The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #46  
Old 10-31-2018, 10:00 AM
jfitz81 jfitz81 is offline
Registered User
 
Join Date: Mar 2016
Posts: 196
Default

A ZOMBIE thread for Halloween! Gahhh!!!
Reply With Quote
  #47  
Old 10-31-2018, 05:21 PM
cuthbert cuthbert is offline
Registered User
 
Join Date: Apr 2010
Posts: 364
Default

Quote:
Originally Posted by jfitz81 View Post
A ZOMBIE thread for Halloween! Gahhh!!!
Never, never say die.
__________________
'04 Ovation Custom Legend 6759 (12 strings)
'06 Ovation Balladeer K1111
'10 Gibson Sheryl Crow
'11 Martin HD-28V
'16 Yamaha FG180 50th anniversary
'18 Gibson Southern Jumbo
'20 Guild F-512 MPL
Reply With Quote
  #48  
Old 10-31-2018, 05:47 PM
Steve DeRosa Steve DeRosa is offline
Registered User
 
Join Date: Mar 2013
Location: Staten Island, NY - for now
Posts: 15,078
Default

It's a very rare 1-3/4" neck that I can play comfortably for any length of time, and in spite of the fact that I have long fingers and a large span I never could (passed on some nice classical guitars over the years for just that reason, and having met Muriel Anderson at MandoBros I'm still trying to figure out how she does it) - those early-60's 1-5/8" flat-C surf/jazz necks have always been my ideal shape/size regardless of instrument (FYI Wes Montgomery liked 'em too - I had the honor of playing his personal L-5CES several years ago - and I think we can agree his tone/technique credentials need no further introduction, thank you), but since those last appeared on pre-'90s Guilds I've had to settle for the slimmest 1-11/16" necks I can find (can you say pre-NT Taylor?). I'd love to find an early Gurian rosewood jumbo in good shape at a reasonable price - played one of the hog models when I was in college, fell in love with it but didn't have the bucks; absent that, I'd have to find a not-too-hidebound luthier willing to buck current trends and build one to similar specs...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool"
- Sicilian proverb (paraphrased)
Reply With Quote
  #49  
Old 11-02-2018, 07:20 PM
C-ville Brent C-ville Brent is offline
Registered User
 
Join Date: Jul 2018
Posts: 424
Default

Most of my acoustics are 1 11/16" and all feel a bit different because of radius and neck shape. I have recently bought two guitars with wider nut spacing, a Seagull S6 and Jasmine JO-36 (1 3/4"). They are both shorter scale and I like them. The extra width, small as it is, is noticeable. There doesn't seem to be a lot of adjustment needed to switch between sizes.
Reply With Quote
  #50  
Old 11-02-2018, 07:51 PM
Ukulele_Eddie Ukulele_Eddie is offline
Registered User
 
Join Date: Feb 2018
Location: Santa Monica, CA
Posts: 441
Default

I'm a newbie, but I can certainly note surprisingly small differences in fretboard width and string spacing. At this point, I prefer *at least* 1.75 and 2 5/16. I just got a 1.75 width guitar and am fat-fingering chords I can do with ease on my guitar with wider fretboard. We'll see if I can adjust over the next few weeks...
__________________
12-fret Small Body Addict & Sucker for Exquisite Craftsmanship
  • Beneteau 0-12 Sitka/Mahogany
Reply With Quote
  #51  
Old 11-02-2018, 08:42 PM
6L6 6L6 is offline
Registered User
 
Join Date: May 2011
Location: San Francisco, CA
Posts: 5,528
Default

Sold off all of my guitars that had 1 3/4” nuts. It’s 1 11/16” from here to the finish line for me.

The difference is VERY noticeable to me!
Reply With Quote
  #52  
Old 11-03-2018, 07:07 AM
billyg billyg is offline
Registered User
 
Join Date: Oct 2007
Location: Germantown, TN - outside of Memphis
Posts: 796
Default

Quote:
Originally Posted by ruger9 View Post
Again, people... NECK PROFILE (and radius for that matter.)

You can't really talk about so-called "direct" comparisons of 1 11/16" vs 1 3/4" nuts without including the neck profiles. It's a HUGE (probably the biggest) part of the equation.

So "guitar A had a 1 11/16" and guitar B had a 1 3/4" and I preferred guitar B"... doesn't really mean anything.
I really am appreciating this thread. I also appreciate this emphasis on neck profile. Since I don't play that well, I keep looking for that little edge in a guitar to help me play better. I started doing a lot of thumb over bass, and my small hands, coupled with blunt fingertips (seems almost wrong to call them "tips") means I either dampen individual strings in the middle of the fretboard, or the fat side of my hand dampens the high E string. As I work to try and make this better, I have begun to focus on neck profile. (If I could improve my form, that would help also)

I picked up a headless electric guitar at the recent Boutique Guitar Showcase, noticed how fat the neck seemed to be at the first fret and thought, "I can't play that." I took it down anyway, and I could hit that F chord or F7 wrap around with no issues. "How can I manage that?" The manager of the showcase came over and told me that the neck profile at the first fret was asymmetrical. The maker had made it a "half V" I guess, for lack of a better term. He had taken the fat off the neck on the treble side. I was very surprised at the impact on my fretting hand.
__________________
===
"Don't let your baby down" Storm Windows, John Prine
'66 Gibson J-200, '55 J50, JB Model 1; Martin M-36; Micheletti Osprey Rigid Rim; Collings OM2H, GR Bear OM C; Emerald X10 Slimline; Gretsch HOF Country Gent & G6120CMHOF; Gibson ES-165; CP Thornton Improv; Veillette Flyer 14 & Lyric; Anderson Crowdster++ ....
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion






All times are GMT -6. The time now is 07:42 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=