#31
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Your jamming buddies just want to jam, not perform. Warts and all. Sounds like you are more performance oriented, and are willing to put the effort and focus into polishing some songs so that they are performance ready. Pretty much the end of the story.
If you can't feel comfortable just jamming in front of people, warts and all, then it seems your choice is clear. Regardless of the various ways of talking about this and thinking about this, it comes down to you feeling good about the experience, and if you feel crummy at the end of it, that is not good for you. |
#32
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#33
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I do not agree that I am leaving them in the lurch, because, 1) we were not actively seeking gigs; 2) the detractor said "maybe" to the venue on behalf of the group. It was during our weekly jam that it came up for discussion and I was posting here to see if my gut reaction was supported by a majority of others who play out. All is good in jam buddy land. Thanks all! Thanks again for all your input. Sent from my iPhone using Tapatalk
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amyFb Huss & Dalton CM McKnight MacNaught Breedlove Custom 000 Albert & Mueller S Martin LXE Voyage-Air VM04 Eastman AR605CE |
#34
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Hi gang ! ye , these are the sort of issues that in my own experience break bands up . Always had a work ethic towards rehersal and good preparation.
The bonding as band members, the shared aspirations and comraderie all add to that "band of brothers" vibe as each song is arranged and finally honed. This only comes with quality time spent persuing common goals ,on a regular basis . All or nothing at all ,for me !! In a storm ? dump the excess baggage !! Acoustic Beatle.
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Gibson J45 Epiphone EJ 160 E John Lennon Takamine EG 10 " Daylight is good at arriving at the right time" - George Harrison" " I read the news today - oh boy !!! " - John Lennon |
#35
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Whoever that person is, has no business performing in public and I certainly wouldn't want to be part of that train wreck. Willie
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Working with my head down, trying to keep the groove alive https://soundcloud.com/willie-johnson-jr |
#36
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I agree 100%. I gig regularly and will do the occasional free gig for a friend. On those occasions for lack of a better term I am "gifting" them my time. Most people like gifts to have some value, even if the value is just the simple sentiment it came with, like when a kid gives his mom a picture he or she drew. So I will put on my best performance and that's that.
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Music, to do it well, is a hard and worthy endeavor.Make music you believe in. Play to please yourself. Make art and if you are sincere others may follow. |
#37
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"We were asked if we wanted to have our weekly jam at a photography show."
Just say, "Let's compromise, we can have our weekly jam at the photographers living room. The photographer can take pictures of us jamming and display them at their show, nobody will be listening anyways so we really don't need to be there in person".
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The Blond The Brunette The Red Head The Old Lady Goldilocks Flipper "Sometimes I play a song I never heard before" Thelonious Monk |
#38
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Amy,
Under no circumstances should you do an unpaid gig except as a volunteer at a hospital or retirement home. Playing for nothing gives a very wrong impression, and I don't care how much the 'host' doesn't care about quality. Anything worth doing is worth doing well, and you should be paid for your effort. Period. HE |
#39
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I too am in a similar situation. I have played semi professionally in the bucks county PA area for years. The current line up I'm playing with is nothing more than hacks (2 of the 4). They book cheap paying gigs, are rude to me, bring 10 other guys in to play for a gig paying for 3, and then tell me they need to split the money 10 ways. It's not cool with me, I might as well play in a garage band. Theses guys I have known for a while too, previous friends first. My point is, if they are not meeting your needs (paid or unpaid) then part ways and find some people that will be professional. Personally I'm looking to do the same thing right now...the past several gigs have included them bringing in hack player friends and then turning each song into a "jam" while they each take turns soloing and skip right over me like I wasn't there. I can't play with rude and ignorant people. I also play solo and with another band and we don't have these issues.
Last edited by RCGuitar; 08-01-2015 at 07:36 AM. |
#40
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#41
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...in my experience..any musical collaboration thats worth the time and effort requires a bond that is working for all the musicians involved...if that bond isn't there its best to move on...its an intimate relationship of sorts and at the end of the day joy is the most that anyone can take from playing music....if it ain't fun don't do it... thats my motto...unless it pays really well...
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#42
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THIS, THIS, THIS. Listening closely or not, every person attending this event will be under the (logical) assumption that you're performing -- which you are -- and that alone is enough to present your best. It's not like you're sitting around a campfire with some friends noodling... That's my two cents.
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.[SIZE="2"] - Sean Debut album Time Will Tell now available on all the usual platforms -- visit SeanLewisMusic |
#43
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.[SIZE="2"] - Sean Debut album Time Will Tell now available on all the usual platforms -- visit SeanLewisMusic Last edited by slewis; 08-01-2015 at 11:03 AM. |
#44
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It appears that Amy got all that was requested from this thread, and has thanked the contributors a number of times.
But it's a topic that has touched many of us, myself included, and we keep talking about it--even though Lacks Focus and GibbyPrague nailed it all down on page one and most of us have been singing harmony since then, and Sean (slewis) just tied it all up. It's hard to get creative people going the same direction at the same time for very long. There's playing, then there's performing. If you're not going to hang it out there, don't go out there. |
#45
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I like to be well prepared and well rehearsed anytime I play out.
I do it because I want to please both myself and the listeners. Doesn't matter if it's a paid or free gig. If I'm going to put myself up there in front of people I want it to be good. It hurts to suck. I wind up being depressed for days...or until the next gig when I can redeem myself to myself.
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp |