#16
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#17
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Waking Up The USA Makers!
I believe that the Chinese makers (and particularly Eastman) are forcing the USA makers to wake up in much the same way that Japanese auto makers did in the late 70s and 80s.
It's very good to see! I've owned Martins and Taylors over my 40 years of playing and IMHO Eastman stands with the very best. |
#18
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Well since this 3.5 yr. old thread just got bumped to the top, I wonder what the OP ever decided on?
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#19
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I always sort of smile when I see people compare guitars to a Martin, and then add all kinds of things like:
Just as good, but needed fretwork. Just as good but sizing was off. Just as good once I replaced the nut. Just as good after I fixed the bridge Just as good but the wood isn't as nice. I never hear those comments about Martin. So I think if you buy something on it's own merits, that's great. But comparisons with Martin always seem to involve fixing all kinds of things to try to make it equal Martin quality, and that seems to me to be a pretty good indication it's not as good as a Martin. |
#20
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Now that was fun!
A good Martin vs you-name-it romp in just 2 pages. Wish they could all be that concise |
#21
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While I truly appreciate the Martin love on this forum, I often find it is blind and deaf to reality and, sadly, rife with condescension.
__________________
‘00 Martin HD28LSV ‘04 Martin D18GE ‘22 Burkett JB45 |
#22
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#23
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And back to the Eastman 000/OM...
I have recently realized that I prefer the E6/8OM to the E10/20OM. The Sitka tops tends to give a certain dryness and boxiness to the tone. The red spruce tops can be more focused and have more sustain. YMMV
__________________
‘00 Martin HD28LSV ‘04 Martin D18GE ‘22 Burkett JB45 |
#24
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My only comment to that is for what they cost, that should be true. I have no problem at all with $3000 for a Martin, but that sucker better be near perfect. Eastman has stepped up their game with regard to QC in the last two years. Yes,they still aren't quite there with each and every guitar. I will still put my E 10 OO SS against any mass-produced by a U.S. maker for build quality and it's made by hand. I wish everyone on here could see it in person. Someone would have to be in blind denial not to see how well it is made.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#25
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#26
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Adi vs Sitka vs Engleman
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I love the woods good guitars are made from as much as the sound. To me, a good guitar isn't just a means of producing art. It IS art. |
#27
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Mine is no exception. And guess what? Hand-built by real luthiers for unbelievable prices. You just have to be prepared to wait until they make yours.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#28
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Pono "echo"
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I've been a dedicated Pono advocate for 3-4 years now. I kind of set the "quality level" of my guitar ownership at small shop/ boutique luthier-built instruments and Pono fulfills (and sometimes exceeds) that quality level beautifully. For a long time I couldn't find the chance to play an Eastman guitar and I was very curious. Last summer I moved house and found a good Eastman dealer in the new vicinity. Played a number of Eastman (Dread, OM, and OO) and finally bought an EOM10 with beautiful beeswing mahogany back/ sides. I even did a NGD thread here "comparing" (in a very loose sense) the E10OM and the Pono OM30. http://www.acousticguitarforum.com/f...49#post5152449 I must admit I have not touched the E10OM since posting that thread... Sorry a bit off track to this vintage thread... Pip |