#16
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Probably right. That's why I hate capos you have to screw to tighten.
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#17
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Sounds awfully similar to G7's ART technology to me.
As an aside, I find it amusing no-one ever complains about their index finger applying the correct pressure, never causing tuning problems and sounding just fantastic - in exactly the same circumstances that a capo is used.
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#18
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Capo clamping of the strings is similar to finger barre clamping as both pull the strings slightly sharp when exerted. But, obviously, the capo with its fixed pressure, once set, will not vary. The finger barre pressure varies with each successive placement of the same chord shape, same fret, because we aren't machines. I adjust the strings with the capo off to suit tuning with the capo on.
The Shubb, the better style of capo (IMO), makes this easier because there's no thumbscrew to loosen and tighten to install and remove. The over-center lever, once set to the proper tension to hold the strings, won't change because it isn't necessary to touch the thumbscrew on them once set. Removal and installation is all lever action after that. This makes it easier to tune to the capo position. I don't sweeten the tuning with a capo installed. That habit wears strings and fret wires needlessly. If the capo changes the tuning I adjust capo tension to bring it back, or very close, and then remove the capo to adjust tuning after that if need be. Capo-using discipline, if you will allow the notion, keeps your fret wire and string wear down. That's why I stick with a Shubb. I have the straight, radiused, classical and half capos by Shubb. The G7th capo I have doesn't get used. I have no idea why I bought it because it's not made to allow simple capo use the way I use one. |
#19
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Will keep an eye out for the Pro Plus. |
#20
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I am repeating myself with these posts, so if this doesn't explain it, I probably don't have the vocabulary to do so adequately. Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#21
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My point, perhaps somewhat obscurely alluded to, was that it’s really quite unreasonable to expect any capo to be quite as effective as a finger, given what that finger is capable of doing - in most cases quite unconsciously. My hat is off to G7th for getting closer to that ideal - that being a capo that can function well in a wide variety of conditions - than anyone else. Now it sounds like D’Addario has come up with something in the same ballpark.
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#22
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I have the metal version of this capo - superb and cheap.
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#23
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Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#24
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I have several of the old Planet Waves NS models. One I left on the roof of my car when I left the parking lot. Two days later, I found in the parking lot where it had been run over several times. Regardless, it still works fine. Needless to say, it was one of the aluminum ones.
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-Raf |
#25
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Well, that's fair game because then it's someone else's fault.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#26
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Although i wouldnt go as far to say all
capos are created equal. I would say most are capable enough. Capos not unlike guitar picks become more of a subjective discussion than an actual factual measurable thing. I once forgot mine at a gig and was able to fashion one from a spoon handle and rubber bands. Wouldn't call it great but it worked in a pinch. The capo industry like picks is quite Darwinian in that they dont last long if they dont work well. The rest is marketing hype. |
#27
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Tony |
#28
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#29
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Sorry about the lost capo.
I think you'll end up missing the F512 more
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Goodall, Martin, Wingert |
#30
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My impression also.
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |