#16
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yes they do, 'cept maybe for my two h&d dreads.
but, then i put light pb's on one with a stika top and medium 80/20's on the other with adirondak and they are totally different creatures.
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2004 Martin J-41 Special Sitka/EIR 2002 Huss and Dalton TDR 45 Sitka/Honduran Rosewood 2014 Huss and Dalton TDR 45 Bearclaw Adi/Brazilian Rosewood 2019 Ryan Nightingale Bearclaw Sitka/EIR |
#17
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I have three dreads, and all sound like big guitars. A casual listener may not hear much difference, most reasonably serious players will. It's like the newby who can't tell the difference between a decent import and a Martin D 18. A couple years later, they can. There are people who have six D 28s, all are slightly different, reason enough for the guy who zeroed in on the D 28 sound to want more. I don't think the I want a new guitar bad approach is the way to go about getting one. I'd go shopping once every month or two, see what's out there. Wait for it. One day you'll play something a cut above and realize it and buy it. The very best feeling is after doing this for a good while, you sort of walk out thinking nothing much is that much better than what you've got and sort of quit looking. One day when buying strings, you get hammered by something.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#18
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I think that to the player, they all sound and feel different. To the person sitting there listening, they all sound like accoustic guitars.
Here's Jackson Brown's on stage guitar rack. All those guitars mean a lot to him, but I doubt that to 99% of the audience, it makes any difference. |
#19
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3 Dreads, 2 OMs, 1 GA, 1 GC, 1 000 - all distinct, no redundancy
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#20
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Quote:
Quote:
Like I said, have ones own "sound" is very much part of owning and playing acoustic guitars. I have the same with mountain dulcimers - I have lots of instruments that are all subtly different. But when I play folks know it is me playing because I have a signature style.
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#21
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Quote:
Maybe we're all searching for that guitar that feels most like an extension of ourselves. |
#22
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Someone buys ALL the vanilla icecream, but I go for the choc chunk rum raisin and almond surprise! And that is my 1944 Martin 0-17!
But all the different sounding guitars are just so intriguing that I like to try all of them.......... BluesKing777. |
#23
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Yes, my guitars sound different from each other. Not drastically, but enough that I have carefully considered which guitar to use on recordings or with others.
At the same time, they all have similarities and probably would sound indistinguishable from each other to a casual and untrained listener. However, I agree with many posters that the FEEL of the guitar is critical, and that definitely varies even more than tone. To a certain extent, I can make any guitar sound a certain way by varying my playing. But the feel is something I must react to, and is often the most inspirational aspect.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#24
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You´ve lost inspiration and need to write some more music...
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Jan |
#25
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My guitars all sound different for the same reasons. There's also a difference in volume between them and some play differently because of different necks.
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Fender Redondo ll(1993) Taylor GS Mini Mahogany (2022) Carlo Robelli ukelele(2013) Guild Jumbo Junior (2022) Luna Henna Paradise(2018) Martin DX Johnny Cash(2019) Martin 000-18(2019) Martin 000C Jr-10 (2022) Zager ZAD800M (2021) Fender Squier Stratocaster(2009) |
#26
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I own 4 guitars made by 2 different luthiers. 2 are the same model and the other 2 are similar in size but different designs and tone woods.
They have different tonal qualities but fall into a range of tone that I prefer. 3 are rosewood back and sides and 1 is mahogany. Tops are 1 cedar, 1 red spruce and 2 German spruce. I would describe the shades of difference as follows: Guitar 1 - (Adi/Bois de Rose) loads of sustain, very balanced, no scooped mids Guitar 2 - (German/cocobolo) moderate amount of sustain, deep bass, slightly scooped mids Guitar 3 - (cedar/EIR) loads of sustain, scooped mids, brilliant trebles Guitar 4 - (German/mahogany) less sustain, no scooped mids, very balanced I like having a palette of tones to choose from. If I were a better player, I could probably coax lots of tones from one guitar but I like the variety I get from these instruments even though they still represent the general tone that I like to hear. So, yes, my guitars do sound different from one another. Best, Jayne |
#27
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Each one of my guitarsenal has it's own sound...and string favorite.
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#28
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They all have their own Spirit.
It’s not something that can readily be measured. It’s also something that changes. |
#29
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That sounds Delicious
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#30
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I have a 00-28 and a 00-18 and they sound completely different from each other, which is why I've decided to keep both. And they both sound different than my 000-15 and Larrivee OM-03R. Even my girlfriend, who is not a musician, noticed the difference without me saying anything.
So I have to disagree with the statement that it's all in the players hands. Four different guitars played by the same player and four distinct sounds. And when my duo partner plays them, while they don't sound like me, it's still four completely different sounds. |