#31
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Your assumption is correct. South American mahogany is becoming more difficult to find in quality good enough to build with. It's the same reason why Martin currently uses Sipo wood on its 15-series. Regarding Larrivee, one can rest assured that Jean Larrivee is sourcing the best wood available to make the best guitars. His travels for wood and knowledge of it is almost legendary. |
#32
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Larrivee switched to Sapele in the early 2000's, but has not used Sapele for many years now. Mathew has stated publicly that they no longer use Sapele and will not do so. The reason is that the dust can trigger a severe allergic reaction similar to Cocobolo. They switched to Khaya years ago. https://en.wikipedia.org/wiki/Khaya
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#33
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Not a Larrivee, but I am looking at getting a smaller bodied guitar with a shorter scale than my standard dreads. Number one on my list is the Sapele back and sided Martin Dreadnought Jr. Sounds pretty good to me.
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Goya CF Martin Maple Epiphone AJ500M Pono D30 Dreadnaught Hagstrom Swede |
#34
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While similar to mahogany in tone, I find it somewhat brighter and not in a good way.
I would not buy a Sapele guitar again as mahogany is right on the cusp for what I like in brightness for a guitar. I own a Martin sapele D15 Slope shoulder and have owned others and find the treble notes too thin and/or trebley. It's got incredible bass and is now my beach guitar so I'm keeping it. Good tonewood, just not for me. |