#1
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Opinions: "Bolt on necks favor the fundamental tones and brightness"
Is the fact/opinion that Taylors sound brighter than Martins because of their bolt on necks?
In a recent discussion about the differences between Collings and Santa Cruz, it was posted: Quote:
Quote:
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#2
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Bolt on neck
At face value I would have to disagree. One of the reasons I don't like Taylor's current sound is because the fundamentals are lacking.
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#3
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I think the sound difference described in that quote has little if anything to do with the type of neck joint. I'd attribute that to wood selection, top thickness, and bracing.
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#4
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Matt is a veteran poster in numerous guitar forums, is a rather accomplished player, has significantly more experience with fingerstyle acoustic guitars than most folks and, put more simply, knows his stuff.
Nevertheless, I am skeptical of his "findings" about bolt on neck vs. dovetail neck. While I believe he honestly believes he has identified some correlation in his own anecdotal experience, I see no demonstrated causation in his posts, and I doubt he has any causal empirical evidence to back up his claim. Last edited by sdelsolray; 07-30-2014 at 07:16 PM. |
#5
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Maybe, maybe not. But they still wouldn't sound like a Martin.
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#6
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I completely disagree to such an extent that it is difficult to express in words. That's a serious case of correlation rather than causation.
I could play a Martin and a Somogyi and conclude that the Somogyi has more overtones because there are more vowels in the name. There are so many confounding factors that the SC/Collings comparison could never be considered a direct bolt-on vs dovetail one. Now if SC had two models, identical specs with only a different neck joint, and you lines up 10 of each in the same wood combos - then I'd be open to hearing people's conclusions.
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Some might call me a "Webber Guitars enthusiast". |
#7
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Quote:
Two things on a guitar that produce bass frequencies (let's say under 250Hz) are the air resonance (say between 90 and 120Hz) and the main monopole mode of vibration of the soundboard (roughly between 180 and 210Hz). Jim |
#8
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A covered topic ad nauseam. The Santa Cruz versus Collings comparison is an amusing additional twist though. Santa Cruz boxes are more lightly built than Collings boxes - therein lies the warmth and fundamental tonal differences.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#9
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Before trying to attribute a specific tone to one design element it's important to remember numerous builders such as Collings, Bourgeois and Ryan use bolt on necks. I don't think anyone would argue those builders have many tonal characteristics in common.
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#10
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Breedlove uses bolt on necks, and nobody would call their tone "fundamental".
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#11
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While I do think neck joint does affect the tone, it is far more about bracing. A Taylor would still sound like a Taylor, if perhaps less edgy.
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Chris Larrivee's '07 L-09 (40th Commemorative); '09 00-03 S.E; '08 P-09 Eastman '07 AC 650-12 Jumbo (NAMM) Martin '11 D Mahogany (FSC) Golden Era type Voyage-Air '10 VAOM-06 -the nylon string- Goya (Levin) '58 G-30 Yamaha '72 G-170A (Japanese solid top) Garcia '67 Model 3 -dulcimer- '11 McSpadden |
#12
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I also think it is more about bracing and wood selection.
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#13
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You may be onto something here, lol. Love the logic.
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#14
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^
Extent of which depends as to whether this is an 'and sometimes Y' situation.
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Multiple guitars including a 1979 Fender that needs a neck re-set Last edited by jmat; 07-30-2014 at 09:46 PM. Reason: num rapped my knuckle |
#15
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Bolt on Necks are only for 7' 4" BUFFOONS
J/K H |