#46
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Really, Martin will charge you a couple thousand and still not give you a hard shell case.
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Eastman E10ss Eastman E20D-tc Eastman E20om |
#47
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Alvarez Laureate Series
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Exactly, the ignorance and anti-Chinese sentiment gets really tiresome to be honest. $1300 is nothing in the current guitar market is it, people are spending that on a decent flight case! I own guitars made in the USA, UK and China and they are all excellent. The big US brands give you absolutely nothing of quality for $1300, but a far, far superior high end Chinese guitar is too expensive just because it’s Chinese??
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#48
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I took delivery of a guitar made in China a couple of weeks ago that is one of the best built and sounding instruments I've ever had -- of many many boutique type guitars. It rivals any from anywhere and is better than many.
My experience is that almost all bias comes from lack of exposure. These Laureate guitars from Alvarez look to be fantastic. I look forward to hearing and reading some reviews. |
#49
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“My experience is that almost all bias comes from lack of exposure.”
I believe that most bias comes from things that are not allowed to be discussed on public forums, and it has nothing to do with the quality of the guitars. Roger |
#50
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The parlor guitar at 24" scale length and 12-fret to body design is particularly interesting to me. Does anyone have any insight as to what kind of finish they are using on these? I don't see anything on Sweetwater's spec page. Thanks!
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#51
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So, I pulled the plug on the parlor guitar in this series, and wrote a post about white knuckling it while waiting. I was told by my sales engineer at Sweetwater the ETA is the first week of March, so until then, I am white knuckling it. I happened to get the natural finish as opposed to the Daybreak finish - it looked right to me, but I can see the appeal of the other finish.
I am of the opinion that a great guitar is a great guitar no matter where it is made, be it Mexico, the US, Canada, China etc. as long as it appeals to *me* the player. I personally don't mind the gigbag type of case it ships with, since I know that the 15 series of Martins ships with those, and Taylor does there aerocase for the American Dream series, the 200 and 100 series guitars. I am just glad that is comes with a case or gigbag as part of the price point. |
#52
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Alvarez Laureate Series
I had the opportunity to play the Dreadnought and OM Laureate series at my local guitar store. They both sounded good. Not exceptional sounding but good. Definitely would be a good value for a gigging musician. My two biggest complaints on both models is the finish is too thick and really does dampen the volume and tone. The second complaint is that the set up is low at the nut and buzzes on open strings. I also noticed fret leveling was not up to par either, which is something I have consistently noticed on Alvarez guitars that are not Yairi. To me there is nothing ground breaking in this series to my ears. Again they are solid guitars and with the HIFI pickup in them, they present a great value for a gigging musician.
I will add that I like Alvarez and have no animosity toward their products, this is just my honest opinion after spending some time with both models available. I do think that I would still choose an Eastman in the same price range as I believe their guitars have more character to their voice and actually sound unique and will probably inspire the player to dig in more and pull something great out the guitar. The Alvarez, to me, sounds like any other guitar you hear with not as much character as a comparable Eastman. Just my opinion and I realize I only had two different examples to play. I am almost positive there would be an exception to my opinion somewhere.
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Gibson Advanced Jumbo Gibson J-15 Walnut Burst PRS Custom 24 S2 |
#53
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2023 Boucher BG-151 (Adirondack / Figured Madagascar Rosewood) 2021 Boucher LE-SG-131 (Moon Adi / Master Grade Flamed Walnut) 2022 Eastman AC308CE Ltd (Sitka / Mahogany) 1980 Yamaha SJ-180 |
#54
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How do they sound? I can't really find any clips. I just feel that there are way too many great, great used guitars at the 1400 price point. Like I just bought J-15 for 1300, and it is KILLER and there is no way in heck that an Alvarez Laureate is going to top this nitro-finished, built-in-Bozeman, x-braced, hand-scalloped, hide-glue constructed, dovetail jointed usa guitar. For instance, or for example. Just my opinion.
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2022 Gibson Custom Shop Rosewood J-45 2016 Gibson J-15 2021 Martin D-18 reimagined 2021 Martin HD-28 1935 Sunburst 2022 Martin Special 16 2003 Alvarez AJ-60e 2018 Les Paul Standard 2020 61 SG reissue 2013 Fender Mustang Bass |
#55
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#56
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M. D. Vaden / Arborist, Photographer - Hsienmo 38S, Sinker Redwood - Hsienmo Autumn, European Spruce - Teton STA180CEAB-AR, Sitka Spruce - Teton STS205CENT, Thuja / Redcedar |
#57
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"made in Japan" used to have the same rep as "made in China" does today. It's now recognized that Japanese handcrafted guitars (and autos) can be on par with the best of the best. The same will be said of china in the future.
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#58
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Music, to do it well, is a hard and worthy endeavor.Make music you believe in. Play to please yourself. Make art and if you are sincere others may follow. |
#59
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Thats exactly the point I was trying to make, “Nothing that makes me scream, shut up and take my money.” And as you stated a very crowded market in the price range is correct and that are better than the Alvarez.
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Gibson Advanced Jumbo Gibson J-15 Walnut Burst PRS Custom 24 S2 |
#60
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The best I can say on the sound is the dreadnought was on the darker side with mids scooped out quite a bit. A touch of high end sparkle but the high end was a bit plastic sounding. The dread would not cut through a mix very well imo. The OM was the better sounding of the two. Mids were not scooped as much and was a lot clearer than the dread. The OM obviously had less bass but overall it was a more balanced guitar across the eq spectrum to my ears. If someone forced me to choose one, I would choose the OM.
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Gibson Advanced Jumbo Gibson J-15 Walnut Burst PRS Custom 24 S2 |