#16
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A well-known concert guitarist I studied with briefly decades ago said some pieces he would work with for months before he felt concert ready.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#17
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Quote:
Amen to this! Mixing up those slides pull offs and hammer ons each time you play the song keeps it 'alive' and makes it your own. Took me a while to realise this! |
#18
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Quote:
He points out that no matter WHAT the field, the greats became great in large part because they overcame the boredom, where most of us get diverted or just plain give up when the rewards of our effort slow down or stall. The greats work through the boredom and reach levels most of us don't. That applies on large scales, and small, just the same. I try to remember that, and power through the low times to get back to the highs. It usually works.
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Dave F ************* Martins Guilds Gibsons A few others 2020 macbook pro i5 8GB Scarlett 18i20 Reaper 7 |
#19
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Same « issue » as stand up comic : Do not find the joke so funny when ready to perform.
Look at the smile(s) when you play before someone else.
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#20
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Just think how the pros feel.
I heard James Taylor talking about performing Fire and Rain. The interviewer asked him how he continues to play that song (can you imagine how many times he’s played it?). He said that he just starts playing it and then the audience begins to react and it’s that response that keeps it going for him. He said he sometimes gets goosebumps from the audience’s involvement in the song. So, once you learn the song well enough to get bored with it, share it with others and feed off of their reaction. Roger |