#1
|
|||
|
|||
Strings that need time to mature
Do you folks often find that some strings sound better after they have matured for a few days or weeks?
I've written before how I put on a set of Ernie Ball Aluminum Bronze strings on my Alvarez AD710 and I hated them. Very brash sounding and an overbearingly loud G string. But after I didn't touch the guitar for a month I discovered the strings sounded much better, warmer, still loud but the imbalance had disappeared or at least been tamed. A few days ago I picked up the same guitar, now strung with La Bella phosphor bronze 13-56s. I had written before that I wasn't impressed with the sound they produced. Not bad but rather sterile I thought. However I played the guitar at a jam and I was amazed at how well the strings sounded. Pretty loud and they cut through the mix very well. It was almost as if I was playing a different guitar ... although my actual playing skill had not improved. Do you folks find this happens to you too? Are there certain brands or models of strings that just need time to settle in? I ask because I've read where people put on a set of strings and very quickly remove them because they don't like them for one reason or another. I understand that if the strings don't feel right or the tension is off that waiting won't improve things. But maybe some sets of strings, like the two I cited, just need time to sound better and maybe they should be left on for a few days or a week if possible. I did that to some Martin Retros and I am now wondering if I should try them again because I put them on and took them off in a day or two.
__________________
Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#2
|
|||
|
|||
That describes just about every string I've ever tried. They all settle in after a couple hours of play time.
|
#3
|
|||
|
|||
Yes, I find that strings don't sound very impressive till after a few months of regular playing. I will not record with them until they shake off all the sonic impurities and project what I'm after.
__________________
Guitarista en la Jardin |
#4
|
|||
|
|||
Oh definitely...I don't think I like any kind of string until they're played in a few hours.
|
#5
|
|||
|
|||
I think it's a mistake to take ANY set of strings off after only a day or two.
__________________
2019 Martin Custom Shop HD-28 (Adi/EIR) 1998 Taylor 914ce (Engelmann/EIR) 1995 Takamine EN10c (cedar/mahogany) 2013 Yamaha FG720S-12 (Sitka/mahogany) |
#6
|
|||
|
|||
Unless it's clear you don't like them and aren't ready to invest in adapting to them. Like when I put medium 13-56 strings on a 25.5" scale jumbo and found I could not properly hold down 1st pos F bar chords. I wasn't ready to pump iron for however long it takes so I took them off.
__________________
Yamaha LJ56 & LS36, Furch Blue OM-MM, Cordoba C5, Yamaha RS502T, PRS Santana SE, Boss SY-1000 CG3 Tuning - YouTube - Bandcamp - Soundcloud - Gas Giants Podcast - Blog |
#7
|
|||
|
|||
Strings that need time to mature
Quote:
Don .
__________________
*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo |
#8
|
|||
|
|||
I never like strings the day I put them on. I usually play different guitars for a day or two while the new strings settle in. After a couple of days without playing they will still settle in.
__________________
'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" 23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#9
|
||||
|
||||
Quote:
Personally, I want/need sustain, and full bodied tone (think harmonics), and aged strings are what I change from and exhange them for fresh ones. My style of playing is built around these qualities. I know there is a whole group of folks who like and appreciate strings I reject. It's more based on personal style and the accompanying needs to carry off these styles. I can always mute strings which are too resonant, but cannot add sustain, frequency response and resonance to aged strings.
__________________
Baby #1.1 Baby #1.2 Baby #02 Baby #03 Baby #04 Baby #05 Larry's songs... Just because you've argued someone into silence doesn't mean you have convinced them Last edited by ljguitar; 09-06-2022 at 08:05 PM. |
#10
|
|||
|
|||
Quote:
Quote:
+2 That's the biggest reason I don't like Elixirs, they sound new(awful) for months. |
#11
|
|||
|
|||
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#12
|
|||
|
|||
I'm one of the goof balls that likes the sound of new strings but yes I find the tone changes after some hours. I'm not totally convinced it's not just my ears getting used to them.
__________________
Taylor 322,512ce 12 fret cedar/hog & 362ce Martin 00015SM Guild 1966 F20 Larrivee P03 sitka/hog,simple 6 OM & OM 09 Eastman E100ss-sb Gibson J185 & 2016 J35 Fender player plus telecaster & Mustang P90 Gretsch MIK 5622T |
#13
|
|||
|
|||
I'm a huge monel fan, but IMO they sound a bit harsh for a whole week before settling in.
|
#14
|
|||
|
|||
Im curious about this
what is it, exactly, that makes strings sound different in the first hours compared to a few days ( or more) later?
Seriously, what physical property changes to cause this? Im not talking about old strings with corrosion and imperfections, but about new strings that were changed yesterday vs 5 minutes ago. Anybody know?
__________________
Doerr, Skytop, Henderson, Kinnaird, Edwinson, Ryan, SCGC, Martin, others. https://youtu.be/_l6ipf7laSU |
#15
|
|||
|
|||
The same exact thing happens every time I put a new set of Martin SP Phosphor Bronze strings on my Martin D-35, assuming I'm playing it every day.
The sound is bright and a bit strident (but still really good) for anywhere from a few hours to a few days. Recording is at it's perfect spot after 3 days. After about 3 weeks, sometimes a little longer, the strings begin to go dull. Time to change strings again. I don't mind sometimes leaving them on longer than 3 weeks, but they never sound as good after that, for critical stuff like recording. I guess you can get more life out of the SP phosphor bronze coated version, but they don't sound the same to me. I think you can speed up the settling in time by stretching the stings some as you're putting them on. I have no idea what the physics are. Turtle Last edited by turtlejimmy; 09-06-2022 at 07:16 PM. Reason: grammar |