#1
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Look at the J-35 available at zZounds
Zoom in on the rosette.
Seam gap very obvious. I don't think this would pass a Chinese QC yet here it appears. Been thinking about a Bozeman Gibson for a while now. Prices are outrageous. J-35 is reasonably priced but by no means inexpensive. This should not happen. I guess they already really miss Ren Ferguson. BTW zZounds offers six different guitars from which to choose. The jacked rosette appears in every image. They must have used the same photo for each offering.
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edward lewandowski pittsburgh, pa Taylor 2003 955 Taylor 2003 310ce-L2 (maple) Washburn 2005 D10S12DL i been down so long it looks like up to me... |
#2
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J-35
Hey, I looked at the pics and didn't see what you're seeing...I just bought a J-35 locally and it's perfect, best one I ever played...
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Cordoba C5-CE Cordoba La Playa Nylon String Cordoba Mini O-CE Gibson J-35 Larrivee Parlour Martin Dreadnaught Jr. Rainsong Shorty Taylor GS Mini-e Mahogany Yamaha FSX700SC Cordoba 20 tm-ce Ukulele Mitchell Baritone Ukulele Taylor GS MINI e bass |
#3
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I see it, just below the fingerboard. Not too big of a deal, but yeah, one would expect to see no seam. Even my GS mini shows no seam
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Cort AS-E4 Taylor GS Mini Mahogany -- |
#4
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Wouldn't be a deal-breaker for me.
Especially if it played well; I doubt I'd even notice. |
#5
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A link would be nice.
Dan |
#6
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I think your being a bit harsh. That is pretty minor IMO. Zzounds does a fine job of displaying their guitars. Each front image is clearly different in each of the 6 they detail. Gibson has ways of building their guitars. You'll likely notice things like that as well as the back binding not meeting perfectly in the center of the neck , or a bit of glue smudge at the nut, or even polishing compound on the fretboard and bridge. In my opinion, Gibson builds with the same methods they always have in a more traditional way. You'll likely find imperfections in them that show they were built by hand. You could enjoy these imperfections or you could do what your doing and be miserable. I love Gibsons, but much prefer their sunburst models because they show age much betta!
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2021 Taylor 114e 2020 Martin 000-18 2020 Martin LXME |
#7
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Photography is a funny thing, lights and shadows can really play tricks on you. I looked at the J-35 and all I could find was what looked like the shadow of the bass strings. I think your crazy if you think you could find faults on those pictures. Crazy blurry when you zoom in
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Guitars: 2013 Taylor 810 Prototype Martin 000-28EC Sunburst Epiphone Masterbuilt AJ-500M Epiphone Les Paul Custom Pro |
#8
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Here's the link. http://www.zzounds.com/item--GIBJ35
Zoomed in, the image was VERY clear on my 24" graphics monitor and I see exactly what the OP is referring to and has nothing to do with lights and shadows. There is a very slight gap between the rosette ends but actually, compared to some J-35s I've seen, it's pretty good and not something I'd complain about. I've seen larger gaps and more misaligned rosette ends on J-35s. The rosette ends on mine aren't perfectly aligned but not bad, and nothing that's really bothered me. It's such a fantastic guitar I just don't worry about it. DC
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2005 Martin OM-16 1972 Guild F-30R 2014 Taylor GS Mini Mahogany 2010 Trinity College TM375 Irish Bouzouki ___________________________________ 2010 Martin D-41 (recently sold) 2013 Gibson J-35 (recently sold) 2011 Wechter TO8418 (recently sold) 2011 Guild F-130R (recently traded for GS Mini hog) |
#9
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Who cares?
How's it sound? Can we agree that if it were a stellar copy, this minor flaw would be meaningless? I'm starting to consider Gibsons to be "folk art" instruments that have a ton of soul and mojo but many "rough edges" and "uniqueness." This is a good example. A hundred years from now, these will be endearing "flaws" when examined on Antiques Roadshow
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Martin CEO-7, Martin 000-15sm, Gibson J-35, Ibanez AC240, Yamaha FD01S, Journey RT660 |
#10
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J-35
Hey, I took a look at the pics again, and now I see it...maybe I didn't understand what I was supposed to be looking for...to me it looks like a misalignment rather than a gap....and so I went to check out my j-35...took my glasses off so I could see closer...there really isn't a gap, but the black line in the rosette doesn't align perfectly at the top of the soundhole...can't see that with a casual look...I'm not going to cry about that...guitar plays great, without a setup, and sounds wonderful...
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Cordoba C5-CE Cordoba La Playa Nylon String Cordoba Mini O-CE Gibson J-35 Larrivee Parlour Martin Dreadnaught Jr. Rainsong Shorty Taylor GS Mini-e Mahogany Yamaha FSX700SC Cordoba 20 tm-ce Ukulele Mitchell Baritone Ukulele Taylor GS MINI e bass |
#11
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I zoomed in. The resolution of the photo wasn't good enough to reveal what you're talking about on my iPad, but if it's there, at $500 less than a D 18, well, I believe I'd be listening, not looking at a tiny gap in the rosette.
That kind of money in a Martin will get you into a 17 series...A frame bracing, "select hardwood" neck, morado fingerboard, satin finished back and sides...I'll take that tiny little gap, thanks. YMMV. P
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One amazing '03 OJ Last edited by Phelonious Ponk; 06-13-2014 at 10:54 PM. |
#12
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Wow. It ain't perfect, but it's hardly worth starting a thread about...
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#13
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I see what the OP is talking about.
More importantly to me, take note of the string slots at the nut with what my eye sees as perfectly spaced strings-that's very important to me, I've found issues with that on many other brands guitar. That is a very nice looking slope to me. d |
#14
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Yes, there's a vertical seam visible at the top of the rosette. You'd see a similar seam or even worse on practically any guitar if the vast majority didn't have the fretboard extending over the top of the rosette. I'll have to admit that short fretboard is one aspect of the J35's style I don't like.
fasteddie199...find a Chinese guitar or 2 with the full rosette uncovered without a visible seam and I might allow your criticism rates a minor sniff. But I'd be paying more attention to how the instrument sounds and plays.
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Ray For where your treasure is, there will your heart be also. 2006 Art & Lutherie Ami Parlor: Solid Cedar Top/Wild Cherry Lam B&S/Black Satin Lacquer 2006 Art & Lutherie Dreadnought: Solid Cedar Top/Wild Cherry Lam B&S/Natural Satin Lacquer You can't change the tide with an oar. ---Nick Bracco (Gary Ponzo) Last edited by reholli; 06-14-2014 at 03:34 AM. Reason: ...clarity... |
#15
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not a big deal ?
You pay almost two grand for a guitar, it should be perfect.
While it seems like a minor imperfection, the person doing the rosette had the opportunity to fix it but let it go. That person doesn't care. The person performing the final inspection did not care. "One of the most difficult mindsets for Ren to adopt came from a meeting with Henry. Henry told Ren, “Don’t over-romanticize the making of these guitars – they are just boxes, for crying out loud.”" -Henry Juszkiewicz to Ren Ferguson I'd rather not own a box that someone doesn't care about no matter how good it sounds.
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edward lewandowski pittsburgh, pa Taylor 2003 955 Taylor 2003 310ce-L2 (maple) Washburn 2005 D10S12DL i been down so long it looks like up to me... |
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Tags |
gibson, j-35, quality control |
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