#46
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Michael,
Steve Klein's guitars wouldn't be that hard for you to play. They have a narrow waist that's shifted toward the neck and relatively shallow sides for its size. |
#47
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Oh cool! Right then, now I really have to get my hands on one!
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www.michaelwattsguitar.com Album Recording Diary Skype Lessons Luthier Stories YouTube iTunes Guitars by Jason Kostal, Strings by Elixir, Gefell Mics and a nail buffer. |
#48
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Today I have changed my mind.
The most intriguing guitar for me is currently:
http://www.reddogguitars.com/ a Bo Diddly style cigar box guitar. I want one reeeaaally badly now that I have seen this.
__________________
~ Prestige, Canada~ 2014 Eclipse ~ Seagull, Canada ~ 2003 Maritime SWS Mahogany Dreadnaught ~Tacoma's, Tacoma, Washington, USA~ 2006 BM6C Baritone 2000 AJF22CE5 ~ Guild's, Westerly, R.I., USA ~ 1980 F212 CNT ...one man gathers what another man spills... |
#49
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I, too, want to try this one:
http://www.3-string-guitar.com/ (same as mentioned by newton) This guy and I have talked several times and I'm very excited to get my hands on one. |
#50
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Howard Klepper.
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#51
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I saw Eric Bibb on YouTube awhile back playing "Ain't No Cane On The Brazos" on the smallest 12 string I've ever seen. The sound that came out of it was amazing. I'm sure part of it was whatever pickup he had inside it; but it still sounded great. I don't know what kind it was; but I'd love to find out and play one sometime.
Here's the link to Brazos > http://www.youtube.com/watch?v=0JqLhX35-Gk |
#52
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Quote:
__________________
~ Prestige, Canada~ 2014 Eclipse ~ Seagull, Canada ~ 2003 Maritime SWS Mahogany Dreadnaught ~Tacoma's, Tacoma, Washington, USA~ 2006 BM6C Baritone 2000 AJF22CE5 ~ Guild's, Westerly, R.I., USA ~ 1980 F212 CNT ...one man gathers what another man spills... |
#53
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Speaking of 12-strings, I'd like to try one of those Martin Grand J40-12s. In an ideal world, I'd A-B it with a Westerly Guild 512.
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Bob DeVellis |
#54
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I'll still put what i was going to put before I read this thread:
a couple Yairis from the 70's or 80's, at least one with coral rosewood, not too much bling a Martin D-16M or other D-16 or HD-16 from the early 90's a Collings C-10 DB sunburst one of those original Larson Bros Prairie State's that inspire all those high end copies a couple old parlors that have the bridge set waaay down on the lower bout That's about it. Oh an everything that everyone else listed in this thread. |
#55
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Ok, I've just changed my mind again...
The most intriguing guitars, with emphasis on the word intriguing, would have to be these guys right here.
http://www.doolinguitars.com/custom.html ...especially the first two on the left, but also the one on the end (on the right)... (This thread gives me G.A.S.)
__________________
~ Prestige, Canada~ 2014 Eclipse ~ Seagull, Canada ~ 2003 Maritime SWS Mahogany Dreadnaught ~Tacoma's, Tacoma, Washington, USA~ 2006 BM6C Baritone 2000 AJF22CE5 ~ Guild's, Westerly, R.I., USA ~ 1980 F212 CNT ...one man gathers what another man spills... |
#56
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I would give anything to try a Mcknight creation...I have heard many compliments...would be happy with an artist recording just to hear the rich tones.
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#57
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The guitar I'd be most eager to try? Why, the one that Tim McKnight should be building for me in the next year!
Seriously, I'm more with stratokatsu: Quote:
Oops. |
#58
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Petros, Mc Knight, Sexauer any of these would be great to try.
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#59
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Ditto, never had my hands near one.....
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onedayatatime |
#60
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There are so many wonderful guitars I'd love to try. Many of the ones already listed by others above.
I'm also pretty intrigued by the question of what a really high end classical guitar would be like. But I already have a list of fantastic guitars that I have already tried that I'd love to buy, but can't justify buying. I need to stay away from guitars that don't already belong to me, not risk spoiling the relationships I have with these instruments, and I need to develop these relationships with my current instruments better. I can't afford to fan the GAS flames any more than necessary. And with a few good quality instruments now, the thing limiting the quality of my music is not currently my instruments, but rather my playing ability. (Speaking of which... I really should get off my computer and go play one of my guitars rather than spending any more time online this morning talking about guitars!) |