Alvarez AJ60SC Alvarez ABT610e Alvarez-Yairi GY1 Takamine P3DC Takamine GJ72CE-12-NAT Godin Multiac Steel. Journey Instruments OF660 Gibson G45 |
#4
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Wood, wood, and wood. That is by far the limiting component in a great guitar. The rest is up to construction which can of course, make it or break it.
Try to make a great guitar out of inferior top wood and you will not succeed. The best guitars are made from the finest woods graded by tone or physical property and are well constructed. They are also slightly over built and come into their own at some time in the not to distant future. Finishes and other components only have a minor effect on the tone. Frank Sanns |
#5
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Any of them done poorly will compromise the sound of the instrument in a big way. Hard to sort out one over the other. A Somogyi might sound just as nasty with a bottom quality soundboard as with a crazy thick lacquer finish or big heavy braces. I had a late 70s D-41 made with beautiful woods and finish, but the oversized bridge plate killed the tone.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#6
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http://www.laguitarsales.com/pages/3...hop_Pallet.htm
Mismatched back and sides, unknown species of softwood on the top - got $10,000?? I believe it is more maker than wood. |
#7
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Fact: Impossible to determine
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#8
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Quote:
Quote:
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Taylor 810ce, 416ce LTD (sitka/granadillo), 456ce FLTD (sitka/EIR), 314ce, 324e, HV GS Mini Gretsch Honey Dipper Special Halcyon Lutz/Black Limba Dread |
#9
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Quote:
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#10
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I'm going with construction ... I think a lot of really nice tone woods are wasted on poorly built, sloppily finished acoustic guitars.
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"Alas for those that never sing, But die with all their music in them!" --- Oliver Wendell Holmes Hear my original music at: https://www.reverbnation.com/judsonhair |
#11
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Old wood, new wood?
Quote:
Glen
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Yamaha FG-375S Jumbo Martin DXME/D-35E/DC Aura/000-14 Custom/D-16E Custom/ 000C Nylon/0000-28HE/Concept IV Jumbo/00-16C/D-4132SE Gibson LP Deluxe/ES-347 TD/Chet Atkins CE Fender MIA Deluxe Strat Art & Lutherie 12-string Bellucci Concert Sigma CR-7 Recording King ROS-06 FE3/RPH-05 D'Angelico "New Yorker" New Masters "Esperance SP" Hermosa AH-20 “I never met a guitar I didn't like.” |
#12
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It's a combination of all those factors. Anyone who's ever been around amateur guitar builders has seen some of them take top notch materials and produce barely functional musical instruments out of them.
So it's design and execution as much as it is materials, in my opinion. Finish matters less, so long as it's been competently applied. If you slather on a half inch of marine spar varnish, yeah, that has an impact, but for the most part finish matters mainly in terms of how little it affects the tone. Wade Hampton Miller |
#13
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IMHO, it is a combination of design, execution of that design, skill used in construction, materials used, final finish and final setup.
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Acoustics: Martins 1936 00-18, 1958 00-28G, 000-18GE, OM-1, J12-65, B-65, Olson SJ, Dobro Duolian Electrics: Callaham S-model, Sadowsky Vintage P/J bass, Gibson '58 Historic Les Paul, Gibson '59 Historic ES-335, Afri-Can Art: http://www.brianandersongallery.com/ |
#14
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Construction = Body design = Number one factor.
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#15
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Quote:
Here are a couple of videos with Taylor playing a pallet guitar. The quality is not great but I think it gives you a good idea of the tone. http://youtu.be/jvMEtks_rHg http://youtu.be/S4wxutbs8ZU
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Taylor 810ce, 416ce LTD (sitka/granadillo), 456ce FLTD (sitka/EIR), 314ce, 324e, HV GS Mini Gretsch Honey Dipper Special Halcyon Lutz/Black Limba Dread |