#16
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I don't know about the bridge plate, just that they switched from maple to rosewood and hence they all sounded like crap when I was comparing to buy. I found a D35 and D28 at High st Music in West Chester Pa. and of course the 28 was crisper and louder . What a lucky man I am. This instrument has had some repairs recently and sounds so good I cannot stop playing and learning.
When they pry it from my cold hands somebody will find a wonderful player! |
#17
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to be honest, i often wonder if the whole rosewood bridgeplate thing isn't just some overblown internet drama? i mean, of course it will sound different to a maple bridge plater, but worse? that's in the ear of the behearer, surely?
and like i said, the mid 70s d-28 i played recently, at a shop in shin-okubo, tokyo, staffed by a very knowledgable salesman who happily admitted to the so called "defect", sounded absolutely stunning! and james, what you say in your final sentence is a beautiful sentiment. the idea that these machines will last long after we have left this world, and will continue to make music, is mindblowing to me |
#18
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Quote:
Quote:
That was "Go & Say Goodbye", written by Stephen Stills and recorded by his band "The Buffalo Springfield" released on their self titled LP in 1966. I've been doing that song since it was new... I'm glad you enjoyed it. It was often the closing song in my shows and that recording was the closing song on my last CD. |
#19
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straight braced
I'm a lover of the straight braced Martin "D". Did you ever stop to think "I'm listening to the sound a recording engineer wants me to hear"? Play it, then decide, you decide, not some lost soul on a forum whom you can blame for his opinion for your decision!
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#20
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Quote:
And remember we're not just talking about the difference between maple and rosewood, it's size and weight as well. The original maple plate was 1 3/8" wide where the later large IRW plate was 3 1/4" wide, and triangular so the total size was about 4x the original. When Martin first switched to rosewood, it was BRW and the same size as maple. I can't tell much difference and don't know anyone who routinely changes those. I have heard a lot of 70's Martins before and after changing to a smaller maple or black locust plate and the guitar is always louder and livelier afterward. |
#21
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love all the great pics and posts, thanks
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#22
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Quote:
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#23
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For what reason?
__________________
"I used to try to play fast, and it’s fun for a minute, but I always liked saxophone players. They speak on their instrument, and I always wanted to do that on the guitar, to communicate emotionally. When you write, you wouldn’t just throw words into a bowl. There has to be a beginning, middle and end. Same thing with phrasing on the guitar" Jimmie Vaughan |
#24
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I didn't intend to bash Neil Young, I just don't like his music. Sorry for the irrelevant comment.
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