#16
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It's of considerable importance to me...
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#17
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True, but even when the question is answered correctly once, people will continue answering it, whether correctly or not as if the correct answer has not yet been provided. Ever watched how often the same bit of information is repeated in a thread?
Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#18
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Nut width, string spacing and neck profile ALL count.......
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#19
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#20
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This is because many people don't read past post 1. Heck, some even don't read that before answering
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#21
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Important to know for what purpose? As Larry has already said, if you are choosing a guitar from a rack of guitars, the best strategy is to buy the one that feels best and don't worry about why it feels best. So, I assume it is only important to know when you are either buying a guitar sight unseen, or, commissioning a guitar that doesn't even exist yet.
I would like to attempt to expand on Larry's premis that there is no single factor that renders a guitar neck comfortable, but rather it is a combination of factors. So, in addition to the factors Larry mentioned: A guitar neck with a "V" profile or beefy shoulders will feel more playable with a narrower nut/string spacing while a neck with a shallow slim shouldered "D" profile will need to have a wider nut/string spacing to not feel cramped. Fret height and shape effects play-ability a great deal. String spacing not just string to string, but factors like E string position. Some people are thumb wrapper and want the top E to be a little closer to the edge while having the bottom E a little further from the edge to avoid pulling it off the fretboard. So a decision of equal spacing of strings center to center, edge to edge or a blend of both. And finally, gloss or satin finish effects comfort. I have commissioned several guitars and have found that the more I can communicate what I want to the builder, the happier I will be with the end product. Steve
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Still crazy after all these years. |
#22
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Kidding aside, it should be a given that any well made guitar will have adequate real estate for it's specific string spacing. So, if the string spacing was known to be to your liking from the get-go, it's really the nut width that becomes irrelevant, since real estate becomes a moot point. Therefore, I agree with the OP as it pertains to these two dimensions (which are the only two the OP was inquiring about).
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Martin 000-28EC '71 Harmony Buck Owens American Epiphone Inspired by Gibson J-45 Gold Tone PBR-D Paul Beard Signature Model resonator "Lean your body forward slightly to support the guitar against your chest, for the poetry of the music should resound in your heart." -Andrés Segovia Last edited by drplayer; 11-20-2015 at 11:36 AM. |
#23
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For me it's a most useful spec. I know I won't be buying an acoustic with less than 1¾" nut spacing. I partially agree with the premise. I believe the string spacing at the nut and saddle both play into the mix, as well as neck profile. The spacing at the ends determines what it will be at the 12th fret, so I don't worry myself over that measure. I'm able to play just fine on my Strat and Tele - both with 1¹¹/₁₆" nut spacing - but I'd never attempt to play fingerstyle on them - at least not the song arrangements I've mastered on acoustic. And other acoustics with 1¹¹/₁₆" nut width that I do encounter make me work harder than my 1¾" nut personal guitars. It's more than just a little difference to me. I know if I were buying an acoustic guitar which I actually expected to play with any proficiency in front of others it would have at least 1¾" nut. I wouldn't be buying a guitar that don't expect to play in front of others. |
#24
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I'm saying it would make no difference in a purchase. If I liked the guitar (and neck) otherwise, but wanted the string spacing at the nut to be a little wider, narrower, equal distance, equal centers, or whatever, I'd just change/alter the nut. OTOH, if a guitar has a 1 5/8" nut width and I prefer a 1 3/4" nut, then I'm not interested because I know the neck is not physically wide enough. Rejecting a guitar because the string spacing (not neck width) at the nut doesn't suit you is like rejecting a new car because the seat is not adjusted the way you like.
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#25
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That depends on the person. In my case, I have pretty thick fingers so I look for a wider nut. To play on a 1 3/4 nut I have to really think about my left hand to avoid inadvertently muting notes. I just had a parlor made with a 1 7/8 nut and it's a joy to play.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#26
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#27
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#28
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(3) is simply a factor of 1,5 and 7 and I confess I've never taken much consideration of fretboard radius as long as it has one. A sound knowledge of all these mentioned are particularly essential to know before ordering a custom build ....as I now know to my cost!
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#29
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That's why both need to be taken into consideration. They are equally important. |
#30
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I pretty much disagree with your premise. It's not like companies just build generic fingerboards to a single width with lots of spare room on the outsides for expansion so one can change out the nut to accommodate different string widths. And the bridge pin holes are fixed (they could be filled and re-drilled I suppose). Those bridge pin holes determine the path the strings will take down the neck regardless of what one does at the nut. I've never personally seen a fingerboard on a 1¹¹/₁₆" properly spaced nut that had enough extra room to widen the string bed enough to accommodate the string spacing of a 1¾". It always laid one or other E string so close to the edge of the neck that it will get dragged or pushed over the edge. There was a lot of discussion about widening the nut on the alleged 1.8" Seagull fingerboards, and what people discovered is the 1.8" is actually 46mm, and that calculates to 1.75" not 1.8". French speaking Canada (where they were built) is on the metric system - as was the factory. Whomever maintained the website was converting the actual measurement of 46mm to 1.8" instead of 1.75, and there really was no extra fingerboard width. While some adjustment is theoretically possible, the expense and trouble one has to go through to do any re-spacing makes it about as hard as changing out the entire seating structure in a new car, not merely pressing a button and moving the seat. |