#16
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I've often said that all performing is acting to some degree and interpreting songs is acting. The short cut is to be a method actor, i.e., gotta feel rage to portray rage, gotta feel sadness to portray it, etc. But that can wear you out in a hurry. The best way, IMO, is to learn to control the exterior. Learn what the outward manifestations of the emotions are for you and learn to turn them on and off at will. Not easy, you do have to practice it. Just as playing the guitar does not automatically confer the ability to sing (although many seem to think so) it likewise does not confer acting ability. It too, must be honed and refined, just like your voice. As with everything we do here, there are many instructive resources on the internet. Good luck! |
#17
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It flat picks well in the key of G as well.
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Some Martins |
#18
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I'll sing any good song that I feel I can deliver.
I sing songs from a youthful perspective that are full of doubt and angst; I sing tough, libertarian songs that are courageous and provocative; I sing heartbroken, unrequited songs; I sing tenderhearted beautiful songs that take a female perspective; I sing hopeful, positive songs; I sing lay-your-heart-on-the-line songs full of dopey (or sincere) love declarations; I sing songs that celebrate or mourn the end of life. More than anything else, I try to sing great songs that move people. A musician's job is to interpret stories in a musical way. I believe it's a bit like acting - one doesn't have to hold the convictions of every part played, you just try to understand and let that position resonate within you. I'm pretty sure John Prine isn't singing Angel From Montgomery from his own perspective.
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Mike 2018 Furch D31TSR 2008 Martin OMCRE 1992 Takamine EAN20C 1996 Fender Telecaster w/ Barden Nashville set 1986 Charvel Model 5 2005 Art & Lutherie Ami 1980ish Hohner copy of a 'burst |
#19
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This guy writes and sings love songs and he's rich.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#20
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One of the things that I always loved about Jim Croce was how he could completely own a song like Bad, Bad Leroy Brown and then knock my socks off with Time in a Bottle.
I think that it takes some outside support to help a songwriter be as authentic as they can be. And many times that support does not come from family and friends but from other performers and musicians. It took me a while to find a few other singer songwriters who have supported me in expressing more sides of myself. Best of luck on the journey. Jayne |
#21
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Thanks for all the Great responses to my question!
What you all made me realize is tough is way to strong of a word to use for what i think I'm feeling. I would replace that word with emotional guy, i think It's more about letting strangers or people i don't know hear a emotional side of me, i leave to only (seems like my Wife) or very small amount of people this is what doesn't come easy to me i think, because seeing how singing and playing the guitar creates a lot of emotion and passion the people who would be listening is what i think is the problem, not being a tough guy, god knows I'm not, nor would claim to be, got my butt kicked a few times...... I'm only a legend in my own mind...... I really have wanted to play for my Mother just haven't stuck up the nerve yet. I hoping someday soon...... Dennis |
#22
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Sometimes when somebody doesn't "look" like the music they make, I find it even more interesting.
Me, I look like a lumberjack who showed up 40 something years too late to woodstock, but I play mostly 1930's-50's standards and swing tunes. I go with it. |
#23
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When I started playing four years ago, all I could play were slow songs.
It has stuck with me. Currently learning versions of- Wild Horses Love Me Tender Killing Me Softly Play for your Mom, I wish I had that chance. |
#24
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[/QUOTE]I really have wanted to play for my Mother just haven't stuck up the nerve yet. I hoping someday soon...... Dennis[/QUOTE]
Two of the rules I live my life by are: If I do something, I tell my wife as soon as possible so that there are NO secrets. & Don't do it if you can't tell your mom. |
#25
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if you want to do it, you should. Embrace the awkwardness.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#26
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Play for your mom, she'll love it AND she's the ONLY person it's still OK to drop yer pick in yer soundhole in front of.
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#27
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Yes, play for your Mom. I don't know how old you or your mother is but, play for her as you never know what twists and turns life will bring. I started learning guitar in August of 2014. I didn't tell my Mom. She passed away in November 2014 never hearing me play or even knowing I was taking lessons.
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Dave Martin D28 Seagull S6 Original Seagull Entourage CW Black QI Seagull Coastline 12 String Yamaha Pacifica 112 |
#28
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In private the songs I pick to learn and play match who I am so I've never really thought about it other than to consciously try to learn a few popular tunes just because I know others will want to hear them. At this point I'm just playing open mics. If I were to start doing paid gigs at clubs and wine bars I would form my set list based on what would be best for the audience at the venue (mostly up tempo songs which acoustic songwriters tend to shy from), because I'd want to be invited back.
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Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine |
#29
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OP, are you listening??
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#30
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When I get in the mood to play "soft" songs, I put on a dress. Sometimes a man just likes to feel pretty.
I haven't done this with my banjo yet, still working up the courage. .........Mike |