#31
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#32
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#33
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That’s looking really pretty. Wow.
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#34
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Max is back after the holiday break and has completed the woodworking part. He's going to fill the pores then, I believe, it's off to the finisher. I'm really liking how it's turning out. All the pieces work well together. To my eye, nothing needs to be added, nor taken away.
38 - Whole front with neck attached_White_600.jpg 37 - Front with neck attached_White_600.jpg 39 - Headstock_White_600.jpg 43 - Back end view_White_600.jpg 40 - Whole Back_White_600.jpg 44 - Bridge_White_600.jpg |
#35
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Looks wonderful--really like Max's aesthetics.
Looking forward to hearing your impressions of the wenge!
__________________
2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) 2023 Kinnaird FS (Italian/Koa) |
#36
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Echo that!!
__________________
Jeff Mark Hatcher Pina Parlor Torrified Maple/Cedar Stephen Kinnaird 00 B&W Ebony/Engelmann Spruce Simon Fay African Blackwood/Sinker Redwood Wolfgang Jellinghaus Torres Modelo 43S Maple/Spruce K Yairi CYTM Maple/Cedar |
#37
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All I can says is...I agree with Kevin too!
Last edited by colins; 01-23-2024 at 12:38 AM. |
#38
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Those are fantastic baby pics.
As you so correctly note, there is just something so elegantly cohesive about Max's design ethos and build design. And that is something I know just a bit about. It is on full display right here. Especially that carved bridge. The shape and execution just slay me. Max is right to feature it. David (aka, Other "Twin Dad")
__________________
I took up the guitar at 62 as penance for a youth well-spent. |
#39
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I love this elegant minimalist aesthetic
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#40
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100% of Kevins agree!
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#41
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#42
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As the final update for this build I’m happy to say that my Max Spohn OM arrived a couple weeks ago, and has flown past all my expectations. Right from the start, when I gripped the neck to pick it up the first time, it felt different from my other guitars. A really nice tactile sensation that is hard to describe, a combination of the texture of the finish and the geometrical shapes bundled up in the guitar. Max uses an asymmetrical carve on the neck, and a slightly unusual body shape. The waist is on the slim side which lets the guitar sit a little lower when playing seated. That and the Manzer wedge make it a perfect fit. Like a well-tailored suit that I just don’t want to take off, and I’m not really a suit guy.
Tonally, it was exactly what I’d asked for. Something on the lush side, rich in overtones and responsive to the touch. Which is one reason, along with the visuals, that I decided to go with Wenge. This felt like the most risky part of the build. I’m nearly half way around the planet from Max. I can ask for something lush, but what does that really mean to someone else? To be sure we were on the same page I listened to example clips of Max’s guitars and pointed to one or two and asked for “that sound”. And “that sound” is exactly what Max created. I’m really happy with how it turned out visually. Wenge, a chocolatey brown with darker streaks, is not a flashy tonewood. Max’s use of simple shapes, impossibly thin lines and linear inlays, Amboyna Burl in this case, fit in nicely with the visual silence of Wenge and the Ebony fretboard. The thin white line inset from the edge of the fretboard as well as the one running around the sound port, the hand-carved bridge and the details in the nut and saddle are bits revealed only on close inspection. And the silking in the Moon Spruce top is beautiful. When it’s not making music it’s a work of art hanging on the wall. So there you have it, the second of the fraternal OM twins (see above). Final pictures from Max are attached, in the usual squashed to smithereens format. I encourage you to take a look at the much nicer full-res versions here. I asked Max to send along a picture of himself with the guitar, which he was kind enough to do. front2_600.jpg front1_600.jpg back3_600.jpg back_600.jpg backInlay_600.jpg headstock_front_600.jpg headstockBack_600.jpg topOblique2_600.jpg rosette_600.jpg soundport_600.jpg Max_600.jpg Last edited by KevinH; 04-23-2024 at 09:03 PM. |
#43
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Awesome--glad to hear it's exactly what you were hoping for.
Beautiful guitar--enjoy!
__________________
2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) 2023 Kinnaird FS (Italian/Koa) |
#44
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Just magnificent, and handsomely presented in the images. Even if it did not make a sound, it is a legitimate a museum-quality sculpture, That fact that it apparently sounds as luscious as it looks just make you a very fortunate man. So says the other "twin."
Enjoy your new instrument in the best of health. David
__________________
I took up the guitar at 62 as penance for a youth well-spent. |
#45
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If it sounds as good as it looks, then it will sound truly magnificent. Congratulations Kevin, and Max too!
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