#106
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#107
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Reminds me of the 40,000 threads about rosewood v. mahogany.
It’s true. Often it seems that lots of sustain and overtones are good for some things, and a dry fundamental is good for others. |
#108
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The true rejects would be the old, cheap entry level guitars from Kay and Harmony that won’t intonate correctly and are difficult to play. |
#109
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This is the way I see it. When I evaluate and it’s used I think if Tony Rice with Clarence White’s D28 or Gary Moore with Peter Green’s Les Paul. Those used guitars did turned out to be great rejects.
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Collings Whetstone |
#110
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I have sold 2 and traded 1 here.
The 2 I sold were mahogany and I have come to the conclusion I'm not a mahogany guy. The one I traded was a modern OM that didn't have a cutaway. It was replaced with an OM that has a cutaway. |
#111
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The thing about sustain is that it's not that difficult to remove with finger or palm muting, but you can't put it back into a guitar that never had it in the first place. Wouldn't most of us prefer to have it as/when we need it?
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