#1
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Evaluating a guitar: Listening vs. playing
I've found that if I listen someone playing, I often feel the guitar sounds better in tone than when I'm actually playing the same guitar. To put it another way, I might hear someone play a cheaper guitar and it will sound good but when I play it, it sounds like doo doo.
Of course a great guitar sounds good whether I'm listening or playing. I wonder if anyone else feels this way. I try to not get to seduced by a guitar when I hear it played by someone else and reserve judgment until I'm actually playing it. |
#2
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To me, oh, about 80% of what I care about is how responsive the guitar is - do I feel it vibrate against my body, does it offer other feedback that I can use while playing? That, to me, is the hardest thing to find, so I start there.
If I find one of those, THEN I check out whether I think it sounds good to me. THEN I decide if it sounds good to others, or perhaps records well, or serves any other application I am considering...
__________________
An old Gibson and a couple of old Martins; a couple of homebrew Tele's |
#3
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#4
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Most important is what the guitar sounds and feels like to me, but I love to hear someone else play it while I listen. It always sounds a little different from out in front of the sound hole.
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#5
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Ditto. What it sounds, and feels, like TO ME is all that matters. I already know what the listener hears... and I don't really care. Most people purchase instruments based on how they look, how they sound and how they feel. If the wife (or other) likes the sound as well, it's just a bonus - but not necessary.
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#6
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All these A/B tests that I hear don't really tell the whole story unless you are the one doing them. |
#7
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Of course if you are gigging it might be more important how the listeners hear it rather than how you do.
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#8
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Guitars don't have ability. I do enjoy reading how people ascribe it to them, though.
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#9
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I totally do not have this problem. I only listen to myself, so I only hear the guitar from my side. Don't let anything but how the guitar sounds affect your purchase ,
H |
#10
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I'm with you. Most important to me is my playing experience, how it plays, feels and sounds to me. Most listeners don't care like we do, about all the nuances or even the tone. How a guitar sits in my lap, the way the neck fits in my hand, the playbility, as said..the response I feel against my body, all matter a lot to me. It may be selfish but I care lots more about how it sounds to me than how it sounds out front. Since most listeners don't get the difference anyway, what's the harm.
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#11
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__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#12
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#13
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__________________
Bill Gennaro "Accept your lot, whatever it may be, in ultimate humbleness. Accept in humbleness what you are, not as grounds for regret but as a living challenge." |
#14
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It's all about me.
But really I want a good playing guitar first, then hope it pleases my ear. Which usually turns out positively because it's easier to make a good playing guitar sound good. Make sense? |
#15
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Once I think I've found the guitar I want to own because it responds and acts to my liking, THEN, I hand it to another player and listen for a little bit.
I've found it to be interesting. When the sound I hear doesn't seem to compare favorably to what I heard while it was in my hands, I want to try something else. I expect it to sound different because I'm hearing direct instead of rebounding back at me, but, I also desire equal love in my ears.
__________________
amyFb Huss & Dalton CM McKnight MacNaught Breedlove Custom 000 Albert & Mueller S Martin LXE Voyage-Air VM04 Eastman AR605CE |