#1
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Are "covers" at open mics being squeezed out?
I occasionally perform at an open mic at the nearest coffee shop. They recently asked that no covers be performed because they're being sued.
This is a sad state of affairs. The place is ridiculously small with an audience of ten max. Is this happening elsewhere?
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Website: http://www.buzzardwhiskey.com |
#2
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Probably they haven't paid ASCAP/BMI royalties. An age old situation that has been beaten to death in other threads here.
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actaylor A great woman... Two really nice guitars... I am blessed. |
#3
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We just heard the exact same thing. One of our customers hosts an open mic at a local coffee shop. He's been doing it for years. An official from ASCAP stopped by and told him he's required to purchase an ASCAP license or risk being sued / shut down. This just happened this past week.
One of our teachers also runs a " Garage Band " business on the side. ( think School of Rock ) He received notice that he is also required to purchase a license. I'm hesitant to play Stairway to Heaven any more. |
#4
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Yes ... one of the small coffee shop open mics I frequent has had the same situation occur.
While I completely understand the principle involved, I do not agree with the enforcement, which appears capricious, arbitrary, and more than a little heavy handed.
__________________
"Alas for those that never sing, But die with all their music in them!" --- Oliver Wendell Holmes Hear my original music at: https://www.reverbnation.com/judsonhair |
#5
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That's not really a bad thing.......
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#6
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I imagine most actual artists/songwriters would be appalled by this. If I do a John Prine song, and announce that it's a Prine tune... Essentially I'm advertising for John.
"Prine, huh? Can I buy his records somewhere?".....That sort of thing. |
#7
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Makes no sense. You have to pick your battles in life. Playing for free should not require a license, you are promoting the copyrighted music.
I understand establishments make good money with bands playing covers, and the artists who wrote the songs should get some payback. However, open mics do not fall into that category. Pisses me off really. I am an ASCAP member too. |
#8
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I love it. Cutting of your nose to spite your face is always the best choice. Were I a coffee house I would hang up a nice laminated poster of the top 300 or so artists who’ve bought ASCAP/BMI muscle and after the announcement that performers must not play covers suggest that the audience might like to read a partial list of artists who’ve chosen this form of capitalism.
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Website: http://www.buzzardwhiskey.com |
#9
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ridiculous. If this happened at the place I play open mics, I'd tell everyone to stop by my house every Wednesday evening instead...
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Strummin' and fingerpickin' since 2004 2013 Martin Custom OM-18 2012 Martin 0-28vs 2012 Martin LX1 2012 Telecaster Ltd. Edition Ash Body 2003-ish Takamine Jasmine (first guitar I ever played/learned on) |
#10
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Sometimes I actually hope that ASCAP wins all the battles. Then maybe we'll write our own music and sing / play it to each other. Then maybe we can develop our own culture and share it instead of having our values and culture sold to us by some amorphous power structure. Ah, my inner conspiracy theorist is back. I'd better go and take my medication now.... :-)
Clark
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Martin D-18, Newell mandolin or whatever else I'm playing today. |
#11
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Quote:
Quote:
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Taylor 512ce 12-fret (cedar/mahogany grand concert) Seagull Artist Studio (spruce/rosewood dreadnought) |
#12
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Go right ahead, and feed everyone - your dime. Enjoy your freedom.
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#13
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Quote:
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#14
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Does this mean I have to stop covering "Smelly Cat"?
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#15
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The threat of a lawsuit is real. Just ask Hard Rock Cafe who took on the lawsuit and LOST.
That said, we're talking a SMALL amount of money to comply with ASCAP/BMI. San Francisco Open Mics took a heavy hit when ASCAP/BMI lawyers started with the lawsuit threats. Most still don't allow covers, but some (like the historic Sacred Grounds Cafe) have paid the dues and are now allowing covers. And, their business is BOOMING again. Fact is, most people don't want to hear original songs. They are most often WAY too long, and just not very good. When San Francisco went "originals only", the music scene at those venues virtually died. Bill |