#1
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Finally... a 12 Fret
It's the standard issue 12 Fret, not the LTD. My local dealer had both on order and I was pleased to see the rosewood/spruce come through yesterday afternoon. He called and I drove there straight away.
Not much playing time yet - maybe an hour or so - but so far, quite impressive, a different voice for a Taylor... one I really like. More to come as the relationship progresses.
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The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. - Hunter S. Thompson (RIP) |
#2
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photos, please...
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#3
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Hi LP26,
My local store has one also, not even a month old. I played it and it sounded sooooooo sweet. It's the BEST sounding Taylor I ever heard. I want it real bad!!! But the wife...you know the story. I'm more jealous of you than you could ever know! Enjoy the git, and play it in good health!!!!!!!!!!!!!!!!!!!!! Best, Bruce
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1989 Epiphone PR350B (Sold) 2008 Taylor GS5e 2010 Taylor GA3-12 2010 Taylor GS Mini (W/ES Go) 2010 Godin Session "There once was a note, pure and easy, Playing so free like a breath rippling by..." Pete Townshend |
#4
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In playing mine I've been tempted to agree that it is the best sounding Taylor I've heard, but I temper that thought with the idea that it's still a brand new guitar and we need to see if the honeymoon endures.
What strikes me is its woodiness, depth of tone across its range and volume for a small bodied guitar.
__________________
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. - Hunter S. Thompson (RIP) |
#5
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And one other small observation...
The 2010 ES is different. Frankly, I've always thought the second iteration of the ES was pretty good. This new ES has a more natural tone to my ears...
__________________
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. - Hunter S. Thompson (RIP) |
#6
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Taylor started shipping the latest ES in January of 2010 and the reviews are positive. I had my first 12 fret experience yesterday with this custom and I couldn't believe how warm it sounds and how easy it is to play. I'm normally a dread guy but WOW, what a great guitar.
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#7
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All Mahogany Grand Concert
Looks a bit like my BTO all mahogany 14 fret Grand Concert...
http://s189.photobucket.com/albums/z...ny%20GC%20BTO/
__________________
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. - Hunter S. Thompson (RIP) |
#8
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Now I'm torn between a 12-fret BTO and an RTaylor Style 2.
The 12er might be the sound I'm looking for, but I just can't get over the slotted headstock.
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Wherever you go, there you are. 2011 Taylor Custom 12-fret - Cedar / Ovangkol 2009 Taylor Custom GC - Engelmann / Maple 2008 Taylor Baby Mahogany 2006 Taylor T5-C |
#9
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Quote:
Add to that the bridge needs to be moved back to maintain the scale since the neck is 2 frets shorter, and that adds more pull on the largest cross-section of the lower bout. Both those add up to a deeper and usually louder guitar than most people expect for a "small body" guitar. Haven't heard a Taylor 12 fret yet, but would love to.
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Ken 2006 Martin 0000-28H 2001 Taylor Baby-R ------------------------- |
#10
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Quote:
My experience with playing the Taylor 12 fret resulted in my passing on buying the one I tried. What really struck me was that the combination of a short scale with the 12 fret neck/body join, resulted in what I felt was a pretty cramped fret board layout. A cutaway would have really helped, but alas, the cutaway 12 fret is not a standard Taylor model (even though it is pictured on their web site). I'll admit the tonal qualities of the 12 fret was different than the standard GC8, but to my ear the GC8 was more responsive, more "Taylor", and more pleasing to me (maybe the CV bracing on the GC8 is the difference). Just my 2 cents. Gary
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Taylor 612c (1994) Taylor Custom GC All Mahogany (2010) Eastman E10-OM Yamaha NTX700 Recording King ROS-06 Greg Bennett OM 8CE Yamaha CGX 171 SCF Flamenco Ibanez AG95 DBS |
#11
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Quote:
Don't get me wrong, I think the 12-frets are fine but just not for me ... Now, one exception is the all Koa 12-fret ... somehow, it stays very articulate with the added volume and turns out to be the one I would choose if I decided I wanted a 12-fret ...
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-- Scriptor For some very simple demos of original music: https://soundcloud.com/rick-langdon -- Play on!! |
#12
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The cutaway is the standard model. That's what's sitting in my living room.
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The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. - Hunter S. Thompson (RIP) |
#13
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Quote:
That's good to know, maybe things have changed. When I talked to Jim at Guitar Rodeo a few months ago, and questioned why the picture on the Taylor web site showed the cutaway and the specs indicated no cutaway, I was informed that the standard was the non-cutaway (per the pricing on the web site) and the cutaway would be a sustantial upcharge. Actually the cutaway would be the the same upcharge that is normally associated with a BTO model. That put the 12 fret cutaway several hundred$ above an 812ce with maple binding, inlayed fretboard, CV bracing, etc. If the cutaway is now included in the standard pricing, I may reconsider. Thanks, Gary
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Taylor 612c (1994) Taylor Custom GC All Mahogany (2010) Eastman E10-OM Yamaha NTX700 Recording King ROS-06 Greg Bennett OM 8CE Yamaha CGX 171 SCF Flamenco Ibanez AG95 DBS |
#14
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Quote:
i may be off on this, but from the pictures of the above 12 fretter, to me the soundhole looks a bit larger than the standard GC, and of you guys care to measure and confirm or deny(LP26?). Taylor is starting to get my attention once more dkc |