The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #1  
Old 03-22-2008, 10:07 AM
Canada310 Canada310 is offline
Registered User
 
Join Date: Feb 2008
Location: Ontario
Posts: 109
Default 1949 Gibson J-45

Hi, I've got a 1949 j-45 that my grandfather gave me. He is still alive but wanted to give it to me before he passed. He has a martin d-40 to keep him busy anyway. Unfortunatly, he bought it new in 1949 and didn't know a thing about proper care. Its been beaten, used and then some. Exposed to the elements etc. Now, it has a crack starting and the bottom and going straight up to the soundhole pretty much. Its also collapsing in all around the pickguard. It has too many scars to name as well. Scars dont bother me though. Anyway if I want to keep it in one peice it needs work. Is it possible to have someone fix this, and would it be worth it money wise?
__________________
Taylor 310ce L30
Taylor 814ce
Taylor 717e
Gibson J-45 ('48)
Martin D40
Reply With Quote
  #2  
Old 03-22-2008, 10:19 AM
RustyAxe RustyAxe is offline
Registered User
 
Join Date: Jan 2007
Posts: 6,312
Default

Quote:
Originally Posted by Canada310 View Post
Hi, I've got a 1949 j-45 that my grandfather gave me. He is still alive but wanted to give it to me before he passed. He has a martin d-40 to keep him busy anyway. Unfortunatly, he bought it new in 1949 and didn't know a thing about proper care. Its been beaten, used and then some. Exposed to the elements etc. Now, it has a crack starting and the bottom and going straight up to the soundhole pretty much. Its also collapsing in all around the pickguard. It has too many scars to name as well. Scars dont bother me though. Anyway if I want to keep it in one peice it needs work. Is it possible to have someone fix this, and would it be worth it money wise?
Yes, and yes. Even if it can't be restored "as new" (and it shouldn't be!) if it is playable in the end it'll be worth it. It'll need a neck reset, the crack cleated, maybe some bridge work and who knows what else. Find a QUALIFIED LUTHIER, don't let the tech down at the music store mangle it.

We'd love to see a picture of it!
Reply With Quote
  #3  
Old 03-22-2008, 10:30 AM
surfoxy surfoxy is offline
Registered User
 
Join Date: May 2004
Location: NOR*CAL
Posts: 4,971
Default

Sounds like an unbelievable project if nothing else! You're (probably, depending on HOW bad) a lucky guy! If nothing else, it's totally cool that your grandpa plays, and has this great old Gibby.

Love to see some pics!
Reply With Quote
  #4  
Old 03-22-2008, 11:00 AM
plunderpot plunderpot is offline
Registered User
 
Join Date: Dec 2005
Location: Cincinnati
Posts: 16
Default Wow

A '49 J-45 - I think that may be my dream acoustic...
Best of luck with it!

J
Reply With Quote
  #5  
Old 03-25-2008, 11:16 AM
StringShack StringShack is offline
Registered User
 
Join Date: Mar 2008
Location: Reno, NV
Posts: 6
Default

I have a '48 J-45 that was passed down from my uncle. He bought it (and a '35 Gibson mandolin) at a garage sale in 1970 for $25.00. My cousin got the mandolin and I got the J-45. Needless to say, I think I got he better deal!

It's an awesome sounding guitar and I play it every day. It's big and deep and records wonderfully - I've used it on several albums.

Mine has needed repair over the years (the high-desert climate of Nevada is not kind to acoustics). By all means, find a QUALIFIED luthier. Someone who doesn't know what they're doing can wreak havoc on your guitar. I've since learned to keep a humidifier in my J-45 and havn't had any more cracking or glue separation problems.

Have fun with your J-45!
__________________
-Aaron
StringShack.com
Merlin's Multimedia
Reply With Quote
  #6  
Old 03-25-2008, 11:19 AM
rmyAddison rmyAddison is offline
Registered User
 
Join Date: Aug 2006
Location: Addison, TX
Posts: 19,007
Default

'49 is my birth year, if it was a Martin I would be PM'ing you right now with an offer.

However, Gibby's are great too, especially 45's! Get that puppy properly fixed by a qualified luthier and you have an amazing guitar.

You are a lucky person!
__________________
Rich - rmyAddison

Rich Macklin Soundclick Website
http://www.youtube.com/rmyaddison

Martin OM-18 Authentic '33 Adirondack/Mahogany
Martin CS OM-28 Alpine/Madagascar
Martin CS 00-42 Adirondack/Madagascar
Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29)
Reply With Quote
  #7  
Old 03-25-2008, 11:23 AM
billgennaro billgennaro is offline
Registered User
 
Join Date: Nov 2006
Location: DeLand, FL
Posts: 4,841
Default

Quote:
Originally Posted by Canada310 View Post
Is it possible to have someone fix this, and would it be worth it money wise?
yes and yes.
__________________
Bill Gennaro

"Accept your lot, whatever it may be, in ultimate humbleness. Accept in humbleness what you are, not as grounds for regret but as a living challenge."
Reply With Quote
  #8  
Old 03-25-2008, 11:35 AM
weatherford weatherford is offline
Registered User
 
Join Date: Jan 2008
Location: Athenry, Co Galway, Ireland
Posts: 885
Default

from the Guild of American Luthiers website (I know you are in Canada - you definitely do NOT want to hassle with the border these days from all reports!)

