#1
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What is your favorite top wood for a baritone?
Feel free to share your experience determining your vote. Thanks!
1. Sitka 2. European 3. Adirondack 4. Cedar 5. Redwood 6. Other
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Dustin Furlow -Award-winning songwriter/guitarist, Visual storyteller -D’Addario, G7th and K&K Sound Artist -Music on Spotify, Apple Music and YouTube: www.youtube.com/dustinfurlow -New album "Serene" (Oct '23) and tablature available at www.dustinfurlow.com |
#2
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I owned one baritone with an Adk top and had owned another with a Sitka top. Plus the guitars were different in other ways as well. They were both nice, but what does that tell anyone? My experience is too limited to give a meaningful vote.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#3
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I have owned 2 baritone guitars. Both have Sitka tops.
Not by choice but rather by what was available in my price range. I would love to play one with an Adirondack top.
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Happiness Is A New Set Of Strings L-20A |
#4
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I haven’t played enough baritone guitars to develop a pronounced preference. My McAlister baritone has a Sitka spruce top over koa and it sounds terrific, but it’s a statistical sample of one.
Wade Hampton Miller |
#5
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Hey Dustin, I too haven't played enough baritones to have a general opinion, but I remember you are looking at a build with Marc. My Baritone is a Beneteau M with Adirondack over Brazilian. The lower register produces a dark-sounding instrument, but even so it still maintains a crisp, defined timbre. No doubt a lot of that has to do with the full 28" scale and Marc's lutherie, but I imagine some of it also stems from the stiffness of the Red Spruce. The lower register, bigger box volume (in my case), longer scale, and heavier gauge strings thrive with the qualities of Adirondack. I could see Sitka working well, too, but something like Redwood or Cedar might be too muddy. Of course this is speaking in general and any given set of wood might act differently.
Last edited by Erithon; 02-09-2022 at 05:41 PM. |
#6
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I have one with a sitka top. Like others, mine is the only nice baritone I have ever played and can't draw a lot of conclusions at this point.
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#7
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Mine has a solid spruce top and laminate back and sides. It sounds cool. Just got it. So my answer is spruce.
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#8
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Dustin: I had a 12 fret Santa Cruz custom baritone for many years with koa back and sides and a European spruce top. 27" scale. 1 13/16" nut and 2 5/16" saddle spacing.
It worked very well with medium ga. strings but I only tuned it down one whole step from concert pitch. With the koa/euro combination, it was powerful and clear, with great sustain for slide. Just a great package altogether. So that's one data point among many. Love your music, btw. Tim |
#9
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Hey Dustin.....not sure on top woods....but when I was further researching Lance McCollum, I came to realize that he was quite famous for his baritone guitars. If you look further, his top woods might yield helpful info. I know he specialized or used a lot of Italian spruce in his career.
https://youtu.be/lSnWhsmlGec
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify |
#10
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I dont think you could go wrong with any of the spruces, Dustin. i've played a few baritones with cedar or redwood from Lowden and wondered if I might've liked them more in spruce. I picked Sitka from your list as my choice if having something made for me out of nothing with minimal awareness of the luthier's experience. I like how forgiving sitka is when compared to a lot of euro builds I've owned and played. My own baritone is Euro though and it's great! (not forgiving, tho . . . )
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#11
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Baritones are not very common on the ground, so this is a hard question to answer. And I've probably played more than most people: 20-25 by at least a dozen builders. I've never seen one with Redwood or Cedar tops, though. I answered "other" because there was no option to just say "spruce." Interestingly, I don't even know what the top is on my Beneteau, except that it is "spruce."
Whatever it it is, it sounds exquisite. |
#12
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This is all very helpful, thanks folks. I am debating between Sitka and Carpathian (a stiffer Euro spruce that is closer to Adi in it's behavior and grain stiffness) that Marc said would be good. Interestingly, he said his Alaskan Sitka is stiffer than the Carpathian, despite Euro spruce very often being stiffer than Sitka.
My first Beneteau was a Carpathian/Ebony Model M which I felt was nice for a light touch and extra nice for a stout attack so I think this might be the best option, so far. I for some reason failed to list Engelmann as an option on the poll, Marc does great work with that top wood and it's worth me asking him if it might be a good option before we move forward. BTW, Mycroft, that Beneteau is absurdly good sounding, if it's the SJ with Padauk. I wish my back/shoulder could handle the SJ size...we are going with a 4.25" deep Model M which is 16" wide, so hopefully it still sounds half as good as yours. That's definitely the best sounding baritone I've ever heard, in terms of online audio sample. Bar none.
__________________
Dustin Furlow -Award-winning songwriter/guitarist, Visual storyteller -D’Addario, G7th and K&K Sound Artist -Music on Spotify, Apple Music and YouTube: www.youtube.com/dustinfurlow -New album "Serene" (Oct '23) and tablature available at www.dustinfurlow.com |
#13
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I've owned many baritones ranging: Yairi, Lowden, Webber, Kronbauer, Brook, and Froggy Bottom. Sitka always seemed the best overall. Not sure if that wood loves those bari frequencies, or best strength/overtone content for how I played, but sitka. Followed by port orford cedar, which in my experiences behaves very similarly to sitka, just even stronger along the grain (hence the historic use as arrows).
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Taylor LKSM-12 - Larrivee B-19, L-11 - Brook Tavy Baritone, Torridge - McIlroy AS20 - Lowden BAR-50 FF - Yamaha LJ-56 |
#14
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Quote:
Dustin - my experience with baritones is also very limited; I owned the ex-Don Ross Engelmann/Padouk SJ that Mycroft now owns and I spent a few hours with Don’s sunburst fanfret which is Adirondack/Cocobolo. I also did quite a bit of research over the years and had intended to order one from Marc at one point. If I was in your position I would probably choose Sitka or Engelmann, but I agree that any spruce is likely a good choice. I can’t recall hearing any outstanding examples in cedar or redwood, but I’m sure they’re out there! Sounds like you’ve identified at least a few of the recorded examples of Mycroft’s SJ on Don’s recordings, but another cool one you might not know the details on is the Beneteau owned by Craig D’Andrea. It’s a 27” scale in Engelmann/Padouk:
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Bown OM Last edited by Ryan Alexander; 02-07-2022 at 08:09 PM. Reason: fixed youtube links |
#15
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I own one and I’ve played a total of four baritones. One had a Sitka top and the other three had Adirondack tops. All were impressive. Mine has Adirondack over quilted mahogany. It’s *alive* !
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