#91
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desert island
My Santa Cruz 000-12 fret
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Santa Cruz 000, Samick classical |
#92
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My Forever guitar has been gone for 33 years now.
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Windcheetah Carbon Rotovelo Cervelo P3SL Softride Rocket Trek Y-Foil |
#93
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When I got my Dread Loef Sloped Shoulder I thought it was so good that I knew I would never sell that guitar, and it has taken me a long time to get another guitar from this maker. At 62 years old, I think these guitars will accompany me for the rest of my days, and although I have some others, for the level I have, these two would be more than enough.
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2023 Loef 00 13 fret 2018 Loef Dread SS 12 fret 1972 Yamaha FG-75 Red Label 1959 Höfner 456/S |
#94
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My Martin CEO-7 and Breedlove Concert Oregon series will never be for sale.
I also have a few guitars given to me by my father that will never be sold: a Rickenbacher 1940s lap steel, Martin D12-20 from about 1969, a Gibson ES-125 from the 60s ... not for sale.
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Brian St. Augustine, FL www.BrianRowlandMusic.com __________________ Martin, Taylor, Gibson, and Emerald ... too many to count. LoL |
#95
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No, the honeymoon phase always wears off eventually. Some infatuations last longer than others, but none feel like a life bond after playing the instrument for a few years. I like to try new things. My mom and wife seem disappointed when I suggest selling a nice guitar and try to convince me it's a lifer.
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#96
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Quote:
I have a 5420T and a Corvette. Both have the Bgsby. I really like them. |
#97
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I have an Alvarez that my Dad bought me for my 18th birthday, a total surprise.
It's a laminate J200 copy, sounds awful, but it ain't going anywhere.
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Steve |
#98
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My Dread and my OM are keepers. I could see myself changing the 12er out for something.
My Lowden is too new to say. I like it a lot so far. My 000-28 was supposed to leave when the Lowden arrived but yeah it’s still here so maybe that’s saying something.
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McNally Custom Dread Adi/Hog, McNally Custom OM Cedar/Walnut 000-28 Lowden S32J Guild F-512e (Spruce/Rosewood) |
#99
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i have many guitars but the only guitar I would never ever part with is my telecaster that my son bought me.
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Don 1929 SS Stewart Pro Archtop 1921 G Houghton Archtop Banjo 2007 George Rizsanyi Custom Maple Banjo Killer 2017 James Malejczuk Custom OM Black Limba 1980 Norman B50-12 Norman B-20 Recording King single 0 1996 Takamine 1967 Yam G-130 Melvina 1980s Seagull S6 Cedar 2003 Briarwood 1970s Eko Maple 1982 Ovation 2020 Fender Telecaster Mandolin Yam THR5A Sienna 35 Kustom |
#100
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Quote:
Here's the current $3500 Professional Series double-cut center-block version for comparison (or if you have the bucks right now and want to go all-out on a lifetime guitar): If you're lucky enough to find one, a Gretsch G6136DC "1962 Tribute" White Falcon (a short-lived RPO model produced circa 2010) like mine ran around $3K last time I saw one for sale, an unbeatable deal for a true flagship instrument: build quality is impeccable, there aren't too many around to begin with, and most players who prefer the original 17" body width (the above instruments are both 16" like an ES-335) go for the single-cut '55 and '59 versions: Most players - even hardcore Gretsch guys like us - aren't aware, but several years ago Street Sounds in Brooklyn, NY (a little hole-in-the-wall-looking place in a neighborhood shopping area, that you'd walk right by if you weren't specifically looking for it) - BTW the world's largest authorized Gretsch dealer, believe it or not - had an exclusive run of a dozen pieces made to exact late-1963 specs: correct subtle blue-white finish, long neck joint (at the 14th fret, like a '62 Country Gent), double mutes with small "flip" knobs and red felt bushings (again, like the '62 Gent), et al.; although I'm perfectly happy with mine as a player (the 18th fret neck joint is more ergonomic and natural-feeling in my hands), having only recently bought it at the time I wouldn't have been able to justify another $3K+ purchase with the domestic accounting department manager - but if the prospect intrigues you, it might be worth contacting Rocky @ Street Sounds (who IME knows more about Gretsch than anyone who isn't a member of the family) to find out if he's either considering another short run, or would source one for you through the Custom Shop: https://www.streetsoundsnyc.com/search#q=Gretsch
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#101
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In general I'm not attached to instruments, but I also don't tend to sell them... in fact, I've only ever sold one of the dozen or so I bought. I buy ones that fill an empty niche in my collection. However, if I had to pick one to keep, it would be the Beau Hannam 00 I had built. Not just because it was commissioned to exactly my specs, but I also designed the inlays. Not only is it the most "me" guitar I own, I'm not sure anyone else would be that interested in it, as beautiful looking and sounding as it is.
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#102
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That's sad. What happened
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#103
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I have one that won't ever leave me. It's a weird mixture of pride and shame, more than any other factor, that has determined its status. I found an old all-mahogany single 0 practically rotting in the back of a Music Go Round and decided to do what I could to bring it back to life. It actually went pretty well, but I messed up the clamp on the largest crack on the front. It's closed and stable, but not flush, so there's a small lip on it now. I used Titebond II so it is fixable, but... it's also a great excuse to hold on to the thing and not keep up the endless cycle of buying used, playing it a few months/years, and selling when I either get bored or decide it isn't what I want and could use the funds for something else.
It initially sounded thin but has really opened back up (relatively) now that it gets played daily. I couldn't ask for a better instrument to sit in a couch or armchair with to practice fingerstyle in horrible postures. Well... I could, but not for the price I paid or the sentimentality of the work I put into it. Nor am I likely to run into anything quite like it again. It's not worth selling and does not work for half the stuff I'm trying to learn to play, but it makes me smile every time I pick it up anyway |
#104
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I’m digging the double cut! That’s really cool. My 5420t is a beautiful Arctic white. Korean made. It scratches the itch for now. I’ve had it for 5 years and it is all Gretsch. I still want a real Falcon one of these days. I need the white headstock in my life! I want one with the Bigsby wiggle stick. I just love those things. My wanna be Falcon: |
#105
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Quote:
https://quickguards.com/products/gre...lcon-pickguard https://quickguards.com/products/gre...ss-rod-cover-1 https://guitaraudio.com/gretsch-g-ar...d-922-1025-000 https://angelainstruments.com/produc...ece-0060136100 https://www.streetsoundsnyc.com/gret...nut-new-ss1316 Don't know what kind of case you're using, but this one's a virtual dead-ringer for the $600 Custom Shop item (FYI it's what I use for my G5622T-CB) - install all the Falcon parts, put it in this case (the Gator logo is removeable), and watch 'em drool at the next gig : https://www.sweetwater.com/store/det...dy-guitar-case
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |