#16
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Blue Chip picks feel and sound denser to me. Which means clearer and more articulate.
That's the best I can describe it. |
#17
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Picks are cheap. No reason not to try them all.
I started with the old standby Fender medium for strumming, Tortex 1.15 for scales, finding thin picks “too clicky.” Now I find that Sometimes the thinnest pick I own is “just right” for a certain song. And sometimes the pick another player calls “dull” will be Magical. Try em all |
#18
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I went through a pick buying frenzy and there are several I like but the V-Pick traditional UL and Radex .75 and 1.0 have an exceptionally nice feel to them. Nice balance of feel and tone.
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Taylor 322,512ce 12 fret cedar/hog & 362ce Martin 00015SM Guild 1966 F20 Larrivee P03 sitka/hog,simple 6 OM & OM 09 Eastman E100ss-sb Gibson J185 & 2016 J35 Fender player plus telecaster & Mustang P90 Gretsch MIK 5622T |
#19
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My go to picks are the Clayton Acetal large triangle picks. I have large hands so the larger pick size really helps for that. I play the .50, .63, and .80 thicknesses the most, though will go up to a 1.00 on occasion.
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Justin ________________ Gibson J-15 Alvarez MD60BG Yamaha LL16RD Epiphone Les Paul Standard Fender Player Stratocaster |
#20
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Having gone through many materials, I found that the affordable Dunlop Ultex really brings out the best an acoustic guitar, especially for strumming.
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#21
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I’ve become attached to the BiG Stubby 1.0. I also like flow and primtone but there’s something about the way a Big Stubby sounds and the ease in which in slips off the strings.
Dunlop Big Stubby Guitar Picks 475 Red 1.0mm
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Martin GP 35E 2017 Gibson J-45 Standard 2019 Martin OM15 Custom 2019 Last edited by jschmitz54; 10-17-2019 at 08:09 AM. |
#22
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Try some George Dennis picks (the Standards are the best), if you can find them. And if you can, please PM me as I'd like to send you some money so that you can send me some.
http://www.georgedennis.eu/pages/picks.htm
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---------- "All of Chuck's children are out there playing his licks" |
#23
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I gravitate to smaller picks, even jazz picks. I've recently switched to Wegen Bigcity 1.4mm, and I'm loving them. My go-to pick for gigging, up until now, has been a Primatone Small Tri 1.3mm, which is an ultex pick.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#24
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The typical response is "I can't agree more"... BUT I CAN! With trial and experimentation not only may you find a pick or picks that work generally for you, but you may also find that different guitars like the sound better with different picks- and even different songs may sound better with one pick than another. Additionally, you may walk into a gig situation where the sound of the ensemble may require you to produce a warmer, or crisper, more articulate sound. What you may like at home may be totally different than when you get to a gig. I find it helpful to have different picks on hand so that I can make last minute adjustments. When they say "tone is in the fingers" that extends to picks too.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#25
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I don't think you can beat a Charmed Life Pick in the brown variety. They don't wear nearly as quick, and will transform any set of strings.
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#26
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I have a Blue Chip TD50 that I really like with my D41, but I prefer my Wegen Bluegrass 1.20 with my Bourgeois. I have a .96 Primetone that keep in my pick pouch, but I can't make up my mind if I like it or not.
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#27
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I started on the grey JD .73 nylons myself about 40 years ago and used them up until about 10 years ago. Then I got into mandolin and the thicker picks needed to get good tone from 8 high tension strings. Here's what I learned:
1. Thicker picks sound better on guitar too. 2 mm is pefect for me. Anything less than 1 mm gives a flutter sound like a baseball card in bicycle spokes. 2. Thicker picks are easier to grip as well. 3. Any pick flex means you're losing tone - the energy going into flexing the pick isn't going into your strings. 4. Thicker picks give more volume. Acrylic picks give the brightest tone. Vespel (like Bluechips) is more dark and mellow. Wegen's are right in the middle and give me the least amount of pick click noise. |
#28
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Primetone or, my latest squeeze, Dava Control Orange.
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#29
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Quote:
I bought the V-Picks "starter kit" a while back, and the included Tradition UL really stood out. That pick just felt like "home" right from the get-go. I liked it so much I just bought three more.. |
#30
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Sky, just to keep the record straight, the NuTone picks are made by Clayton. They are an inexpensive (but very good) casein pick, ideal for someone who has never played casein but has had the scuttlebutt about this wonderful plectrum material.
Other thoughts: Wade: On celluloid: Yes, still wonderful stuff. I don't know the numbers, but it's safe to say that more than 90% of all the picks currently made by everyone on the planet are celluloid. And without a doubt the Fender Medium teardrop is the most popular pick in the world. Ultex (Dunlop): I still think the Ultex line by Dunlop is the best value in the pick industry, bar none, cost vs. performance. Try them, and if you like 'em then step up and try the Primetones. Try Wegens -- great performance, low price. Scott Memmer Last edited by Charmed Life Picks; 10-18-2019 at 11:14 AM. |