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Hatcher Piña 0 model Green Mountain Series
Here is my latest start on a Green Mountain Series Piña 0 model. It will be tri-color bear claw Sitka floatwood on Bavarian Plum. Doesn't that sound delicious?
The Plum wood species is Prunus Domestica. I say Bavarian because that is where I got this wood from. Plum wood is a nice middleweight wood coming in at about 50lbs per cubic foot. The colors are fantastic! I'm matching the Bavarian Plum with this multi colored bear claw Sitka. This Sitka is salvaged from a disassembled floating Alaskan lumber camp. They float these camps on these giant Sitka logs which they can then move around with tug boats. The blue color in the Sitka comes from these rusty cleats that are used when lashing the float logs together. These rafts last about thirty to forty years before the cables start to rust out. I think these two are a great match both for tone and looks.
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#2
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I think I am quite familiar with a certain guitar with similar color pattern and it is might purdy.
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PS. I love guitars! |
#3
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I love the wood choices in this one, Mark. The Bavarian plum is going to be absolutely amazing under finish!
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Treenewt |
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Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#5
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Good looking start!
Are you using that black marble looking material for binding/rosettes, or is that just your table??!! Either way, I'm down for it!!
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1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup 2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup 2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup 2022 Yamaha SLG200S Silent Guitar |
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Your work always makes me smile...so inspirational!!!
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#7
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Thanks for commenting. I’m glad you find my work inspiring! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
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Sweet Woods!!!
I am in for this thread!!
Following for sure That Plum is mighty tasty Paul
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4 John Kinnaird SS 12c CUSTOMS: Big Maple/WRC Dread(ish) Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC Big Tunnel 14 RW/Bubinga Dread(ish) R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#9
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Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
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Getting Started
Well let's get started! I usually start with joining the plates
Then it's thicknessing and prepping the surfaces My preferred method of surfacing wood for gluing is using a smoothing plane. I was having difficulty planning because I kept getting small surface checks. So I resorted to using my cabinet scraper Planning is the best surface for gluing. Scrapping is a close second. With all those braces being glued to the inner surfaces of the top and back sanding should be avoided This came up clean and saw dust free No problem going back to the smoothing place for top thicknessing and surface prepping I love the symmetry I'm getting with the bear claw figure Thanks for following along! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#11
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Beautiful wood combo...love the bearclaw symmetry...really looking forward to watching this build!!
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Jeff Mark Hatcher Pina Parlor Torrified Maple/Cedar Stephen Kinnaird 00 B&W Ebony/Engelmann Spruce Simon Fay African Blackwood/Sinker Redwood Wolfgang Jellinghaus Torres Modelo 43S Maple/Spruce K Yairi CYTM Maple/Cedar |
#12
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Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#13
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Trim
With the plates joined and thinned it's time to get going on trim. The back center strip and the rosette need to be put together and I've picked the elements to make that happen.
I'm starting with Snakewood. I've got a lot of it and it is super hard, has hardly any pores, it reacts very little to changes in heat and humidity changes. This is an excellent wood to start with Snakewood makes for great binding, fretboard, bridges etc. Next up is Blue Stain White Pine. This is from my own woods and is the result of the Mountain Pine Beetle that introduces a fungus into the dead wood which creates this awesome permanent blue green color I've been hoarding the foraged pieces, slicing it up and stickering it to dry I've been selecting out the most interesting pieces for a lot of my trim work since I've moved here in the Green Mountains Those of you who regularly follow me here know I've been incorporating a lot of stonework into my guitars. I prefer it because it is a natural material and just offers some much to see. The closer you look the more there is to see. On this guitar I am using stone called Rhodochrosite. The color contrasts the Blue stain and accents the Plum wood This is a pretty large slab and offers a lot of variation for me to choose pieces from The first thing I have to do is test it out. How hard is it to cut and shape? This picture shows a test piece all slathered up in CA glue so I can be sure it doesn't loose its color when saturated with glue. I love how this goes with the woods. Now that I have everything in hand it's time to make something: Thanks for viewing! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#14
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That is a pretty darned impressive inlay on that back. Perfect blend of colors and a diversity of materials to create a perfect blend of all.
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PS. I love guitars! |
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Let me second Tom's observation. That inlay is absolutely stunning!
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