#16
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Congratulations! Sure hope you enjoy it. I sure enjoy my cedar-topped Ami. As you've realized, nowadays many builders call just about any small guitar below 00 size a parlor.
Nice silking visible on the spruce top. All the A&L guitars I've ever encountered have had fine tops, whether spruce or cedar. And nobody does laminate better than the cherry laminate Godin uses for most of it's sub-brands' backs and sides. I sympthize with how you feel about the stick-on plastic rosette. That's my one disappointment with the newer A&L guitars. My 2 (a cedar Ami and a cedar dreadnought) from 2006 were built when they were still using wooden inlaid mosaic rosettes utilizing the pattern now duplicated by the plastic ones. Even earlier on, before the real rosettes, they used a simpler single-color painted design around the sound hole. If you don't mind sharing more details of your fine birthday gift, do you know where your wife acquired the new saddle and bridge pins?
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Ray For where your treasure is, there will your heart be also. 2006 Art & Lutherie Ami Parlor: Solid Cedar Top/Wild Cherry Lam B&S/Black Satin Lacquer 2006 Art & Lutherie Dreadnought: Solid Cedar Top/Wild Cherry Lam B&S/Natural Satin Lacquer You can't change the tide with an oar. ---Nick Bracco (Gary Ponzo) |
#17
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Congrats and happy NGD!
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Tom Strahle http://www.youtube.com/tstrahle ...lot's of free lessons here. Acoustics: Martin D-35, 1924 Martin 0-28k, Taylor 814-ce, Gibson Dove, Lowden F-22, 60's Gibson Folksinger, Taylor 655, Martin Baritone (prototype), Larrivee Parlor (tuned high-strung) |
#18
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Quote:
I love both my A&Ls, even though they're cedar-topped, along with their headstock logos, tree (especially) included, although I really like the Art&Lutherie script as well.
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Ray For where your treasure is, there will your heart be also. 2006 Art & Lutherie Ami Parlor: Solid Cedar Top/Wild Cherry Lam B&S/Black Satin Lacquer 2006 Art & Lutherie Dreadnought: Solid Cedar Top/Wild Cherry Lam B&S/Natural Satin Lacquer You can't change the tide with an oar. ---Nick Bracco (Gary Ponzo) |
#19
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Hi - they're from Chris Alsop in Derbyshire. He makes saddles, nuts and bridge pins himself, and makes specific copies of the saddles for Martin, Takamine and Seagull (same as A&Ls - it fit straight in with hardly any adjustment). He can also make them to order, and sells tools and handmade stringwinders and whatnot. He even sent out a little pack of sandpaper and scotchbright for finishing the saddle and pins, and a little wooden block for holding the pins while you get them to size... and a DVD of instructions (he kind of blew me away with his service!). Anyhow, his website's here (but we found him on ebay) http://www.chrisalsopguitar.co.uk/cg...SaddlesHeading I hope all that doesn't seem like too much of a plug for him, but spreading the word about the nice guys seems the right thing to do here! |
#20
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Quote:
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Ray For where your treasure is, there will your heart be also. 2006 Art & Lutherie Ami Parlor: Solid Cedar Top/Wild Cherry Lam B&S/Black Satin Lacquer 2006 Art & Lutherie Dreadnought: Solid Cedar Top/Wild Cherry Lam B&S/Natural Satin Lacquer You can't change the tide with an oar. ---Nick Bracco (Gary Ponzo) |
#21
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I found the Martin's (the ones labelled as Folk) to be much mellower versus the D'Addario which were a tad brighter. Using them on my S&P folk, both sets sounded quite nice, just a matter of your personal preference.
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#22
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Nice! You might have a "tan line" around the soundhole when you peel the sticker off.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#23
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Nice new guitar, congratulations!! Have fun
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