#16
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The problem with magazines is they pretty much have to cater to a specific target market. Too basic and half aren't interested, too detailed and the other half quickly move on.
I subscribe to Fretboard Journal and often have a difficult time finding time to sit down and read it, although it's totally drool-inducing. I subscribe as a way of supporting the podcasts. Jason Verlinde does an exceptional job of finding great subject matter and interesting folks to interview. He's branched out to other interesting sub-sections such as tube amps, recording, and even folks outside the guitar-centric community such as surf board makers. Every time I see a podcast and think that I should skip it I go ahead and listen. I've most often found it to be very rewarding and I end up learning something. Why podcasts? I can throw my bluetooth headphones on and take care of one of the little details of daily life like cooking, cleaning, or doing the dishes and multi-task in the process. It makes sense to me and fits my lifestyle. |
#17
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You don't stop playing when you get old, you get old when you stop playing! Fender DG5 natural Tanglewood Discovery Super Folk DBT SFCE TBL Tanglewood TU13M ukulele Brunswick BU4B baritone ukulele Valencia VC204H hybrid Deacon MA100 Mandolin |
#18
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I agree with the OP 100% and cancelled my subscription years ago.
It IS possible to turn around a guitar magazine if the right guy is at the helm. I was just about to cancel my Guitar Player Magazine subscription when Michael Molenda went on to other things and a new editor came in. The new editor changed things for the MUCH better and I eagerly await each new issue ever since he's been in charge! It can be done, but like the OP says, AGM has a LONG way to go. |
#19
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I have another hobby, photography, and have watched magazines like Modern Photography, Popular Photography, Shutterbug, and few others I can't recall the names of, go under one by one. As the internet grew in importance, the advertising pages dwindled in a dramatic way. One NYC photo store used to have 15-20 pages of advertising per issue. That went to 3 or 4 pages over a period of a year or so. Within 9 -12 months Shutterbug was out of business.
Subscription fees for these magazines were always sharply discounted and in a few cases free just to get the circulation numbers up. Ad review was always a huge portion of their revenue base. I personally like AG Mag. I always look for the songs they tab out - usually 5 or 6 per issue. I read a couple of the articles and how to sections. I would agree that their gear reviews are pretty lack luster both in print and the demo videos. Often the videos don't really feature a player that demonstrates the full capabilities of a guitar. Many better out there on You Tube and guitar store sites. I too would feel sad if this publication disappeared.
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Mike Current Inventory: Martin 000-18 - Golden Era Martin 000-42 Martin D Jr. Martin 000-15SM Bourgeois JOM M J Franks 000 |
#20
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To me, song lessons in a magazine are worthless. I don't read music, and even tab is problematic for me. When I need a lesson, I "YouTube" it. Like others above, I like gear reviews and personality profiles in a magazine.
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Acoustic: Taylor 314ce Taylor Mini-e Koa Plus Maton EBG808 Alvarez AP66SB Yamaha LL16R A.R.E. Fishman Loudbox Mini Electric: 1966 Fender Super Reverb 2016 Fender Champion 40 1969 Fender Thinline Tele 2015 Epiphone ES-339 Pro 2016 Fender MIA American Standard Strat 2019 Fender MIM Roadhouse Strat |
#21
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I switched over to a digital subscription years ago and do like the short video lessons and artist interviews by a number of contributors. Jeffrey Pepper Rodgers being one of my favorites.
One thing that I have noted recently when I get my email blurbs from AG with links to articles that it now reminds people that they can give a donation. I am researching this further as I always thought that they were a business as opposed to a nonprofit. I guess that folks have to get creative these days to stay afloat. I also get the digital version of Fretboard Journal. Paper magazines just end up in a pile and eventually the recycle bin along with the junk mail that supposedly keeps the post office up and running. Best, Jayne |
#22
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Guitar reviews in magazines are useless. Who is going to trash a new line of Taylors when so much add revenue is at stake?
The online YouTube channels are pretty much the same. Rhett Shull did a video with what he does in post production. Pre post production audio was dull and lifeless. Since his and every other channel depends on views, it has to sound good. Never mind the raw audio is recorded with 4x12 cabs and two thousand dollar amps. It's entertainment. Money changes hands. The more views, the more money. I follow some sailing videos. The top few do really well. I'm going to drop the top ones. When an electronics firm outfits a boat with new electronics, and then gets mentioned some way in every video, then I have to watch Sweetwater sell me stuff too, it's a bit much. Guitar Player never gave a bad review when I used to read it. But when more and more guitars are sold online, what can you expect. You'll just have to buy a guitar and hope you like it. If you want it to sound like the videos, you'll need a recording setup with some plug ins. That's fun too. I like the guy who cuts up $1200 guitars and shows you the sloppy workmanship. That's my kind of YouTube channel.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#23
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#24
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Good point...I agree. Also, holds true for video reviews. You can see/hear when the reviewer is -without saying anything negative- having difficulty saying something, meaningfully positive.
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#25
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I don't think this is unique to AG magazine. I really can't bother looking through any magazines these days.
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Disabled Vet |
#26
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I used to read Guitar Player, Frets, Bass Player, Acoustic Guitar - and probably a couple of others I can’t recall - cover to cover every month. Then I discovered forums.
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Some Acoustic Videos |
#27
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In the case of AG, you have talented editors and writers like Adam Perlmutter and Jeffrey Pepper Rogers in the mix, yet the magazine stays stubbornly dull. One has to assume that owner and publisher David Lusterman is guiding the ship.
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Martin Custom Shop Super D (Sitka/Koa) Martin OM-42 (Sitka/EIR) Gibson 1936 Advanced Jumbo (Red Spruce/EIR) Breedlove Ed Gerhard Exotic (Brazilian/Red Spruce) Brad Goodman J-200 (Engelmann/Quilted Maple) Taylor 326CE 8-string Baritone 1960s Guild M-20 (Nick Drake guitar) |
#28
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I have ignored Acoustic Guitar mag
When they went to bi monthly. There were worse guitar mags. One was called Guitar Affectionato. It tried to connect owning high end guitars With wearing a Rolex, caviar, and driving a Porche It went "belly up" Perhaps some of the custom shop guys liked it But many players ignored it.
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Classical guitars, flat top steel string A few banjos and mandolins Accrued over 59 years of playing |
#29
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Inherent in any specialty magazine is the problem that there are only so many topics. After awhile, the cycle needs to repeat. Certain topics are more repeatable than others, but nonetheless, there’s a repeat cycle. How many times can you read about the style of Blind Blake? How many articles about V-bracing? How many discussions about strings? We see the same thing on AGF.
Also, as you become more adept as a player and have more experience, the articles that you are interested in change, but the specialty magazine may still have the same mix as when you started. So enjoy these mags for what they are. It is hard to compete with the multimedia, discussion forums and organic nature of the internet. And it’s near impossible to compete with free, or almost free.
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”Lorem ipsum dolor sit amet” |
#30
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Absolutely agree!
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Steve-arino Martin Custom Shop 000-28 Authentic Aged 1937 Fairbanks F20 Rainsong CO-OM1100NST |