#16
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My experiences with those haven't been great to be honest, all of the good ones seem to have compulsory auto-off and I like to be able to put the tuner on or under my music stand.
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Of course I tune when I start practising (with nylon strings often after some warm-up exercises on open strings which also warms them up and would detune them). But I'll retune when necessary, and I find that's necessary more often with my archtop (I'm guessing that has to do with the non negligible bit of string behind the saddle). Plus, I'm trying strings that sound really nice but are very sensitive to pressure and push the limits of what's possible with compensation at the saddle. So I tune the A string 4 cents flat for instance. It's really a bit like the old "art de préluder" except with me it's not an art that sounds like improvisation over the key chords of the piece you're going to play In fact, it's been a long time since I stopped playing the violin and I think that playing a fretted instrument has made my ears a bit too lazy (I find it much easier to continue to play on a guitar I know to be out of tune). That's another reason why I have start to keep a tuner on in my field of view.
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I'm always not thinking many more things than I'm thinking. I therefore ain't more than I am. Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?) Toon: Eastman Cabaret JB (China, 2022) Stanley: The Loar LH-650 (China, 2017) |
#17
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#18
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Looking for fast, accurate chromatic tuner that displays cents
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Ignorance has turned into bliss. Since I posted that quote earlier, I started playing around a bit with my tuner. Turns out that I can adjust A=440 up or down from 440 to say 441, 442, et cetera. Never used this feature before. Don't know if this is exactly what you are looking for, but it does allow a specific setting for temporary or permanent use. In the grand scheme of things, it might be the best way to set a string sharp or flat, as opposed to just returning a specific change. Might do that too. Gonna have to play around with it some more. Think I still have the original directions in my accessory box. Might be worth a shot to chek their website for more: www.korg.com For some guitars, I have in the past tuned the bass 'E' string(s) just a wee bit flat by ear. Seems to provide a better sound (to my ears) especially when fretting a 'G' note on the third fret. Or it might just be me fretting too hard on that note, especially in a cowboy chord form. Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo Last edited by donlyn; 03-24-2022 at 06:20 AM. |
#19
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My wife tells I I don’t have Any cents
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#20
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Thing is, A=441Hz is +4ct, A=439Hz is -4ct (according to Airyware). A=415Hz is a semitone, A=392Hz a full tone, btw So if you're used to tuning your open strings at -1ct (so the lower frets are better in tune) it won't do to change the reference pitch, sadly. I found a good enough deal on the blue version of the Korg GA Custom pocket tuner (which I can always send back through A'zon Prime) and received it today. As I feared, the led scale is closer to 5ct/led than the 1ct/led suggested above (in modes 1 and 3), but they are actually used as analog indicators (they're not simply on or off; intensity varies). The strobe modes are reasonably well in agreement between the Korg and the Airyware tuner (which I checked against a Peterson). I'll run it through its paces over the weekend and see if it fits the bill after all or if it will go back. It definitely scores in the form factor department!
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I'm always not thinking many more things than I'm thinking. I therefore ain't more than I am. Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?) Toon: Eastman Cabaret JB (China, 2022) Stanley: The Loar LH-650 (China, 2017) |
#21
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I did think it would be hard to see. Do you think you can actually see them well enough to make it work now that you have a better sense of the actual scale? My eyes aren't what they used to be, but I hope you can see it ok to get close enough for your needs. Best, Mac |
#22
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That's tricky on the archtop, already when tuning open strings I often have the impression I'm turning and turning the tuner without much effect, and then all of a sudden it overshoots. I'll probably want to grow a 3rd hand now
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I'm always not thinking many more things than I'm thinking. I therefore ain't more than I am. Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?) Toon: Eastman Cabaret JB (China, 2022) Stanley: The Loar LH-650 (China, 2017) |
#23
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I doubt that Segovia sat an electronic tuner in front of him, and I expect that he was very particular about how he tuned and how his chord intervals sounded. And I also expect that he used many subtle left and right hand techniques to adjust intonation and timbre whilst performing. I'm sure that the TC Unitune clip-on gets so much love here on AGF because it doesn't show cents and there's a touch of leeway when using one. Therefore folks can sweetten their tuning a touch by ear and still get the green lights!
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. Last edited by Robin, Wales; 03-25-2022 at 02:31 AM. |
#24
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What you describe is what any violinist learns to do after working on his/er intonation for a while - ever wondered why the violin family doesn't have compensated bridges? We even learn to compensate for having to push strings apart so they can sound freely. I have already exposed my reasons why I feel like I need a good, objective listener to help me retrain my ears. Not really when I play the kind of classical strings Segovia could be using now, but on steel string guitar I often hear that an interval is off but can't decide if it's sharp or flat. And I've developed a tendancy to prefer sharp octaves and fourths when I tune by ear. Using a tuning device that gives the green light when a note is in a ±5ct interval isn't going to help me here/hear. The fact we can accept that error and still enjoy the music doesn't mean a minimally trained (and normally healthy) ear cannot hear that it's there! That said, I realised yesterday that a chromatic version of the TC Polytune could be useful ... play any chord and it'll indicate which notes are out of tune. I highly doubt that it's possible though
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I'm always not thinking many more things than I'm thinking. I therefore ain't more than I am. Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?) Toon: Eastman Cabaret JB (China, 2022) Stanley: The Loar LH-650 (China, 2017) |
#25
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As a dobro player in a bluegrass band the major "intonation" issue I had was when I stood between the guitarist and the banjo player and had to decide which one to follow when sliding into notes! I do built my own dulcimers/fretted zithers in just intonation but have also played them fretted in quarter comma meantone.
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |