#46
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Came across a Collings D2HMRA some time back - beautiful guitar that sounded like it was made out of wet cardboard and stuffed with cotton.
Despite that first impression, I took it home, gave it new strings, a good setup, changed the nut and saddle, truss rod adjustment and waited a few days for the humidity in the area to clear out. Pulled the guitar off it’s stand, started quietly with some soft simple tunes and ended up playing away with some big, loud open strumming chords that sounded glorious. Kept that guitar for many years and was sad to see it go to a good home when it was simply time for a change. Collings builds top of the line guitars and their customer service (especially Mark Althans) is first class.
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2004 Martin J-41 Special Sitka/EIR 2002 Huss and Dalton TDR 45 Sitka/Honduran Rosewood 2014 Huss and Dalton TDR 45 Bearclaw Adi/Brazilian Rosewood 2019 Ryan Nightingale Bearclaw Sitka/EIR |
#47
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#48
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I have purchased three Collings guitars in the last 16 months, each an incredible instrument. But I can say that, to my ears, these guitars are improving in depth and warmth and ambiance almost monthly. So I think we have to be a bit patient with our guitars, especially new-to-newer guitars, play them a lot, treat them kindly, monitor their humidity, change their strings. I really think, as I've owned and played guitars for forty years, that humidity control is not just a key feature in keeping a guitar structurally sound but also sonically sound. I've noticed that when I neglect to empty the dehumidifier in my guitar room and the humidity has a chance to climb, say, to somewhere in the neighborhood of 55%, the guitars all sound duller and heavier, for lack of a better explanation.
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#49
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Absolutely…as long as they have been properly maintained after shipping. Poor humidity control, dead strings, etc…that’s on the shop, not the manufacturer.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) ”Stumblebum Blues” on the Walker Clark Fork (Advanced Jumbo) ”Hydro Genesis” on the Walker Clark Fork (Advanced Jumbo) |
#50
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The few that I have played were used at GC. I enjoyed them all.
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2021 Martin 000-28 12F Custom Adirondack/EIR 2021 Martin OM-28 LSH Custom Adirondack/EIR SB 2006 Martin 000-18GE Adirondack/Mahogany SB 1968 Ovation 1111-4 RIP 1968-2021 |
#51
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Of course I agree with this, I'm not knocking the brand at all.
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#52
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Glad you loved the cheaper guitar. But, trust me, someone else is going to hear why the Collings cost $5K as opposed to $700. In guitars as in most things: you do get what you pay for.
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Martin Custom Shop Super D (Sitka/Koa) Martin OM-42 (Sitka/EIR) Gibson 1936 Advanced Jumbo (Red Spruce/EIR) Breedlove Ed Gerhard Exotic (Brazilian/Red Spruce) Brad Goodman J-200 (Engelmann/Quilted Maple) Taylor 326CE 8-string Baritone 1960s Guild M-20 (Nick Drake guitar) |
#53
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Not a good story? You took a ride to try a guitar, you didn't like it so you bought another guitar. That sounds like a pretty good story.
Maybe try a Traditional, same build quality with a different voicing.
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Bourgeois, Collings, R Taylor, Santa Cruz |
#54
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I am pretty sure the person who ends up buying the guitar will think it sounds sweet.
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#55
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Not special or spectacular in any way. After about ten minutes playing it, you can almost hear the “flip of the switch”. But that thing wakes up and becomes something way more than the sun of its parts. I had an Alvarez like that as well. Love at first strum may be a thing. But every now and again you will run across one that simply takes its time “waking up”.
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A bunch of guitars I really enjoy. A head full of lyrics, A house full of people that “get” me. Alvarez 5013 Alvarez MD70CE Alvarez PD85S Alvarez AJ60SC Alvarez ABT610e Alvarez-Yairi GY1 Takamine P3DC Takamine GJ72CE-12-NAT Godin Multiac Steel. Journey Instruments OF660 Gibson G45 |
#56
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stai scherzando? |
#57
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I first glance I thought the thread title was “My first college experience - not a good story” and I thought it was going to be about something completely different!
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Please note: higher than average likelihood that any post by me is going to lean heavily on sarcasm. Just so we’re clear... |
#58
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not all Colling's guitars are great and I've played a few duds. tough to validate the cost of Collings nowadays now that I am seeing the go for 7-8K new. its a ridiculous price when you are looking at some single luthier builds for around that price too.
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#59
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Plenty of people dislike the Collings tone ( I love it) but I have never before encountered anybody who described a Collings acoustic as "terrible."
They are VERY expensive. And their electrics are, for some reason, even more expensive (for a plank and two magnets!). Plenty of handmade luthier guitars are "meh." I'd say the proportion of Collings acoustics that are "so so" is way lower than the proportion of luthier made guitars that could be described in the same way. |
#60
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A couple of months ago, my Collings just sounded dead. Nothing a neophyte like me could do would bring the B string back from the dead. Took it in for a setup and different strings. All is fine now.....
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Furch Yellow OOM CR DB 12 Fret Martin Norman Blake (ish)12 Fret Collings OOO2H 12 Fret 1982 K. Yairi YW1000 14 fret Breedlove Oregon Concert 14 Fret PRS Ten Top |