#16
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I admit to changing my right hand technique -- such as it is, being the hack that I am -- for 12-string.
Since the strings slope downward toward the bass side (because the narrower strings are on the bass side), I find I straighten the tips of my fingers and "stroke" the strings more than "pluck" them, as I do on a 6-string. The idea (for me) is to touch both strings in each course when I make a note sound. The 12-string is also more difficult to play cleanly, i.e., such that your left hand fingers are not muting strings they're note supposed to. The 12-string's wider neck helps, but it's still more difficult than 6.
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Guild: 2006 F-512 (Tacoma), 2007 GSR F-412 (Tacoma), 2010 F-212XL STD (New Hartford), 2013 Orpheum SHRW 12-string (New Hartford), 2013 GSR F-40 Taylor: 1984 655 (Lemon Grove) Martin: 1970 D-12-20 (Nazareth) Ibanez: 1980 AW-75 (Owari Asahi), 1982 M310 Maple series, 2012 AWS1000ECE Artwood Studio (MIC) Favilla: ~1960 C-5 classical (NYC) |
#17
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Good points above
I have owned several and played many 12 strings over 38 years.
A couple of bits of advice for a newbie to 12 string guitars. Rule number 1: The action and set up has to be EXCELLENT to make it a pleasure to play and to practice. Rule number 2: If you violate rule number 1, you will have wasted your money because it will live in its case most of its life with you. Yes you can struggle with high action and too wide of necks etc, but these conditions do affect your playing and endurance. |
#18
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Hey, everyone - note that this is a resurrected thread from ELEVEN years ago.
Guitar Pro reopened it to ask this question: Quote:
Tell us more and we'll try to help you out.
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Sachi Kolaya Carmen, Trek parlor (by Harv L), Martin 000-28EC, Taylor GC-5 and 355. |
#19
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Tune your entire guitar down a half step, then capo the first fret when needed....
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Bill Isaiah 6:8 |
#20
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I own a number of 12 strings as well; 2 Rickenbackers, an Alvarez 5054, Takamine EF381SC, and a newly acquired Guild F412. I currently gig with the Takamine and an acoustic electric 6 string. In a 4 hour gig, 2 1/2 hours are probably played on the 12 string. I love the way it really fills out the sound for a solo acoustic player/singer.
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#21
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Where is it breaking?
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#22
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Probably figured the situation out as it's from 11 years ago.
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Herman |
#23
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If you like the sound of a 12 string, just get one and start playing and making some of those sounds you like. Keep at it and you'll get the idea.
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2022 Martin 000-18 2022 Martin HD12-28 2022 Martin HD-28 2022 Gibson J-45 Standard 2022 Taylor American Dream AD27 Mahogany 2007 Breedlove AC250/SM-12 2006 Breedlove AD20/SR Plus 2003 Martin 000C-16SGTNE 2000 Taylor 410ce 1990 Martin Shenandoah (< 1990 a bunch of great old Yamahas I lost track of) My music: https://pro.soundclick.com/dannybowman |
#24
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Quote:
I don't finger pick mine I prefer a flat pick style. Whilst I love playing my 6 strings which are no maybe 80-90 % of my repertoire, I find playing 12 strings actually easier to play as you don't need to do so much: Here are some examples : This is a chat video about my 12 strings :
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#25
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Quote:
As mentioned good action is high on the list to get right . But your kind of jumping in the deep end without knowing how to swim so to say . You mention your not very good yet . So being comfortable with the guitar will take time multiply that in jumping into 12 strings . It takes time . Yes you can finger pick 12 strings jump over to show and tell search for 12 string music . If I have a sound cloud link in my signature which I can’t see on my phone app version there’s a few songs there with the 12 . Over all a good 12 string guitar with good action (mine are about 1/8” at the 12 th fret ) and practice you will get there but getting better with 6 string should come first but that’s just my opinion. [emoji4]
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https://soundcloud.com/agradeleous234 ----------- Acoustics, Ben Wilborn Gloria Breedlove Ed Gerhard signature master class jumbo Blueridge BR180A Blueridge BR 283A Blueridge BR180-12 Guild F212XLCE Guild CV-1 Guild CO-2CE Recording king RO-328 ----------- |
#26
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Quote:
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#27
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Yes, I'm sure after 22 years, the OP is quite the accomplished player
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Martin:1956 00-18, 1992 D-16H, 2013 HD-28, 2017 CEO-7, 2020 000-28 Modern Deluxe Santa Cruz OM/PW, Larrivee OM-03R, Taylor GS-Mini Mahogany, Taylor 356CE, Fender American Professional Stratocaster, MIM Telecaster, Gibson Les Paul Studio, Epiphone ES-339 Pro YouTube Channel | Listen to my stuff on Spotify/Apple Music |
#28
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I’m curious whether he continued learning 12 string. He hasn’t posted since 03 -
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https://markstonemusic.com - American Primitive Guitar in West Texas Instruments by Kazuo Yairi, Alvarez, Gibson & Taylor Former AGF Moderator |
#29
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Is he even still around? Not so much as following the forum but walking this earth.
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2007 Indiana Scout 2018 Indiana Madison Quilt Elite 2018 Takamine GJ72CE 12-String 2019 Takamine GD93 2022 Takamine GJ72CE 6-String 2022 Cort GA-QF CBB 1963 Gibson SG 2016 Kala uke Dean A style mandolin. (Year unknown) Lotus L80 (1984ish) Plus a few lower end I have had for years |
#30
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12-string?
Quote:
***** ! Lmao I had no idea . I’m using mobile app in dark mode didn’t see the date that area is blocked by my thumb . Lol Well I just walk over here a bit and slip out the door . Lol [emoji23]
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https://soundcloud.com/agradeleous234 ----------- Acoustics, Ben Wilborn Gloria Breedlove Ed Gerhard signature master class jumbo Blueridge BR180A Blueridge BR 283A Blueridge BR180-12 Guild F212XLCE Guild CV-1 Guild CO-2CE Recording king RO-328 ----------- |