You certainly should be able to find a Luthier through the Montreal Show, which is coming up!

It sounds wonderful, good luck!!


Quote:

How to find a competent repair person

We get lots of e-mails and calls asking for repair referrals for all kinds of stringed instruments. It's hard to know how to handle these requests. Yes, we may know of a luthier in the area, but we don't feel comfortable as a referral service. What we can do is point our readers and web visitors in the right direction, and with a little effort and application of some detecting skills, anyone should be able to find a competent instrument repair person, even if the instrument has to be shipped.
Please keep in mind that being a member of the Guild of American Luthiers or being linked to the GAL website does not in any way imply repair or building competence. Membership in the Guild of American Luthiers is open to all. Like the National Geographic Society, we are a nonprofit membership organization. There are no requirements for membership other than payment of dues. Our quarterly journal is the main benefit of membership. Furthermore, we are unaware of any membership organization for stringed instrument makers or repairers that can offer assurance of the competency of its members, with the possible exception of the AFVBM, the American Federation of Violin and Bow Makers (www.afvbm.com), which has strict criteria for membership. At the AFVBM website you can locate members by state, which will at least give you a starting place. Keep in mind that the AFVBM is a small organization of only about 100 members, by no means the only competent violin builders and repairers.
Searching for competence becomes your job, and I hope this short article will help you with it. If you have a new instrument with a problem, take it back where you bought it. Most instruments have some kind of warranty and the store will honor it if you are persistent and have not abused the instrument. The large manufacturers have authorized independent dealers or repair shops to do warranty repairs. If you have, say, a Martin, you can easily access their network of luthiers who are authorized by them to do warranty repairs. Go to www.martinguitar.com and select "Services," then "Service Center Warranty Repair." Repair shops that are the warranty shops are generally good places to take an instrument for repairs that are not warranty, since they are likely to be familiar with the particular brand and have had training or been through some certification process by the manufacturer.
If your instrument is by a individual hand maker who is still making instruments your options are slightly different. As a rule of thumb, it's always best for the maker to be given the option of doing repairs, whether they are warranty or not. If you need help locating him or her, a simple internet search should help. If you cannot find him or her by searching for the name, check some of the musical instrument maker lists. There are a variety of websites that can help including: www.13thfret.com/shops.shtml; www.acousticguitar.com, www.stringsmagazine.com. On this site, check our "Links and Resources" page.
__________________
too many guitars and horses, too little time...
Reply With Quote
  #9  
Old 03-25-2008, 11:46 AM
weatherford weatherford is offline
Registered User
 
Join Date: Jan 2008
Location: Athenry, Co Galway, Ireland
Posts: 885
Default

Here is a list of repairpeople in Canada who are members of the The Association of Stringed Instrument Artisans (A.S.I.A.)


Canadian members who do repairs


Hope this helps!!
__________________
too many guitars and horses, too little time...
Reply With Quote
  #10  
Old 03-25-2008, 11:49 AM
MJH MJH is offline
Registered User
 
Join Date: Aug 2001
Location: Edwardsville, IL
Posts: 1,994
Default

Quote:
Originally Posted by rmyAddison View Post
'49 is my birth year, if it was a Martin I would be PM'ing you right now with an offer.

However, Gibby's are great too, especially 45's! Get that puppy properly fixed by a qualified luthier and you have an amazing guitar.

You are a lucky person!

My birth year, too! There is a '49 O-15 on eBay right now. Item #230234559239. Not a bad price. I wish I had the extra money and the room to store it. I'd buy it in a second.
__________________
Mark
Reply With Quote
  #11  
Old 03-25-2008, 02:55 PM
jlkitch jlkitch is offline
Registered User
 
Join Date: Apr 2007
Location: Winterville, GA
Posts: 713
Default

I have a 1954 J-45 that's a dream to play. It was my father-in-laws main instrument for most of those years and was in good shape until his brother stored it in an outside wall closet in an uninsulated mountain house. By the time I got it it had a lifted pickguard and a seam separation. These were mended by Marguerite at Fret Not in due order. She didn't even have to cleat the separation. Other than the normal crazing everything is AOK. (Actually, the crazing gives it character.) It plays great, has excellent tone and everytime I pick it up I remember seeing Willard play it at the BlueRidge Parkway jam.
__________________
Jim

2007 Taylor GS M/S, 2002 Taylor 710 Ltd, 10 year old app. Seagull S12, 2007 SilverCreek T-160, 1960s Harmony Tenor, Harmony Parlor, 1969 Martin D-18, 1954 Gibson J-45, 2003 Taylor Big Baby,1961 Fender Jazzmaster, 1920s-something Martin Mandolin, Metcalf OM, Metcalf Walnut Dred, 1938 Paramount Tenor, Larrivee Parlor.
Reply With Quote
  #12  
Old 03-25-2008, 03:02 PM
jackiebrown jackiebrown is offline
Registered User
 
Join Date: Oct 2007
Posts: 208
Default

Definitely not worth it to fix, probably not fixable. Tell you what, send it to me at this address ....
Reply With Quote
  #13  
Old 03-25-2008, 03:03 PM
NateDog16 NateDog16 is offline
Registered User
 
Join Date: Jul 2007
Location: Fort Worth, TX
Posts: 601
Default

Great year for a J-45.

Yes it's most likely fixable, and by all means it is worth it. Keep that guitar.
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion






All times are GMT -6. The time now is 03:27 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=