#16
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An '88 510 I've had access to. Love it! Doesn't really sound much like a Taylor, though....
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Lauren "I love technology...but not as much as you you see..." 2011 Collings CJ sunburst |
#17
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dadmac, are you using 13's on that dread? I am on my 810 and it's loud.
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Happy Trails, Bluelew |
#18
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#19
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I'll say this much.. my GS/RS is just about every bit as loud as my D42, though with a but less low end.. but it's got serious projection.
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Martin D45V - Waverly Gold/Ivoroid Tuners, Ivory end pin, Walrus Saddle/Nut and Bridge Pins Fender Custom Shop Jazz Fender "Master Built" Jazz Past Friends: Taylor GS/RS Martin D42 Martin D16R Martin DM |
#20
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Christophe,
My 615 is plenty loud in our worship band. I play plugged in...LR Baggs M-1, to a PADI, and then the house mains. Are you playing plugged in? If so, you should be able to get more sound at the board...balance the other instruments. You may loose alot of sound if you are not using a PADI before you go to the main sound board. saul |
#21
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I still have an old Yamaha (about 40 years old) that I 'retired' after moving to a dry climate...the dryness really was hard on the guitar and at the time I really didn't know anything about wood and humidity. Anyway, that guitar was a loud loud guitar. It sounded fantastic...and it has a laminate top...
FG-165s
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I'd do anything to confuse the enemy http://www.soundclick.com/bands/page...?bandID=441241 |
#22
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I have found that pick thickness can make a difference in tone and volume. I have used thicker picks but now use dunlop torex .50mm picks. I used to use the .60mm s but found after A/B ingthem the thinner one was more lively and louder as it allowed the strings to SNAP better causing a better string reaction and vibration. I have found going to thicker picks really dull the tone down.
HOWEVER using the thinner picks than the .50mm things also went south real fast as too flimsy and could not dig in at all well.
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2010 Taylor 816CE 2012 PRS P22 Black Gold Wrap Around. |
#23
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Isn't it wonderful to be living in a time with so many great choices. I remember when there where very few guitars to choose from. Communication like we find on this this forum didn't exist, and we had to take what the local shop had to offer. This is such a great forum! If we are patient, we can find exactly what we are looking for.
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#24
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I would like to offer an alternative that is much less expensive than most of the guitars already mentioned- the Taylor 110. I'm not sure why- it may be the curved back or lack of back bracing- but these guitars are real cannons unplugged!
BTW, this should not be seen as a plug for the the one I'm currently selling in AGF Classifieds- It really is a very loud guitar- try one out and you will see what I mean.
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Martin D35 Taylor 510e Taylor 150e Martin DX1ae Fender CD 60SCE-12 |
#25
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If you play my 855 with a pick, it is deafeningly loud. Shocking, really.
I think 12er's are naturally loud, and jumbos also. Combine the two and you get a symphony!
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Anthony Guitars: Too many, but current favorite: 2006 Santa Cruz D-12 "Believe nothing, no matter where you read it, or who said it, no matter if I have said it, unless it agrees with your own reason and your own common sense." - Buddha Blog: soundr |
#26
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My Taylor 110 is one of the loudest guitars I've ever played or owned.
Jeff |
#27
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Funny All the post of the taylor 110 being loud , Well just today , I Checked out 2, 110s and yes Great loud sound ? I can't get over that
Fantastic!
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Tom Taylor and Martin |
#28
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I always thought my revoiced 810 was pretty loud, then I added a bone saddle. Wow! More volume, sustain and still well balanced. Then... I changed to medium Phosper Bronze Elixers, Wow again! I'm loving the tone. The only downside is that in a pure acoustic setting, it's pretty easy to overpower a vocalist. Maybe that can be a good thing too.
Michael
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'05 T5 '03 Cocobolo 714ce Ltd '03 Tobacco 810ce '02 Baby Maple '78 Martin HD28 |
#29
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Gosh, I thought it was common knowledge that the projection of a guitar listening to it facing you would be distinctly different (louder) than listening to your (any) guitar from above or behind the soundhole. Have the heavy handed dude play your guitar while you play his and see if the shoes not on the other foot.
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#30
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Quote:
Maybe the qualities you've mentioned add to the responsiveness as well.
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~~~Matt ---------------------- I have been blessed in many ways, and I am very grateful. Ovation CSE24 |