#1
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String question.
Looking for strings that fall in a happy middle ground in terms of brightness. Got a guitar where it feels like strings like the phosphor Daddario regular and Elixer coated strings sound too bright for much of their lives, detracting from the guitars nice warm midrange, then transition through the tonal sweet spot rather quickly. In the same breath I'm finding that the phosphor EB Earthwound and Daddario coated strings dont seem to retain quite enough "Sparkle" for any length of time. Hope that sort of makes sense, I'd like to find something in between to use on this particular guitar.
Obviously more experimenting is in order, just wondering if anyone has any suggestions to point me in the right direction. |
#2
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IMO DR rare’s fit the category you’re describing. Certainly worth a shot.
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Taylor 322,512ce 12 fret cedar/hog & 362ce Martin 00015SM Guild 1966 F20 Larrivee P03 sitka/hog,simple 6 OM & OM 09 Eastman E100ss-sb Gibson J185 & 2016 J35 Fender player plus telecaster & Mustang P90 Gretsch MIK 5622T |
#3
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I really like DR Rare lights and second the suggestion to give them a try. For me they seem to settle in nicely after about an hour of play.
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#4
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Another DR suggestion but I preferred round-core DR Sunbeams over the hex-core Rares.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#5
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I’d suggest that you try the John Pearse phosphor bronze.
Hope this helps. Wade Hampton Miller |
#6
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Thanks for the suggestions guys, my local guitar shop didnt have any DR strings, so I ended up trying D'Addario 80/20 coated strings... so far they seem sound just about perfect. Not bright enough to kill the overtones but with enough sparkle to still give me a more aggressive attack when I want it. Might try 80/20 Earthwound next just for the heck of it.
Funny, I'd been told by a few people that walnut backed guitars generally dont like 80/20 strings, just goes to show that you really do need to try things for yourself rather than just go on conventional wisdom. |
#7
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Quote:
whm |
#8
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There has been a recent large test of many strings on here, and a lot of commentary. Based on that I suggest trying Martin and DR brands as I am doing.
However I find the D'Addario phosphor bronze exp (coated) as the gold standard and hard to beat. - Stevo |
#9
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Yeah the PB D'addario coated strings sound good when new on that guitar, but quickly transition to being a bit more mellow than I want. The 80-20's were a bit bright for a few hours but have settled in nicely, hoping they stay where they are for a decent amount of time.
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#10
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I like the sound of DR Rare and Sunbeam strings. When I put them on my instruments they give a warm, lush, even tone with plenty of volume and sustain.
A little over a year ago I tried some Curt Mangan phosphor bronze strings ("fusion matched", whatever that means) on my 10 string mandola. Absolutely sounded better than ever - better tone, more volume, longer sustain. So I tried a similar set for a mandolin and another for my 10 string mandocello. Again, each sounded way better than ever before. Of course I bought a set for my Martin HD-28 (.013 or medium gage). Same effect - the best tone, volume and sustain ever. In my continuing string experiment I bought some Mapes medium phosphor bronze strings for my Martin. Sounds good, but not as good as Curt Mangan's. Not quite as good as DR either. |
#11
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Quote:
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Please don't take me too seriously, I don't. Taylor GS Mini Mahogany. Guild D-20 Gretsch Streamliner Morgan Monroe MNB-1w https://www.minnesotabluegrass.org/ Last edited by rllink; 08-08-2021 at 09:49 AM. |