#16
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I have an old Martin nylon string guitar that still sounds beautiful. I play it for certain songs because of the way it feels and sounds. Some songs it suits..some it doesn't. But I never play it because I've gotten tired of steel strings.
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2022 Martin 000-18 2022 Martin HD12-28 2022 Martin HD-28 2022 Gibson J-45 Standard 2022 Taylor American Dream AD27 Mahogany 2007 Breedlove AC250/SM-12 2006 Breedlove AD20/SR Plus 2003 Martin 000C-16SGTNE 2000 Taylor 410ce 1990 Martin Shenandoah (< 1990 a bunch of great old Yamahas I lost track of) My music: https://pro.soundclick.com/dannybowman |
#17
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Quote:
I purchased a Cordoba Cadete (3/4 Size classical) as a "couch guitar" and I REALLY love the tonality of the guitar, as well as it's smaller size and shorter scale. It's so light and quick under the fingers, but that rich tone is the thing that pushes it over the top for me. You just aren't going to get that with any steel string guitar. I would gig with the Cadete if there was a good way to amplify it, but that's something that eludes nylon strung guitar at present. Last edited by Rudy4; 04-26-2024 at 01:36 PM. |
#18
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My mind was changed about nylon string guitars after I owned a proper Spanish made flamenco guitar. They're nothing like a classical or a nylon string crossover.
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#19
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I've been really intrigued with getting a nylon string guitar lately because of some of the songs Ive been playing. I don't think about playing Robert Johnson style blues on it, but when I learned Tears in Heaven I got intrigued and it's gone on from there. I've been playing Jobim stuff lately, working through Corcovado and Ipanema, such cool chords and rhythms. I also love a lot of Pat Methenys nylon string solo tunes, I'd add a nylon for that jazzy mood /direction in itself, and return to my steel for the other things I play.
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'19 Waterloo WL-14X '46 Gibson LG2 '59 Gibson ES125T '95 Collings 0002H '80s Martin M36 |
#20
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I have one nylon stringed guitar, a Cordoba. I bought it to use mainly when the wrist on my fretting hand starts to feel painful when playing steel stringed guitar. It works well for me, enabling me to keep playing while my wrist gets a chance to recover.
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RM ----------------------------------------------------- Taylor 856, Taylor GC7, Martin 00-28, Breedlove Oregon Concertina, Breedlove Jeff Bridges Signature, Guild JF55-12, Guild D212, Larrivee OM3, Eastman E20 OM, Farida OT22w, Cordoba Fusion 12 Orchestra, Blueridge BR-361, Pono 0-15 mango, Journey OF-660, Tanglewood TWJP parlor (Nashville tuned), Paul Reed Smith SE Custom. |
#21
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I was very happy on steel stringed guitars except that my arthritis was getting bad and long practice or gigging sessions were starting to really hurt.
I switched to nylon almost a year ago and the relief on my left hand is considerable. To my surprise, I really love the sound. Less bend and sustain, but I love the way the vibratos sound. I’m using crossover guitars. I have no problem whatsoever with the pickup sound. |
#22
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I did switched to classical just to diversify my repertoire. There are pieces that were composed and would only work with nylon strings.
I say do whatever makes you happy. |
#23
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I love my nylon guitar and probably go about 50/50 between it and steel.
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#24
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I started on a cheap department store classical style nylon string. I also started out wanting to learn to fingerpick. Long-story-short: my nails and skin couldn't handle bare fingerpicking.
I eventually moved on to steel-string acoustics and electric guitars, but before those became my customary instruments I continued to play my cheap nylon string using a pick. I don't sound like Willie Nelson (who does) but instead I most often cross-pick like I do on steel strings. The thread has already pointed out that the feel and sound differs. One thing no one's mentioned, but I noticed as bluesy string vibrato bender in my youth: you need to bend a nylon string farther to get the same pitch change. You can play Blues on anything really, but some techniques need to work differently. Decades after starting out with that nylon string I bought a used Yamaha classical from their low-end student lines. Every so often I bring it out and enjoy the change of pace. Besides Willie Nelson and Charlie Byrd, another pop music Nylon player, one who became associated with my home-town scene, was Michael Johnson. Ralph Towner alternated nylon string with steel-strung 12-strings. And there was the Bossa Nova bloomlet of my youth that I liked. Here's my Yamaha recorded recently backing a performance of a William Wordsworth poem: The World Is Too Much With Us on the Parlando Project
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |