#31
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Recently I had one measure that was giving me a hard time because it had a bouncy tempo and I had to rock my hand back and forth to play this interval, then that (in DADGAD). Then I realized that I could substitute an open string in one interval and bingo, smooth sailing, lol.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#32
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Quote:
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#33
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learning a new one
If I have the music, I just play it. If it feels like it will fall together, then I keep at it and will eve, upon occasion, go over and over on a more difficult part, trying to get it to sound right.
That's why I am not a better player than I am, too anxious to play up to speed and too bored to actualy learn it right..
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#34
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I do a version of this. I look for these repeating sections and then rewrite the piece as tab into a section by section format. Writing it myself -- even if I'm just copying -- helps me picture the most efficient fretting and understand the patterns more than just hearing or reading it. I then pick the section that repeats the most and start from there.
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