#46
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I am not familiar with the Epiphones, why not go for a more basic jumbo (J45 style) or a Blueridge. Dunno where Guilds or Fenders are made - or by whom. All I can offer is that Eastmans seem to be the best quality for your Euro at present.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#47
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I played a budget line Guild, maybe around 400 bucks, that was head and shoulders above the Yamaha FG800 line. But it was still a budget guitar and played and sounded like one. To the fella who is upset about buying a crappy guitar. Well you bought a cheap fender built in Asia. That was your first mistake. DO NOT go by any review you see or read from anyone. I once listened to them myself and quickly learned they aren't being honest or they don't know what a guitar is supposed to play and sound like. And most on line reviews, while they put on a good show, are mostly trying to sell a guitar. You can't know what a guitar sounds like if its not in your lap. I learned it, so will you.
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Some Martins |
#48
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#49
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But I will still recommend the OP just get a Martin DX2E or a Taylor Academy 10 or 110E depending on his playing style even if he is not going to be plugging in. Because all those other options are garbage when it comes to playability and longevity. I think social media is dominated by people in the industry who want something to compete with Taylor and Martin, but its just not a reality. I fell for the whole "Martins don't have good playability cause they have high action" Trust me that is a lie. Even if the action ia a whopping 7/64ths on the Martin. It will still play easier then one of those guitars at 6/64th which was my experience. Even on my 20 year old martin that has neck problems lmao. Thats a fact. buttery smooth dressed and crowned and low frets. A level finger board. I've learned with my recent experiment, that action height doesn't mean everything. The guitar itself matters a hell of alot. Last edited by CooloutAC; 09-04-2023 at 06:20 PM. |
#50
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Quality tends to increase as you move up in price (which is rather obvious), but in my experience there's a big jump in quality when you move from <$300 guitars up to $400-800... especially if you're considering used instruments. E.g. at one point last year I had a Martin D15M and a cheaper made-in-China Guild D120 at the same time. I'm a Martin fan and really wanted to like the D15M better, but I came to the conclusion that the D120 was right there with it in terms of build quality and tone. Not all budget guitars are junk, and you can occasionally find real gems.
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#51
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Owned and played a lot of dreads and am currently in safe camp with 2 Martins, but I have had 2 D-28 inspired guitars than blew away their inspiration. First was a Santa Cruz D, straight Sitka over Rosewood standard model, really great instrument in tone and build, this was a true demonstration of you get what you pay for. It rivaled my ‘37 Authentic D-28 and had a better neck (I would trade, in a sec). The other was an Eastman 20D, and that was a beautiful instrument that would be on my short list even at the SCGC price point - again, comparing to that same Martin ‘37 Authentic I play today. They do not really sound like other manufacturers, but have their own tone, which is phenomenal.
Eastman‘s are a gift from above, and if you have any regional blockers, save them for cars or drones. I will definitely buy Eastman again and think they have built a great company with great products.
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martin D-28A '37 | D-18 | SCGC H13 | gibson SJ-200 taylor 814ce | 855 | GS Mini H.V. | goodall RP14 | Halcyon SJ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
#52
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With the exception of the Eastman. They're probably all made in the same factory by the same CNC machines.
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#53
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The poster above shocked me talking about playing on his 20 year old budget Guild guitar. That is quite the testament for Guild. Although I don't like their metallic sound most of the models I heard have. But then again, 20 years ago guitars were made better. Last edited by CooloutAC; 09-06-2023 at 04:24 PM. |
#54
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EDIT: I listened to the vid over again. and I can't believe I'm saying this I like the Taylor out of the three over the Martin . Martin had the warmest bassiest sound of course. Guild the brightest. But the Taylor was right in the middle and on top of that, it was the only one that had good intonation. The Martin and Guild sounded horrible up the neck at the 12th frett lol. Last edited by CooloutAC; 09-06-2023 at 05:28 PM. |
#55
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#56
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But judging from that video, without a using a fret rocker on them. the taylor has the best neck and fret job. lmao. I'm not a really a taylor fan, I'm a bassy Martin guy, but I respect their craftsmanship. But wow that ad27E actually sounds good man, I'm in total shock. |
#57
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Great choices! The only one out of the bunch I've owned is the Eastman. For the cost, it sounded huge and played extremely well.It was really woody and punch sounding, everything a dread should be. I don't quite remember why I let go of it, probably because I prefer OM's but I sure did love that thing.
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#58
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Eastman fanbois...they're everywhere...
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#59
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Eastman E6D-TC Martin 000-18 Republic RP-1 Un branded Chinese guitar with lotsa bling |
#60
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A good neck angle from the get go makes such a difference on any guitar.
I've played and owned quite a few Mexican Taylors and Martins and found nearly all very poor quality, except one road series Martin I played in a shop recently that was exceptional. but that success ratio is probably about one in fifty. I played some eastern import guilds that played marginally better than a garden shed, but I'm there are probably some occasional nice examples of import Guilds that are good. IMO USA Martins and Taylors always sound good but that doesn't mean their geometry will always be spot on - just a better likelyhood. Very happy with my Eastman. Nice to have all the build quality, playability and an Adi top. |