#16
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I've been keeping an eye on that D18. I even reached out for some more information and to see about the price. They agreed that in the condition it's in it is priced on the high side and said there was room to move on it although they did not state just how much room.
I don't know a lot about the D18's from that era (early '70s) but I vaguely seem to recall that generally speaking, Martin guitars from the '70s were not all that coveted for, well, anything. And the condition of this one makes any collector value unlikely, at least for another 50 years. Still... I'm heading back to the VA on Friday so I think I'm going to take my RainSong dread out there along with my strap and maybe even my little Bose S1 Pro to see just how they compare both acoustically and amplified. I'd love to have an old beater like this with some mojo. But I can also buy a new D18 Ambertone for less that price. |
#17
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Martins from the 70s can be as good as anything, but you need to realize the won't have the overly lush tone of a modern guitar, or the horrible MLO neck. There, that's it in a nutshell. Different eras. Yes there are the bridge placement issues on some of them, but I've played a few 70s that were absolutely first rate. Now that they are of the age they need work, they aren't for everyone, but to say there is nothing to like about them is just wrong.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#18
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The Manchester Music Mill has been my favorite music store (hands down) for several years. I've gotten many great deals on excellent instruments and other gear.
One thing is certain; they move a lot of gear and always have new inventory... My advice to anyone who is serious about a particular piece (new or used) would be don't snooze... engage the staff. Make them an offer, bring in something to trade (they love trade-ins and are always $ fair). You snooze you lose. |
#19
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In my experience, 'fair trade' when it comes to retail is an oxymoron. The only thing worse than selling on consignment (20% loss) is trading it in (50% loss). Fortunately, I have nothing to trade. And if I did, I'd sell it myself.
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#20
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On my last two trades I’ve made back all the money I spent on the guitars. One was used, so getting my money back on it wasn’t a total surprise. But the other I’d bought new less than a year before and still got exactly what I paid for the guitar…not counting taxes. The catch was that after giving me very generous trade-in value the shop wouldn’t negotiate the price of the new guitar I was buying…so I had to pay full MAP. Still, both were very fair deals. For the shop and me.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#21
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Quote:
Do you mind disclosing the shops for our benefit (or private messaging me if you don’t mind sharing)? Thank you! |
#22
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Just sent you a PM sent.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#23
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I traded two Guilds to Acoustic Music in Guilford CT and they gave me seventy percent of their expected sale price. For the guitar I had paid less for that was actually more than seventy percent of what I had paid. I eventually sold the Eastman I bought with the trade and didn’t do much better selling it myself than I had done trading with them.
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Guitars: Waterloo WL-K Iris AB 1990 Guild GF30 Bld Maple Archback Alvarez AP66 Baby Taylor G&L ASAT Tribute T-style |