#76
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It still comes down to play what makes you happy.
But I agree with Willie and Ferganzo, I will take my high end Martins over any custom build, they have the voicings I want, with a custom who knows, and I know what my guitars are worth, today and 5 years from now, very stable used market. To each their own.............
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#77
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#78
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This is a thread about tonal preferences ("brighter, airier guitars") disguised as a thread about handbuilt, factory made.
Post-try out of several Lowdens or some stuff from Collings? This thread would simply be "I like my Webbers and Halycons." And that's fine. |
#79
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I've played both Lowdens and Collings. I wouldn't at all group those two together tonally...but comparing Collings and Martin, I have found Collings to be more responsive, as has been my experience with small shop builders that individually voice instruments. Furthermore, I was trying to equalize price so as to avoid being accused of making unfair comparisons (15-series vs Halcyon, 28-series vs Webber). Both of those builders you mentioned tend to start in a price bracket $1-2k higher than the guitars I was discussing. And as for bright and airy guitars...I mentioned the three Taylors that I played that day, which were also in the same price bracket as the Martins and Webbers, and that my feelings regarding their responsiveness and tone compared to the handbuilts were the same as I had felt about the Martins.
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Some might call me a "Webber Guitars enthusiast". |
#80
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A lot of the downsides being discussed here about luither-built guitars are mostly solved if you just do your homework...vet your luither.
Concerned about taking a huge hit? Buy used. Concerns about consistency? Get as many of the builder's instruments in your hands as possible. Travel, if need be. Concerns about commissioning a new instrument and not liking what you get? Be sure the builder knows what your expectations are. It helps to know their comfort zone for voicing guitars.. My favorite guitars are generally on the drier side with a very wide dynamic range, great sustain, trebles and a clean mid-range. As result, I've done enough research and played enough guitars to know which luithers I need to pay attention to. I generally know whose work I'm pretty much guaranteed to like and what instruments would be a waste of time and resources to consider. Admittedly, you really have to be a special kind of guitar geek with a lot of patience to get maximum mileage out of this solo-luither path...especially if you like many different styles of guitars. But for me, the rewards are more than worth the journey. Last edited by usb_chord; 11-20-2013 at 01:02 PM. |
#81
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Such a good post. I think you touched bases with a lot people's concerns when buying from solo-builders (luthiers). If one does his/her homework and actually plays some examples of their work, it's hard to go wrong with small shop builders. |
#82
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I mean, even if the Borges completely bottomed out in the market...who cares? This thing will be buried with me anyways. . . |
#83
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I never considered the 'market' on any guitar I bought. Guitars are either worth it or not… |
#84
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MBE - I have been curious about the Halcyon line and it's good to here another person that really loves theirs. I played lots of the "big 3" before I bought my Larrivee and have never regretted the choice.
That said. my eyes never got as big as pie plates until I picked up some guitars from smaller builders - namely Collings, Santa Cruz and Bourgeois. Even the more affordable ones blew me away. I have no doubt that if and when my skill and wallet will allow for it I will own a hand crafted guitar. Congratulations on buying a guitar you truly love. Roy
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#85
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The samples of Webbers and Halcyons I've heard lean decidely towards the "bright." It's just my opinion BTW and not intended to disparage or doubt your experience of Webbers and Halcyons but at a certain point "bright" can outweigh "responsive"...for a listener.
I was not lumping Lowdens and Collings together (should have included a third really)...simply reacting to your own cited comparisons which are indeed IMO far afield of each other...and then compared to "bright" and "resonsive" guitars. Attempting to triangulate a bit tonally... Is "responsiveness" always "better" on a guitar that is decidely "bright" and "louder" while lacking depth and textures? Glad you found guitars you like...but the real deal in handbuilt...ain't at those price points IMO...if we're also talking depth, complexity and textures...even within "brighter" registers. It's debatable that they're "more for your money" if from the gate those are not someone's tonal preferences...even if they're "louder" and "more responsive." In that case they may be simply just "more" of what someone doesn't like. Last edited by Guest 429; 11-20-2013 at 06:04 PM. |
#86
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#87
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max Last edited by mjz; 11-20-2013 at 07:15 PM. |
#88
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MBE,
Did I miss it? What style of music do you play? max |
#89
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Im glad you found a guitar that speaks to you though. That is the most important thing of all!
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Martin D-14 Custom Shop Martin DX-175th |
#90
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Yep... Are you (MBE) the guy playng in the youtube link in your signature?
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