#16
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#17
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Just been reading some of the explanations of things and my head is in a spin!
I play in DADGAD all the time and use full, and partial capo's that I've modified myself. I haven't really delved into the why's and wherefores of the notes and keys, ...if it sounds OK then I'm happy.
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http://www.chrismooreacoustic.com |
#18
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There is a " cut " capo by G 7th Capos that goes on over the top like a standard. The pad is cut out to leave 6th string open, and then 2,3 are pressed, 5 & 6 . Placed on second fret sounds great open. Pretty finger picked riffs can be played wih this, and some notes finger ed below the cap on the open strings....
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#19
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There's a very good resource here for the prospective cut-capo-user... https://www.amazon.co.uk/Secrets-3-S...9KC6SM9MXVVXW1
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John McNally OM-32 (Sitka/EIR) (2024) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#20
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#21
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I always thought of the capo-the-top-5-strings-and play in D as the "Norwegian Wood" tuning. Pretty sure that's how Lennon played it - and it's definitely the way I learned to play it.
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#22
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I do John Prine's "Angel From Montgomery" in that 2nd fret pseudo drop D tuning. It works very well.
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