#16
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Getting another guitar before trying other things sounds drastic.
You must've already tried heavier treble strings. I don't know your guitar's specs, but I'll also assume the saddle and nut are bone. If yours bridge pins are plastic, switching to bone will make the strings a bit louder. |
#17
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Thanks for your thoughtful questions and ideas, Steve. Even though I've had the SJ for about six months now, I am still learning about its strengths and challenges. I find that I need to spend a year or more with a guitar before I know whether it suits me.
Maybe you've had an experience when your guitar sounds like the best thing ever and sometime later its deficiencies tend to bother you. That's where I'm at just now with the treble strings. I think I'll try the heavier treble strings first and then look more closely at the saddle, which sits in the bridge without any glue and has fallen out before when I've changed strings. The trebles on my 000-18 Authentic are thick and present all of the time, all of the way up the neck, regardless of string brand or size. Even when the strings need changing, the sound is extraordinary. Just a remarkable guitar that I am privileged to play. Every good thing we hear about what Red Spruce, a substantial neck and period bracing can bring to an instrument is present in this guitar. |
#18
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I understand. Is it possible that your saddle was put in backward when it fell out? Sometimes saddles look very similar on the bass and treble sides. You might try reversing the saddle (unless you know it's in correctly).
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Don't get upset, it's just my experienced opinion, Steve |
#19
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Thomastik 13-57, trebles so fat they need surgery.
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#20
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Strings may help, but to some degree what you are describing is a kind of part of how J-45's and SJ's sound. They are a little more 'compressed' vs the Hi-Fi and arguably somewhat treble biased tone of a Taylor (for example). If the strings don't help, give it some time and you will probably get used to it. I find it doesn't bother me anymore, unless I play one of my Gibsons right after my Santa Cruz or Martin Authentic.
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| 1968 Martin D-28 | 1949 Gibson J-45 | 1955 Gibson LG-2 | Santa Cruz 000 Cocobolo / Italian Spruce | Martin D-18 1939 Authentic Aged | Martin Gruhn Guitars Custom D-21 Adi/Madi | Gibson J-45 | Fender American Elite Telecaster | Fender American Standard Stratocaster | Gibson Les Paul Standard | Gibson Les Paul Studio | PRS Custom 24 10-Top | Gibson Les Paul 1960 Reissue (R0) | |
#21
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Or maybe just get a Guild jumbo.
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2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2014 Gibson J-15 -- 2012 Epiphone Dot CH 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#22
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I changed all of my strings last night, replacing the trebles with the heavier "medium"-size strings. Since I had the strings off, I took out the saddle and saw the pickup "wire" (UST?) that sprang up when the saddle was removed.
I spent time fitting the wire back down into the saddle slot and replaced the saddle. After the last string was on, I played awhile, and voila, the thin sound had been replaced by a thicker tone, which I prefer. Because it was late and my wife was asleep, I didn't plug in the check the electronics. That'll happen later tonight. Thanks again for everyone's suggestions, I appreciate them. Last edited by 000Guy; 04-02-2024 at 11:30 AM. |
#23
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The problem with trying to get a guitar to sound balanced by changing to mixed gauges and brands and... is that you're not addressing the issue that's causing the guitar to be unbalanced in the first place. The result is that you never achieve the "best" (different for everyone) sound for that guitar.
For me, every guitar sounds best with different strings so when I find the right strings for that guitar, for me (and everyone here understands because there are daily threads about "what strings do you use on ..."), I try to keep those strings available for that guitar. A guitar should not be unbalanced or deficient in one or two strings. Certainly not a quality guitar like the mentioned SJ.
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Don't get upset, it's just my experienced opinion, Steve |
#24
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My take on it is while you can nuance a guitar's sound the leopard so to speak cannot change its spots.
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#25
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I like both the leopard and its spots now. After I finish using the mix-and-match D'Addario/Martin combination, I'll try the Elixir or John Pearse New Medium sets mentioned. I agree that it's best to stay with a brand and size of strings that are best-suited for a particular guitar, once that set has been identified.
My 000-18A loves Santa Cruz parabolic mediums and even though they are pricey, they are an ideal fit for that guitar. |
#26
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DR Strings make the Veritas set, which includes optional B and E strings that they call Xenon Power Plain for increased output. Might be worth a try, and not too expensive.
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#27
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Now that you've straightened out the UST situation, you probably won't need to mix strings unless you choose to. The UST likely got twisted or mis-aligned when your saddle previously popped out. USTs can cause many different tone balance issues which is why I asked about your saddle - bridge slot situation. I don't remember seeing any mention of an installed UST.
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Don't get upset, it's just my experienced opinion, Steve |
#28
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Probably the reason I didn't mention the UST is that I had forgotten about it. The SJ is the first acoustic guitar I've had with a previously installed pickup. I don't imagine I'll amplify the instrument very often and would have preferred no pickup. But, when you buy used, you buy the whole enchilada.
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#29
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Glad you got it figured out. If you do decide to mix string gauges, you can order custom sets, in whatever sizes you want, from Curt Mangan. That way you're not having to mix and match sets at home.
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Don't get upset, it's just my experienced opinion, Steve |
#30
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Ive kind of switched between lights to mediums for strings on mine. But I also try different thicknesses of Picks. Those sure make a difference.
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1946 D-18 1956 D-28 Santa Cruz VA Gibson SJ200 1931 L00 1937 L30 1910 F4 1911 Style U 2022 J45 2011 J185 1957 Hofner Club50 |