#46
|
|||
|
|||
If you do some research on epistemology and take the time to explore some of the theories then you will discover that reflection is an important component of continuous development. Thinking about what you have done and how you can do something different is a widely accepted theory in those circles.
Martin Simpson plays all his tunes in his head when travelling, working out new approaches, routines. It does work. Most of us do it subconsciously, the secret is to be purposeful with reflection rather than let it drift in an out of focus when it occurs in your sub conscience J |
#47
|
|||
|
|||
I carry a D'addario finger exerciser in my vehicle with me to use while I am on the road (I am on the road for many hours weekly.) And finding time to play/practice is often difficult, but once I get started, it is often several hours before I notice how long I have been at it between mandolins and guitars. But the exerciser at least lets me feel like I am doing something other than waste time while driving from location to location (and has a side benefit of my pinky finger getting stronger.)
|
#48
|
|||
|
|||
For years I was a "casual" guitar player at most. I never took the time to really study the instrument. One day I woke up and thought about all those wasted years and what I could have accomplished.
Now at 34, 2 young kids, several businesses and virtually no time I've made a commitment to really learning the guitar. I'm doing exercises I did on the trumpet when I was 7... and it's challenging. But I'm learning more and enjoying playing more than I ever did when I just focused on playing chords. So for me... I think about practicing a lot. I try to get in as much as possible although it's challenging. Sent from my iPhone using Tapatalk
__________________
"Sometimes the songs that we hear are just songs of our own." -Jerome J. Garcia, Robert C. Hunter |
#49
|
|||
|
|||
I hated practicing until I turned 50 last year and was blessed to be able to upgrade from my decades old very modest fender dreadnought to a Taylor and a Martin -- I love them both for different reasons! Taylor 314 ce and Martin MMV. (Thanks to my lovely wife!) I can't believe how much difference it makes when you have guitars you love and still smell good!!
That said, it helps me to work on songs I like, exploring and practicing different styles, and taking joy in making the most of simple exercises, trying to see it all as music not just mechanical exercises. Good luck! |
#50
|
||||
|
||||
Life gets in the way of practicing sometimes. There are a lot of times I will suddenly say to myself "Why am I reading about guitars (here) instead of playing one?" So then I will close my browser and grab a guitar......
__________________
Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#51
|
|||
|
|||
Yeah, it's funny how when one hits their 50s, you are willing to do what you either didn't have time for in your 20s or weren't willing to tackle back then.
That's exactly right, Barry!
__________________
Dump The Bucket On It! |
#52
|
|||
|
|||
re: mental practice
I watched a clip recently of Steve Vai, IDK if it was from a guitar clinic or a lesson course (like Truefire), but he said he practices "in his head" all the time (or did)... he says, for example, when he's lying in bed and can't sleep, he would go over scales and such in his head, or a piece he was working on. It's just visualization, as some have mentioned. I think it works for some people better than others. I do it, but not on purpose- it just happens, because I can't stop thinking about music. As to the OP: yes. So many days go buy when I don't pick it up... no time, too tired, etc... and I feel guilt for it, which doubles the negativity. Interestingly, I found a recent cure: I got asked to fill-in for someone who can't make a gig, and I've HAD to spend every extra moment learning a setlist. Because I HAVE to. I've played every day for 3 weeks, whether it was for 30 minutes or 3 hours.
__________________
2018 Farida OT-22 (00) 2008 Walden CG570CE (GA) 1991 Ovation 1769 Custom Legend Deep Bowl Cutaway 2023 Traveler Redlands Spruce Concert "Just play today. The rest will work itself out." - Bob from Brooklyn |
#53
|
|||
|
|||
From Animal Crackers -
Groucho: What do you get an hour? Chico: For playing, we get-a ten dollars an hour. Groucho: I see. What do you get for not playing? Chico: Twelve dollars an hour. Now for rehearsing we make special rates. That’s-a fifteen dollars an hour. Groucho: And what do you get for not rehearsing? Chico: You couldn’t afford it. You see, if we don’t rehearse, and if we don’t-a play, that runs into money. |
#54
|
|||
|
|||
In the past I played with a group every few weeks and that was motivation enough to practice... because you sort of had to, or at least had reason to. And it felt rewarded to play in front of people.
Many years ago I stepped out to reclaim my time to other endeavors, now I don't pick up my guitars much anymore. It is amazing how you actually lose your edge as well over time.
__________________
"Faith is the art of holding on to things your reason has once accepted, in spite of your changing moods." C.S. Lewis http://soundclick.com/nj1969 |
#55
|
|||
|
|||
I hear you. Sometimes it seems there isn't enough time, and then you can only get 15 or 20 minutes.
|
#56
|
|||
|
|||
Oh man, I can't remember seeing many posts around here that pack so much truth in such a short statement.
__________________
"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |