#31
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I’m at the point where I WAS considering a 000-28 or -18.
I played a D for the first time in a while and decided that it WASN’T horribly boomy with my technique . . Something something maybe I’m a better player something something. I also got a chance to play Taylor, Furch, and the higher-end Washburn’s. All great guitars, which naturally send me home looking for another $1,000 to increase my options. As everyone else says, play LOTS of guitars. And like crisps, you can’t have just one . . . |
#32
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Quote:
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If you share "negative " info about one particular brand it's bashing, no matter how you gift wrap it.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#33
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I am sorry if I ruffle your feathers and other Furch owners’, I sincerely do. But fact is a fact, and I just want to offer what I know to OP and others. So when they decide to get guitar A or guitar B they have a clearer picture of what they spend their hard-earned cash for.
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Steven Boucher SG-52 (Adirondack Spruce/East Indian Rosewood) Bourgeois OM Custom (Italian Spruce/Cuban Mahogany) Martin Custom Shop 000-18 (VTS Sitka Spruce/Sinker Mahogany) Taylor GA3 (Sitka Spruce/Sapele) |
#34
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I’m gonna stop this discussion from going on and on because it’s irrelevant to the thread and I don’t want to aggravate the situation when one already got his butt’s hurt just because I share info that he doesn’t want to hear.
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Steven Boucher SG-52 (Adirondack Spruce/East Indian Rosewood) Bourgeois OM Custom (Italian Spruce/Cuban Mahogany) Martin Custom Shop 000-18 (VTS Sitka Spruce/Sinker Mahogany) Taylor GA3 (Sitka Spruce/Sapele) |
#35
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Its all in the presentation. If someone says I don’t like Martins because they use Richlite in a lot of their guitars and its cheap, thats bashing. If you say I prefer ebony over Richlite, its not bashing.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#36
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Didn’t address it to anyone in particular though… Anyway good to know
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Steven Boucher SG-52 (Adirondack Spruce/East Indian Rosewood) Bourgeois OM Custom (Italian Spruce/Cuban Mahogany) Martin Custom Shop 000-18 (VTS Sitka Spruce/Sinker Mahogany) Taylor GA3 (Sitka Spruce/Sapele) Last edited by stillsteven; 11-14-2021 at 02:53 PM. |
#37
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Well I actually pulled the trigger on a Furch Orange Grand Auditorium, Rosewood body and Spruce top. I found a good deal I think was worth the upgrade from Yellow, and the Spruce will help with my strumming. Thanks for all the help!
Cheers |
#38
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Furch Yellow Master’s Choice — Cedar over EIR |
#39
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Congrats on your new guitar! Good deal always makes it taste sweeter.
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Steven Boucher SG-52 (Adirondack Spruce/East Indian Rosewood) Bourgeois OM Custom (Italian Spruce/Cuban Mahogany) Martin Custom Shop 000-18 (VTS Sitka Spruce/Sinker Mahogany) Taylor GA3 (Sitka Spruce/Sapele) |
#40
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Beware the D-16GT
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But I survived. And the D-16GT is still here and sounding as great as ever. This relates to your question...how? Oh yeah - I agree with others, play 'em all, play 'em often. Take your time. Strike a deal that is good enough so that if you change your mind later you can flip/trade whatever you get with minimal or no loss. But - good goal! Also (also hopelessly unrelated): a while after I got the D-16 I bought a D-16RGT (solid rosewood B&S) for an equally crazy good price, which is a good thing because it was an unredeemable POS. No heart to the sound, no real joy, but the kicker was the impossible action - Nazareth let this mistake guitar go out knowing full well it would need a $450 neck reset (bound neck) before being playable. I managed to flip it with no loss to a guy who I knew could afford to make it useful, judging from the fact that his pickup seemed to cost more than my house. Ya never know. Roll with the punches...
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Kindness counts. Gibson J-45 AG Burst Martin D1-CE Martin D-16GT Martin 000M Martin Backpacker Breedlove Concert Copper E Breedlove Solo Pro 12 String Lucero classical A/E Gretsch G9220 Resonator Epi Dobro Hounddog Recording King Parlor Gold Tone F12 12-String Mando The Loar LM700VS Mando '61 Fender Strat Fender 60's RW Jazz bass 90's Fender MIJ mystery passive P/J |
#41
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Id say either a HD-28 , or a Martin OM28v ( used )
or a reimagined OM28
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--------------------------------- Wood things with Strings ! |
#42
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Of course! Stay tuned
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