#1
|
|||
|
|||
Why do strings get progressively higher up the fretboard?
I did not want to hijack suzie's GS Mini thread but it got me thinking...
Why are strings so high above the frets farther up the neck? Why don't strings run basically parallel to the fret board? Like, why is the relaxed measurement at the 14th fret so much higher than at the first? When I get the answer I will probably see this as a dumb question. |
#2
|
|||
|
|||
Quote:
When a string vibrates it does so in an arc. That arc is greatest in the middle of the string. Hence there needs to be more clearance in the middle of the string so that the string does not buzz against the top of the fret. TW |
#3
|
|||
|
|||
The amplitude of string vibration is maximum at the middle of the string length compared to the amplitude at the ends. In fact. There is no amplitude at the nut or the saddle. Those are fixed. In the middle of of the string (14th fret) it is the highest.
|
#4
|
|||
|
|||
The strings vibrate in an elliptical path. With the widest point in the ellipse in the exact center (at the twelfth fret). This is also why proper relief is so important in order to get the lowest action possible without buzzing.
Cheers......................Todd |
#5
|
|||
|
|||
More so than amplitude of string vibration /highest in the middle, I think there is the basic physics that the nut, saddle and the string need to form somewhat of a right triangle. When you press a fret anywhere on the neck, the string needs to angle away from the adjacent fret or you would have buzz everywhere.
|
#6
|
||||
|
||||
Quote:
The "middle" (approx. 1/2 the distance between nut and saddle) of any string on a guitar is always the 12th fret.
__________________
Larry Pattis on Spotify and Pandora LarryPattis.com American Guitar Masters 100 Greatest Acoustic Guitarists Steel-string guitars by Rebecca Urlacher and Simon Fay Classical guitars by Anders Sterner |
#7
|
||||
|
||||
I was always taught that the only "Dumb" question was the one that was never asked!!
__________________
When you sing you pray twice. Sharing halves your sorrows and doubles your joys! 2013 Taylor 314ce ("Cecelia" = patron saint of musicians) 1997 Taylor 414ce ("Winnie" - for my Mom) Zager ZAD-50ce ("Tommy" - my stepbrother KIA Viet Nam) Ibanez AM73B-TF Seagull S6 Original ("Herbie," my Dad) Martin X Series GCPX2AE |
#8
|
|||
|
|||
Oh, sure there is.
This isn't one of them, but there are plenty of them out there. |
#9
|
|||
|
|||
It's more about "next fret" clearance than maximum amplitude of the string. In most cases, the string isn't anywhere near buzzing in the center of the string length. If you have an electric guitar with an easily adjustable bridge or saddles, you can test the theory in part by drastically lowering the string height. Try fretting at various positions and playing a string - it will buzz. It buzzes first at the next fret past where you have fretted the string, not somewhere in the center.
A constant string height that didn't buzz would require a tall nut and an excessive string height overall, making playing real torment. The increasing string height up the neck naturally creates a more consistent next fret clearance due to the decreasing fret to bridge length, increased angle at the fret, and shorter distance between the frets. |
#10
|
|||
|
|||
Thanks, learning all the time.
|
#11
|
|||
|
|||
Where is it colder, in the winter or on the street?
__________________
I've cut this thing twice and it's still too short. |
#12
|
|||
|
|||
Yes. To the above.
|
#13
|
|||
|
|||
The middle is 1/2 the distance between the saddle and the fretted...or the open string. Therefore the middle 'moves'.
|
#14
|
|||
|
|||
Quote:
|
#15
|
|||
|
|||
Because that is the way it works.
Geometry, not just a high school class.
__________________
-donh- *everything* is a tone control |