#1
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Yamaha "FG7"?
The thought occurred to me it would be nice if Yamaha decided to build a FG7 to fill the gap between the FG5 ($1500) and the FG9 ($4000). After all...the LL Series has a 6, 16, 26, 36, & 56. Seems like with a 3, 5, & 9 they left out the 7?
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Jim Dogs Welcome......People Tolerated! |
#2
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mis typed nevermind
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#3
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That's a very good points llew.
I've been thinking the same thing over the last few weeks as I'm just about to pull the trigger on a FS5 , definitely can't afford the '9' |
#4
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Can’t argue with that logic.
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#5
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I'm curious what you think the FG7 should be like. So please come over with the specs...
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Yamaha FS5 Córdoba Cadete Gretsch 5420T...wang |
#6
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Quote:
-1 3/4" bone nut with a minimum of 2 1/4" bone saddle spacing. -Baked Sitka top with a choice of Mahogany or EIR back & sides. -Scalloped bracing and tone bars. -Ebony board and bridge. -Full body gloss. (not the neck) -Standard (25.4") scale for Dread and OM. -Choice of Atmosfeel pick up or not. -Hard shell case. -Tortoise style pick guard. -Neck profile similar to the FG5. -More traditional fingerboard inlays. -Upgraded tuners. (Maybe 510's?) -A price point that's not prohibitive? Just my 2 cents. Feel free to change or add your thoughts...
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Jim Dogs Welcome......People Tolerated! Last edited by llew; 03-29-2024 at 06:56 PM. |
#7
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Yamaha "FG7"?
I thought of the same thing recently. I *think* I would like to see the FG-5 build with rosewood and long scale.
Just saw Jim’s post. Great minds think alike!
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"Lift your head and smile at trouble. You'll find happiness someday." |
#8
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For those of us who plug in, I'd like to see ART make a comeback. If you don't know, it's a transducer style pickup. I'd love an FG7, ART, ARE, the new bolt on neck, rosewood b/s not sure about a top wood. The L series used Engelmann spruce. I'd be ok with Sitka I guess. 25 9/16" scale length. The multi ply neck. 44mm nut.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#9
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Quote:
Heck, you could take the FG830/820, make it with solid back and sides, maybe go 1 3/4" instead of 1 11/16" on the nut, upgrade the quality of the top and give it the ARE treatment, and make the nut and saddle bone instead of urea. Then you have something that would be incredible that you could sell in the $2Kish price range.
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Music: https://www.youtube.com/channel/UCyM...Ek2LconK-gQDFg |
#10
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Excellent idea.
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#11
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With Yamaha’s success with the FG5, FS5 and now the FG9 models, I’d love to see an expansion of the model line to include FG7, FS7 and FS9 models.
The logistics of pulling that off however, may be easier said than done. I have the new FG9 in mahogany and it’s fabulous. Would love to see a rosewood FS9 guitar someday. |
#12
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Quote:
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Jim Dogs Welcome......People Tolerated! |
#13
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Agree, it seems to me that perhaps a company that has made very good decisions throughout it's history left that space open on purpose??? Maybe they have a plan for a nice marketing niche to introduce the llew FG9 model!!! All I know, is I generally am a big big Yamaha fan.
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PS. I love guitars! |
#14
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Quote:
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Jim Dogs Welcome......People Tolerated! |
#15
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No, not if that is included in the specs...... I learned on a half sized 30 dollar guitar and I swear the string height at the 12 fret had to be 1/4" and I am sure was not close to being able to be tuned. People say this, but my fingers would actually bleed from fretting it. I wish I still had that guitar just to look back at it, but I threw it out as soon as I got my first real guitar, ironically, a Yamaha FG160 around 1975 (which I do still have).
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PS. I love guitars! |