#31
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Coming from me this will probably seem ridiculous but I do think there is something to be said for only having one guitar. For 20 years 71-91 pretty much all I had was a Gibson J50. Looking back it certainly wasn't one of their best guitars but I learned how to get the best out of it. When it finally moved on I had worn most of the finish off the neck and there were scratches and dings all over it. And yet it sold in a couple of days!
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Chris Stern Guitars by: Bown Wingert Kinscherff Sobell Circa Olson Ryan Fay Kopp McNally Santa Cruz McAlister Beneteau Fairbanks Franklin Collings Tippin Martin Lowden Northworthy Pre-War GC Taylor Fender Höfner 44 in total (no wife) Around 30 other instruments Anyone know a good psychiatrist? www.chrisstern.com |
#32
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Good ideas, details and bottom lines. Thanks for sharing your full picture.
Nice image of giving it your all without fretting about dings. I bought one of Bobbie's Goodall's a few years ago and I have yet to put a mark on that. I carefully play it 95% of the time without a pick. I wear a soft tshirt (Not all cotton is created equal), no jeans. I sit upright with perfect (for me) posture. I wish I could strap it on, plug it in and move it around like I do on a few others. In fact it has a K&K and I haven't even tried it. I go to songwriting circles and have never brought it. Thanks for sharing your intent as a guitarist, ear for tone, and a kind musician. |
#33
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Silly Moustache, you get well, sir. Mind over matter. And lots of dark green veggies and fresh fruit and unsalted nuts. Wheat grass juice!
Paul Hostetter said that 98% or more of a guitar's tone comes from the top. I am not a guitar snob. I love them all, $100 boxes to $12 500 jobbies. Any guitar that plays in tune is a good guitar. |
#34
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Jabberwocky I like your post.
Sent from my iPad using Tapatalk |
#35
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Best wishes to you Silly Moustache
I agree. The player and the woods are both of utmost importancee. All the time. Not mutually exclusive. Ever. It's always everything that matters Hans
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1971 Papazian (swiss spruce/braz RW) 1987 Lowden L32p (sitka/ind RW) 1992 Froggy Bottom F (19th cent. german spruce/koa) 2000 Froggy Bottom H12c (adir/ind RW) 2016 Froggy Bottom K mod (adir/madrose; my son's) 2010 Voyage-Air VAOM-2C http://www.soundclick.com/hanstunes (recorded on Froggy H12c) |
#36
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I was never quite sure why a Hullah (English luthier) 000 I bought in '88 went from being a rather dull-sounding guitar to being my prize within four years. Maybe it was the change in climate - I moved from the cool, dry weather of Segovia (Spain), to the warm humidity of Rome; however, I also played the guitar intensively in those four years, a time before we all traded our stuff in at the drop of a hat. Whatever it was, I remember a period in Rome when, each time I picked up the guitar and played a chord, I'd think, "What a gorgeous-sounding guitar this is!"
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#37
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Great post.
As a guy with a tight budget and a family, this place can be tough at times with the wealth of information about getting the exact sound you are searching for. Almost every day someone starts a NGD and my interest / jealousy is sparked once more. This is the exact GAS smashing posts I needed, I think my cheap *** Yammie makes it happen for me... Every time I pick it up. Good luck to you sir, I hope you frequent AGF for many years to come.
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Why would you be reading a signature when there's so much V-Brace stuff to talk about? |
#38
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From where I sit , no wood is more traditional than maple and it is anything but endangered .
The Europeans that found Mahogany , Brazilian Rosewood , Ebony ..... were carrying and playing instruments made of maple and , of course Spruce . Today's world finds a growing number of luthiers challenging the standard formula with great success . With the advent of CITIES , the world of luthery is actually benefitting from a growth and resurgence of creativity that cannot be a bad thing . Be well SM . |