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Effects recommendations......
Hi
As much as I thought the Zoom G1Four sounded good....My amp sounds better without it.. I just need an effects box.. Chorus-Tremolo-reverb etc.., But I need it not to mess with the guitar tone much....transparent Oh and my amp doesn't have an effects loop (Vox Mini-Super Beatle) Any recommendations?
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My Channel: https://www.youtube.com/channel/UCWe...hBVBfhinK8iIGw My Toys: Taylor AD17e (Ovangkol) Guild "Bob Marley" Epiphone ES339Pro P90 Limited Fender Affinity Strat Custom W/P90's |
#2
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My advice is to take your guitar and amp to Boise Guitar Center (15 min. from you), or your favorite guitar equipment store, and sample pedals - with your equipment - and pick the ones that give you what you are looking for - through your equipment. Opinions herein will vary too much depending on hearing, desire and equipment.
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Don't get upset, it's just my experienced opinion, Steve |
#3
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What's your budget??
You could get a couple of pedals to do what you want. You could get one muliteffects pedal. This might do it?? https://robertkeeley.com/product/super-mod-workstation/ Sweetwater has a lot you can look through. Strymon has several that might work or work with one more pedal to round out your needs. Maybe a Strymon Flint and a BOSS CE 2 Wazacraft Just some thoughts |
#4
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Keeley Caverns v2. Has reverb and delay in the same pedal. The reverb has modulation and shimmer options so you're really kinda getting 4 pedals in one.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#5
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The Zoom G1 Four has this irritating tone(EQ) that I can't seem to EQ out, other than that it would work great as a Effects pedal by turning off the amp/cab models..
I'll check into the Keely
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My Channel: https://www.youtube.com/channel/UCWe...hBVBfhinK8iIGw My Toys: Taylor AD17e (Ovangkol) Guild "Bob Marley" Epiphone ES339Pro P90 Limited Fender Affinity Strat Custom W/P90's |
#6
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I really like my Boss GT-1. It has tons of effects, as well as amp models, but if you are going into an amp, you simply turn off the amp modeler and set the output configuration to match whatever you are going into.
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2012 Breedlove discovery Dreadnaught (ce) AKLOT Acoustic Electric Ukulele. 2023 Squire Affinity Telecaster Early 2000’s Tradition B-100 Electric Bass 2023 Taylor 214ce dlx ziricote (Boss GT-1 for all of them) |
#7
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First, I'm not a big fan of multi-effects pedals. I've found them too difficult to deal with, but that could just be the couple I've tried.
If you want to try pedals at moderate cost, most of the Behringer pedals are electronic clones of equivalent Boss pedals, and most sell for $29 at Sweetwater.
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#8
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If you really want transparent pedals, you need to look at Analog Man pedals. These are custom built pedals in a small shop that uses only the best components available. Its definitely not an all in one box of pedals approach, so if that kind of processed sound is what you’re after don’t waste your time on Analog Man’s web site.
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Gibson and Fender Electrics Boutique Tube Amps Martin, Gibson, and Larrivee Acoustics |
#9
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Take a look at Line6.com (owned by Yamaha) and see if any of these effects pedal systems interest you. I would think the M5 would suit your needs based on your post. But, maybe one of the others jumps out. The quality is high and the price is reasonable. HX1 looks nicely built and modern too.
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"Lift your head and smile at trouble. You'll find happiness someday." |
#10
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There is more BS about pedals than any other gear. I've been there and back again so many times and now realize that it is just a money pit if you don't be careful. IMO all you need is a tuner, boost, clean OD, delay, and perhaps reverb and tremolo if the amp doesn't have them.
Multi effects are fun toys but get in the way of making music in a live situation. The key to great tone is using a good amp, period. The guys who are paying hundreds of dollars on $5 worth of parts are fooling themselves.
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#11
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true! my old fender amps had reverb and tremolo so a tuner was all I ever used and could overdrive a little at a lower volume if wanted... there's a reason i own acoustics and it's not to amplify or pedalize but then i'm no bar junkie just an anti-social hermit nowadays
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#12
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Quote:
No doubt! Multi-effect units are tone killers. Aside from what they do to amps — the problem you're experiencing — there are four other problems with multi-effect pedals: 1. All the effects won't please you. For instance, you might love the chorus but hate the overdrive.The only advantage to multi-effects pedals is that they're cheap — like those old boomboxes with radio, cassette slots, CD trays, and speakers all in one unit. In theory, it's a brilliant idea. But you get what you pay for. Boomboxes never sounded great, and multi-effect units don't, either. Spend money on good pedals for each effect you actually want. For instance, I have three overdrives, one reverb, and one trem: all true bypass and all effects I actually want and use. I got the reverb first because that matters most to me. Then trem, then the overdrives, one at a time. And now I'm exactly where I want to be. Quote:
True bypass pedals are usually (usually!) cleaner and more transparent. Hand-wired is usually (not always!) better, too. The best approach is to add pedals one at a time to make sure they play well with each other. Don't get distracted or befuddled by all the buffer hokum you hear and read. It's all nonsense. Just get good pedals. Quote:
None. Can't tell you what pedals are right for you. The ones I like aren't necessarily the ones you'd like. I pay attention to sound quality and ease of operation. So I just shopped around, tried some, and didn't keep pedals that (a) I didn't love the sound of, (b) didn't play well with others, or (b) I ended up not using. (For example, someone above recommended Analogman. A good company. I had an Analogman King of Tone overdrive for a while. Well made and transparent, and Analog Mike has a sterling reputation. I have nothing but praise for the pedal, but it just wasn't my sound. So I sold it and kept looking. Glad I did.) Your Vox already has reverb and trem. You could get fancier pedals for those, of course, or you might decide you'd rather start by finding a good chorus and whatever else you want and upgrade your reverb and trem later. Last edited by Charlie Bernstein; 04-24-2024 at 06:28 AM. |
#13
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I'd start with just a delay pedal. And a floor tuner, so you'll be muted when you tune. Get the Peterson and you'll be able to see it outdoors in the daytime.
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#14
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T.S. Electronic Plethora 3x. Heads and heads above anything in its price range. One of the most pristine soundings, multi-FX pedals I've ever heard. Almost rack quality on a pedal. Price belies logic. I dunno how you could do better.
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#15
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